{"id":17850,"date":"2021-10-01T12:24:29","date_gmt":"2021-10-01T09:24:29","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=17850"},"modified":"2021-10-01T12:25:04","modified_gmt":"2021-10-01T09:25:04","slug":"meie-ulmad-ongi-meie-tode","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/meie-ulmad-ongi-meie-tode\/","title":{"rendered":"Meie ulmad ongi meie t\u00f5de"},"content":{"rendered":"\n

Pille-Riin Purje, Eesti P\u00e4evaleht, 7.09.2021<\/strong><\/p>\n\n\n\n

Draamateatri uus lavastus \u201eIgatsuse rapsoodia\u201d p\u00f5hineb suuresti peaosat\u00e4itja \u00dclle Kaljuste sarmil.<\/em><\/p>\n\n\n\n

\"T\u00f5nu
T\u00f5nu Oja, \u00dclle Kaljuste lavastuses “Igatsuse rapsoodia”. Foto: Heikki Leis<\/figcaption><\/figure>\n\n\n\n

Iiri n\u00e4itekirjaniku Brian Frieli (1929\u20132015) loomingust on Priit Pedajas n\u00fc\u00fcdseks lavastanud kuus n\u00e4idendit: \u201eImearst\u201d ja \u201eL\u00f5ikuspeo tantsud\u201d kahel korral, esimene oli \u201eT\u00f5lkijad\u201d Endlas (1984), uusim \u201eCass McGuire\u2019i armastused\u201d. See on Frieli varasem n\u00e4idend, p\u00e4rit 1966. aastast. Pealkiri \u201eIgatsuse rapsoodia\u201d m\u00f5jub poeetilisemalt, haakudes kavalehel tsiteeritud autori saates\u00f5naga, kuis kolm n\u00e4idendi tegelast v\u00e4ljenduvad rapsoodiliselt.<\/p>\n\n\n\n

P\u00e4rast esietendust m\u00f5tlesin poolmuigamisi-poolmelanhoolselt, et kui ma alles noor veel olin, siis justkui ei pakutud n\u00f5nda palju lavalugusid vananemisest. Muidugi on see igati loogiline protsess: vananemine koos lavastajate ja n\u00e4itlejatega, elukogemuse ja eluea kaudu muutuvad hingepuudutavad teemad.<\/p>\n\n\n\n

\u201eIgatsuse rapsoodia\u201d lavastus on suuresti rajatud peaosat\u00e4itja \u00dclle Kaljuste sarmile. Cassi roll sisaldab rikkalikult monoloogilisust. Autor kinnitab saates\u00f5nas: \u201e\u2026 pean seda n\u00e4idendit kontserdiks, mille solist on Cass McGuire.\u201d Esietendusel oli oht, et Kaljuste Cassi j\u00f5uline, jultunud, ulakas grotesksus muutub liigagi valdavaks, kuni hakkab vaatajat v\u00e4sitama. Ise\u00e4ranis esimeses vaatuses, kui vaataja t\u00e4helepanu n\u00f5udis m\u00e4ngureeglitega kohanemine. Teises vaatuses lisandus Cassi lavaellu tundlikumaid varjundeid. Suurrolli v\u00f5imaluste ja p\u00f5hjatuse avastamine on alles alanud, Kaljuste m\u00e4nguvabadus veel puhkemas.<\/p>\n\n\n\n

Stiilipuhtaim duett<\/strong>

\u00dcks l\u00e4biv dramaturgiline v\u00f5te on Cassi vahetu p\u00f6\u00f6rdumine saali poole, mis siiski ei t\u00e4henda dialoogi reaalse publikuga, pigem hallutsinatiivsust. V\u00f5i hoopis p\u00e4\u00e4semislootust? Sest enne finaali k\u00f5neleb samamoodi saaliga Eden House\u2019i vanadekodu uus elanik proua Butcher, Mari Lille s\u00fcdikas pu\u00e4nt-sutsakas, teda on lust j\u00e4lgida.<\/p>\n\n\n\n

