{"id":18505,"date":"2021-10-26T15:17:55","date_gmt":"2021-10-26T12:17:55","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=18505"},"modified":"2021-10-26T15:17:56","modified_gmt":"2021-10-26T12:17:56","slug":"igatsus-mis-purunes-kildudeks","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/igatsus-mis-purunes-kildudeks\/","title":{"rendered":"Igatsus, mis purunes kildudeks"},"content":{"rendered":"\n

Heili Sibrits, Postimees, 14.10.2021<\/strong><\/p>\n\n\n\n

Kui k\u00fcsitaks, et kelle moodi ma tahaks olla, siis vastaksin: \u00dclle Kaljuste. Ta on imeline n\u00e4itleja, kelle p\u00e4rast ma ikka ja j\u00e4lle l\u00e4hen teatrisse. Kuigi ma teda ei tunne, arvan siiski, et ta on \u00fclimalt \u00e4ge inimesena, naisena. Temas on s\u00e4rtsu ja j\u00f5udu. Ilu ja tarkust. Karakterit. Stiili.<\/em><\/p>\n\n\n\n

\"Ain
Ain Lutsepp, Laine M\u00e4gi, \u00dclle Kaljuste. Foto: Heikki Leis<\/figcaption><\/figure>\n\n\n\n

\u00dclle Kaljuste on ka v\u00e4ikestes rollides sageli \u00fcks p\u00f5nevamaid laval olijaid \u2013 v\u00f5ib-olla just seep\u00e4rast \u2013, olen aga Eesti Draamateatri saalis istudes igatsenud n\u00e4ha tema suurt lavastust. Sellist, mis oleks tema p\u00e4ralt, et ta saaks lustida, j\u00f5uda peensusteni, mis sutsakates on selgelt aimatavad, kuid mille arendamiseks pole aega ega ruumi v\u00f5i p\u00f5hjust.<\/p>\n\n\n\n

Priit Pedajase lavastatud \u00abIgatsuse rapsoodia\u00bb t\u00f5otas olla just selline. Etteruttavalt \u00fctlen, et \u00dclle Kaljuste oligi suurep\u00e4rane, aga minu hinnangul oleks see lugu m\u00f5juvam olnud monot\u00fckina. V\u00f5i siis kahe n\u00e4itleja lavastusena, nagu oli 2005. aastal Eesti Draamateatris esietendunud \u00abMinu oivaline lahutus\u00bb, kus \u00dclle Kaljustele pakkus peaaegu n\u00e4htamatut partnerlust (ja see on kompliment) Taavi Teplenkov.<\/p>\n\n\n\n

Draamateater tutvustab \u00abIgatsuse rapsoodiat\u00bb j\u00e4rgmiselt: \u00abIirlanna Cass tuleb tagasi koju, Iirimaale. Ta on viisk\u00fcmmend aastat Ameerikas rasket t\u00f6\u00f6d teinud ja m\u00f5ndagi valusat l\u00e4bi elanud. Cass loodab leida rahusadama oma kalli venna peres ja igatsetud kodumaal. Kuid seal pole miski nii, nagu ta lootis, iga\u00fchel on oma varjatud mured ja teda ei vajata. Cass ei saa oma kodu, kuid leiab siiski pelgupaiga. Koos teiste pansionaadiasukatega elab ta m\u00e4lestustes, millest ajapikku voolab kibedus v\u00e4lja ning need muutuvad unistusteks ja legendideks.\u00bb<\/p>\n\n\n\n

V\u00e4rvika Cassi rolli m\u00e4ngib \u00dclle Kaljuste. Ta on t\u00e4pselt nii bravuurikas ning \u00f5rn, nagu v\u00f5iks olla \u00fcks New Yorgi urkas baaridaamina \u00abl\u00e4bi l\u00f6\u00f6nud\u00bb mutt. Eriti kui see mutt alustab juba hommikut v\u00e4ikese napsuga, aga mitte pitsi, vaid pudelikesega.<\/p>\n\n\n\n

