{"version":"1.0","provider_name":"Draamateater","provider_url":"https:\/\/www.draamateater.ee\/en\/","author_name":"Kairi Kruus","author_url":"https:\/\/www.draamateater.ee\/en\/author\/kairi\/","title":"Kas \u00fcks v\u00e4\u00e4rt roll teeb lavastuse huvitavaks? - Draamateater","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cD0P3B079m\"><a href=\"https:\/\/www.draamateater.ee\/en\/meedia\/kas-uks-vaart-roll-teeb-lavastuse-huvitavaks\/\">Kas \u00fcks v\u00e4\u00e4rt roll teeb lavastuse huvitavaks?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.draamateater.ee\/en\/meedia\/kas-uks-vaart-roll-teeb-lavastuse-huvitavaks\/embed\/#?secret=cD0P3B079m\" width=\"600\" height=\"338\" title=\"&#8220;Kas \u00fcks v\u00e4\u00e4rt roll teeb lavastuse huvitavaks?&#8221; &#8212; Draamateater\" data-secret=\"cD0P3B079m\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.draamateater.ee\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Maris Balbat, Sirp, 08.06.2012 Lavastaja Merle Karusoo t\u00e4helepanu paistab olevat koondunud T\u00f5nu Oja tegelaskujule, teised on j\u00e4\u00e4nud omap\u00e4i. Inglise dramaturgi David Hare\u2019i (s\u00fcndinud 1947) n\u00e4idend \u201eThe Vertical Hour\u201d ja Merle Karusoo selle p\u00f5hjal tehtud lavastus \u201eAitamise aeg\u201d pole oma probleemidelt nii Iraagi s\u00f5ja kesksed, nagu seda v\u00f5iks arvata Eesti Draamateatri kavalehe ja ilmunud reklaamartiklite p\u00f5hjal. [&hellip;]"}