\u201eKuid k\u00f5ik, mis mul vaesel on, on mu ulmad \/ Olen laotanud ulmad su jalgade ette \/ K\u00e4i tasa, sest see, millel k\u00e4id, on mu ulmad.\u201d<\/p>\n\n\n\n

Neid William Butler Yeatsi luuleridu (\u201eTa igatseb endale taevakangaid\u201d, M\u00e4rt V\u00e4ljataga t\u00f5lge) kordab kui mantrat vanadekodu stiilipuhtaim duett: Trilbe Costello (Viire Valdma) ja h\u00e4rra Ingram (Martin Veinmann). Esietendusel hoolitsesid just nemad kahekesi terviku musikaalsuse eest, tunnetasid ja hoidsid koomika ja luulelisuse, t\u00f5e ja ulmade piiri. Valdma kraadi v\u00f5rra karikeeritumalt ja v\u00f5imukamalt, mis elup\u00f5lise etluskunsti \u00f5petajanna rolli puhul ongi orgaaniline. Veinmann l\u00f5i kontrasti paeluva pastelsuse, ootusp\u00e4ratu h\u00e4\u00e4lekasutuse, vaimuka vaikimise, aegamisi uitamisega.<\/p>\n\n\n\n

Kellelegi on j\u00e4etud ka v\u00f5imalus p\u00e4\u00e4seda Eden House\u2019ist v\u00e4lja ning seda rada k\u00e4ib Pat Quinn (T\u00f5nu Oja) \u2013 libiseva pidetu liikumisjoonise ja rahutu olekuga sell. Pati \u00e4raminek vennapoja farmi ei tundu kaugeltki nii harmoonilise happy end\u2019ina, kui mehike ehk ise loodab v\u00f5i endale sisendab. Enesepettuse, oma tuleviku natukenegi ideaalsemaks m\u00f5tlemise, liialdamise variatsiooni lisab teenijanna Tessa (Amanda Hermiine K\u00fcnnapas), kelle jahe suhtumine Cassi ilmekalt muutub.<\/p>\n\n\n\n

Keerulisem on lahti muukida tegelasi v\u00e4ljaspool vanadekodu, Cassi venna perekonda. Sest nemad on j\u00e4etud teadlikult skemaatilisteks persoonideks: endassesulgunud vend Harry (Ain Lutsepp), ontliku soenguga vennanaine Alice (Laine M\u00e4gi), teismelise tujupuhangutega vennapoeg Dom (M\u00e4rten Metsaviir). K\u00f5ige klaarimana m\u00f5jub siingi memm McGuire (Ester Pajusoo) \u2013 h\u00e4irimatu vana daam ratastoolil troonimas. Kui vend Harry ja tema pere ilmuvad Cassi m\u00e4lupiltidena, vahepeal protestides, p\u00fc\u00fcdes ennast kehtestada, Cassi n\u00e4idendit \u00fcmber kirjutada ja kohendada, siis tekib k\u00fcsimus, miks on nad nii pagana isikup\u00e4ratud. K\u00fcllap on eesm\u00e4rk vastanduda vanadekodu erksav\u00e4rvilisele kambale, aga midagi j\u00e4\u00e4ks ikkagi justkui vajaka, viisakas hillitsetus nagu h\u00e4gustaks ansamblitunnetust, \u00f5\u00f5nestaks \u017eanri krutsklikkust.<\/p>\n\n\n\n

