{"version":"1.0","provider_name":"Draamateater","provider_url":"https:\/\/www.draamateater.ee\/en\/","author_name":"Kairi Kruus","author_url":"https:\/\/www.draamateater.ee\/en\/author\/kairi\/","title":"Kapitalist Borkman v\u00f5itleb l\u00f5busalt l\u00f5puni - Draamateater","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"goLw3srPcy\"><a href=\"https:\/\/www.draamateater.ee\/en\/meedia\/kapitalist-borkman-voitleb-lobusalt-lopuni\/\">Kapitalist Borkman v\u00f5itleb l\u00f5busalt l\u00f5puni<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.draamateater.ee\/en\/meedia\/kapitalist-borkman-voitleb-lobusalt-lopuni\/embed\/#?secret=goLw3srPcy\" width=\"600\" height=\"338\" title=\"&#8220;Kapitalist Borkman v\u00f5itleb l\u00f5busalt l\u00f5puni&#8221; &#8212; Draamateater\" data-secret=\"goLw3srPcy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.draamateater.ee\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Andres Laasik, Eesti P\u00e4evaleht, 23.03.2010 Henrik Ibseni lugu l\u00e4bikukkunud \u00e4ri\u00admehest John Gabriel Bork\u00admanist muutus Ingomar Vihmari lavastuses draama asemel stiil\u00adseks ja v\u00e4ljapeetud kom\u00f6\u00f6diaks. Ibseni tegelased on laval v\u00e4ikest viisi sotsiaalselt karikeeritud kujul \u2013 nende pahesid on rasvaselt r\u00f5hutatud. Kui Kersti Kreismann toimetab laval proua Gunhild Borkmanina, on \u00f5ige pea selge, et tegemist on t\u00f5usikliku naisega, [&hellip;]"}