Iiri n\u00e4itekirjaniku Brian Freili \u00abIgatsuse rapsoodia\u00bb tegeleb mitme Eestis olulise teemaga. Joomine, mis nurjab Cassi plaanid, j\u00e4\u00e4b lavastuses peaaegu n\u00e4htamatuks tapeediks, mis on m\u00f5istetav \u2013 lugu vaadatakse ju peategelase silme l\u00e4bi ja ootusp\u00e4raselt tema trimpsutamist segavaks ei pea, vaid pigem elus edasi aitavaks tegevuseks. Ilma lonksuta ei talu Cass seda maailma.<\/p>\n\n\n\n

Pedajas on fookusesse t\u00f5stnud unistuse\/ulmade purunemise ning leppimise. Leppimist aga ei n\u00e4idata kibestumisena, vaid oskuse ja tahtena uut vastu v\u00f5tta ning sellest ka r\u00f5\u00f5mu tunda. Seega Pedajase lavastus on eluusku s\u00fcstiva eesm\u00e4rgiga.<\/p>\n\n\n\n

\u00abIgatsuse rapsoodia\u00bb taotleb koomilisust, seda r\u00f5hutakse laval nii liikumise kui kost\u00fc\u00fcmidega. N\u00e4idendit mitte lugenuna ei tea ma, kas see on lavastaja idee v\u00f5i n\u00e4itekirjaniku kindel r\u00f5huasetus, ent soov vinti \u00fcle keerata saabki minu hinnangul lavastusele saatuslikuks.<\/p>\n\n\n\n

Martin Veinmann, Viire Valdma, Ain Lutsepp, Laine M\u00e4gi m\u00f5juvad kohati kui keskea \u00fcletanud harrastusn\u00e4itlejad, kes p\u00fc\u00fcavad kehastada kummalisi vanu inimesi. Ent tulemus pole naljakas v\u00f5i huvitav (nagu see oli Pedajase kolm aastat tagasi etendunud \u00abIsamaa p\u00e4\u00e4sukestes\u00bb, kus koomiline v\u00f5ti kandis loo l\u00f5puni ja oli \u00f5igustatud), vaid kohati valusalt piinlik.<\/p>\n\n\n\n

Priit Pedajas on tugev vana kooli lavastaja, me m\u00e4letame teda ka meisterliku ps\u00fchholoogilise teatri tegijana. Iseenesest on tervitatav, kui suurte kogemustega n\u00e4itlejad, kellele sageli heidetakse ette just mugavusse langemist, tahavad rolle luues ka oma kehaga m\u00e4ngida, teha midagi teistmoodi. Aga sel korral katse ei \u00f5nnestu, iga kord ei saagi.<\/p>\n\n\n\n

Etenduse l\u00f5pustseenides satub pansionaati uus elanik \u2013 Mari Lill ei lisa oma tegelasse liigseid v\u00e4rve, ta ei p\u00fc\u00fca olla vana naine, kes k\u00e4itub ja liigub r\u00f5hutatult imelikult, ta ongi eakas naine. Punkt. Tema imepisikese taarumisega sammust olulisem on hingeline segadus, tema trots uue koha ja eluetapi vastu, mis kiirgab saali. Nii toobki Lill lavale oma olekuga elu ja p\u00f5nevuse, mul tekib huvi \u2013 kes ta on, miks ta on siin, kuidas ta suhestub Cassiga\u2026<\/p>\n\n\n\n

Koomilisusega peab piiri ka T\u00f5nu Oja, kelle Pat Quinnis v\u00f5ib leida \u00abAabitsa kuke\u00bb Maunot, aga see pole oluline, oluline on rolli terviklikkus ja p\u00f5nev p\u00f5rkumine peategelasega. \u00abIgatsuse rapsoodia\u00bb potentsiaali n\u00e4ebki Oja ja Kaljuste dialoogides, Kaljuste \u00fcksinda laval olekus v\u00f5i Mari Lille viimases stseenis.<\/p>\n\n\n\n