Ei suutnudki m\u00f5ista<\/strong>

Ja viimaks tunnistan \u00fcles, et see on \u00fcks haruharvu kordi, kui ma ei suutnudki m\u00f5ista Pille J\u00e4nese stsenograafia v\u00f5tit ega t\u00e4hendust. Kusjuures ma t\u00f5esti nii v\u00e4ga p\u00fc\u00fcdsin. Sest see pidi ju ometi olema \u00fclimalt teadlik valik: v\u00e4ikest lava julmalt ahendavad, pimestava v\u00e4rvikirevusega n\u00e4itlejaid suisa ahistavad seinad. Kujutluste territooriumi absoluutne v\u00e4listamine. Ainus, mida oskan t\u00f5lgenduseks kokku luuletada, ongi vanadekodu kui keskkonna maitsetus, \u00fcmbruse hingemattev talumatus. Millest v\u00e4lja murda saab ainult h\u00e4mara saali poole p\u00f6\u00f6rdudes v\u00f5i vahek\u00e4ikudes omas r\u00fctmis kulgedes. Ent kusagilgi lavaruumis peaks end ilmutama t\u00f5e ja ulmade ristumise paik, v\u00e4lja valgustuma igatsuse rapsoodia territoorium?!<\/p>\n\n\n\n

\u00dclle Kaljuste p\u00f5nevate v\u00f5imalustega roll kirgastub ja maheneb finaalis, kui Cass hakkab leebuma, \u00fcmbritsevat reaalsust aktsepteerima ega p\u00fc\u00fcagi enam neljandat seina l\u00e4bistada. Cass liitub Trilbe ja Ingrami igatsusrefr\u00e4\u00e4niga: \u201eMeie t\u00f5de.\u201d J\u00e4\u00e4b vaid k\u00fcsimus: mis on reaalsus? Kas kohanemine, vanadekoduga leppimine t\u00e4histab m\u00f5istuse selginemist v\u00f5i hiiliva seniilsuse algust, ei suuda meie saalis otsustada. Ja on see \u00fcldse t\u00e4htis? Veendunud valik, tagasip\u00f6\u00f6rdumatu otsus, et meie ainus t\u00f5de ongi meie ulmad \u2013 see j\u00e4\u00e4b saalist lahkudes kumisema Frieli n\u00e4item\u00e4ngu s\u00f5numina. Siin peitub lohutus.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Lavastusest l\u00e4hemalt<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Eesti P\u00e4evaleht, 7.09.2021 Draamateatri uus lavastus \u201eIgatsuse rapsoodia\u201d p\u00f5hineb suuresti peaosat\u00e4itja \u00dclle Kaljuste sarmil. Iiri n\u00e4itekirjaniku Brian Frieli (1929\u20132015) loomingust on Priit Pedajas n\u00fc\u00fcdseks lavastanud kuus n\u00e4idendit: \u201eImearst\u201d ja \u201eL\u00f5ikuspeo tantsud\u201d kahel korral, esimene oli \u201eT\u00f5lkijad\u201d Endlas (1984), uusim \u201eCass McGuire\u2019i armastused\u201d. See on Frieli varasem n\u00e4idend, p\u00e4rit 1966. aastast. Pealkiri \u201eIgatsuse rapsoodia\u201d […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[379,382,83,385,381,386,384,388,105,324,383,101,117],"class_list":["post-17850","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-ain-lutsepp","tag-brian-friel","tag-draamateater","tag-ester-pajusoo","tag-igatsuse-rapsoodia","tag-laine-magi","tag-marten-metsaviir","tag-pille-janes","tag-priit-pedajas","tag-tonu-oja","tag-ulle-kaljuste","tag-vaike-saal","tag-viire-valdma"],"acf":[],"yoast_head":"\n"Meie ulmad ongi meie t\u00f5de"- arvustus - Draamateater<\/title>\n<meta name=\"description\" content=\"Pille-Riin Purje kirjutab Priit Pedajase lavastusest "Igatsuse rapsoodia", peaosas \u00dclle Kaljuste (esietendus 4.09.2021 Eesti Draamateatri v\u00e4ikeses saalis.)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/meie-ulmad-ongi-meie-tode\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Meie ulmad ongi meie t\u00f5de" - 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