T\u00f5si, Cassi venna perekond (Ain Lutsepp, Laine M\u00e4gi, M\u00e4rten Metsaviir) pole samuti koomilisusega \u00fcle pingutanud, ent nad on nii visandlikult kramplikud, et m\u00f5juvad laval \u00fcleliigsena. Seet\u00f5ttu oleks m\u00e4rksa p\u00f5nevam Cassi venda, nende kunagist l\u00e4hedust ning siis reaalsusega silmitsi seismist naise monoloogide abil ette kujutada. Sest just oma lugu Cass ju publikule jutustab, mitmeid kordu r\u00f5hutatult saali p\u00f6\u00f6rdudes, olgu ta mineviku-olevikupilt pisut \u00e4hmane vanadusest v\u00f5i alkoholist, polegi oluline. Tema n\u00e4eb oma elu just nii, nagu n\u00e4eb.<\/p>\n\n\n\n

\u00abIgatsuse rapsoodia\u00bb on vaatamata oma optimistlikule s\u00f5numile ja koomilisusep\u00fc\u00fcule nukker. K\u00f5ikide tegelaste igatsuste \u00e4pardumise v\u00f5tab kokku Amanda Hermiine K\u00fcnnapase nooruke Tessa \u2013 t\u00fcdruk veel loodab, aga meie saalis teame juba, et ta on tegemas elus valikuid, mis ei too \u00f5nne, perekonda, l\u00e4hedust seal, kus ta sellest unistab.<\/p>\n\n\n\n

Mina l\u00e4ksin \u00abIgatsuse rapsoodiat\u00bb vaatama suure elevuse ja ootusega, v\u00f5ib-olla liiga suurega. Eesti Draamateater on suutnud viimasel ajal \u00fcllatada, pakkunud v\u00f5imsaid teatrihetki. Priit Pedajase viimased t\u00f6\u00f6d on samuti n\u00e4idanud, et maja juhtimise koormast vabanemine on talle kui lavastajale h\u00e4sti m\u00f5junud, ent \u00abIgatsuse rapsoodia\u00bb pole kindlasti ei Pedajase ega ka Eesti Draamateatri tugevaim sooritus.<\/p>\n\n\n\n

Allikas: https:\/\/kultuur.postimees.ee\/7361825\/igatsus-mis-purunes-kildudeks<\/p>\n\n\n\n

Lavastusest l\u00e4hemalt<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Heili Sibrits, Postimees, 14.10.2021 Kui k\u00fcsitaks, et kelle moodi ma tahaks olla, siis vastaksin: \u00dclle Kaljuste. Ta on imeline n\u00e4itleja, kelle p\u00e4rast ma ikka ja j\u00e4lle l\u00e4hen teatrisse. Kuigi ma teda ei tunne, arvan siiski, et ta on \u00fclimalt \u00e4ge inimesena, naisena. Temas on s\u00e4rtsu ja j\u00f5udu. Ilu ja tarkust. Karakterit. Stiili. \u00dclle Kaljuste on […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[84,83,195,381,111,105,383,101],"class_list":["post-18505","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arvustus","tag-draamateater","tag-heili-sibrits","tag-igatsuse-rapsoodia","tag-postimees","tag-priit-pedajas","tag-ulle-kaljuste","tag-vaike-saal"],"acf":[],"yoast_head":"\n"Igatsus, mis purunes kildudeks"- arvustus - Draamateater<\/title>\n<meta name=\"description\" content=\"Heili Sibrits kirjutab Priit Pedajase lavastusest "Igatsuse rapsoodia" (esietendus 4. septembril 2021 Draamateatri v\u00e4ikeses saalis).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/igatsus-mis-purunes-kildudeks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Igatsus, mis purunes kildudeks" - arvustus\" \/>\n<meta property=\"og:description\" content=\"Heili Sibrits kirjutab Priit Pedajase lavastusest "Igatsuse rapsoodia". 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