{"id":20384,"date":"2022-02-22T12:47:18","date_gmt":"2022-02-22T09:47:18","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=20384"},"modified":"2022-02-22T12:47:35","modified_gmt":"2022-02-22T09:47:35","slug":"kas-pang-on-tuhi-voi-tais","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/kas-pang-on-tuhi-voi-tais\/","title":{"rendered":"Kas pang on t\u00fchi v\u00f5i t\u00e4is?"},"content":{"rendered":"\n

Auri J\u00fcrna, Sirp, 18.02.2022<\/p>\n\n\n\n

\"\"
J\u00fcri Tiiduse Aston on oma vaikuses, aeglases unistamises ja poolikutes m\u00e4lestustes k\u00f5ige huvitavam tegelane. Heikki Leisi foto<\/figcaption><\/figure>\n\n\n\n

\u201eMajahoidjas\u201c on palju tabavaid, humoorikaid detaile alates idamaistest kingadest, liikuvast seinakontaktist ja miniatuursest noast kuni autosignaalist algava muusika ja poeetilise ehituskileni.<\/em><\/p>\n\n\n\n

Igal p\u00f5lvkonnal on oma iidolid, oma lemmikideed ja kultusteosed. Need, mis seostuvad just selle p\u00f5lvkonna aktiivseima eaga, toovad nostalgilist \u00e4ratundmist ja sooja mineviku kaja. Tagantj\u00e4rele on uutel p\u00f5lvkondadel ehk keeruline m\u00f5ista, miks just m\u00f5ned autorid omandasid eelk\u00e4ijatele nii suure t\u00e4htsuse ja teised mitte, aga t\u00e4htsus ise on ilmselge innust, millega \u00fchtede ja samade teoste juurde tagasi p\u00f6\u00f6rdutakse. On Pintergi autor, kelle tekstid naudivad seesugust kestvat t\u00e4helepanu siiani. Iseasi, kas ja kui s\u00fcgavalt noorem vaataja m\u00f5istab, miks.<\/p>\n\n\n\n

Hendrik Toompere uusversioon Harold Pinteri \u201eMajahoidjast\u201c Eesti Draamateatris on, nagu korduvalt selle n\u00e4idendi kohta \u00f6eldud, \u201enaljakas, aga teatud piirini\u201c. Tagantj\u00e4rele tundub, et Toompere oligi v\u00f5tnud suuna selle piiratud nalja poole, sest humoorikaid detaile on \u201eMajahoidjas\u201c \u00fcksjagu \u2013 pisiasju lava- ja helikujunduses ning rekvisiitides, mida lavastaja on ootamatult koomiliselt t\u00f5lgendanud. Ometi j\u00e4\u00e4b suur osa neist teatud piiri taha pidama ega seostu s\u00fcgavamalt \u201eMajahoidja\u201c sisu ega eesm\u00e4rgiga. \u00dclej\u00e4\u00e4nud tegevus k\u00f5igub kuskil realismi piiril, kerge absurdi l\u00f5hna sees.<\/p>\n\n\n\n

Iseenesest on v\u00e4ikese ehitusplatsi t\u00fchjus ja segadus ideaalne keskkond \u00fcksildaste, pidetute inimeste kujutamiseks ning Toompere, J\u00fcri Tiiduse ja Kristo Viidingu tegelaskujud joonistuvad selles v\u00e4lja suurep\u00e4raselt. Nende t\u00e4iesti erisugused sisemaailmad t\u00f5ukuvad ja t\u00f5mbuvad, k\u00fclvavad segadust ja \u00e4ratundmist ning j\u00f5uavad iga\u00fcks hetkeks publiku kaastundeni, et seej\u00e4rel kohe uuesti oma urgu tagasi pugeda.<\/p>\n\n\n\n

Toompere Davies on etteaimatavalt toomperelik, jutukas, ebakindel ja konfliktne sebija, kes p\u00fc\u00fcab k\u00f5igest hingest oma nahka p\u00e4\u00e4sta. Viidingu Mick kui klassikaline k\u00f5igeteadja elumees teeb s\u00f5nadega luksusliku h\u00e4\u00e4rberi, ent f\u00fc\u00fcsiliselt midagi ei m\u00f5juta. Tema Mick on kui jultunud m\u00fc\u00fcgimees kaubanduskeskuses, kellest k\u00f5ik kaarega m\u00f6\u00f6da k\u00e4ivad, v\u00f5i kui viksitud kingadega ehitaja, kes aina planeerib. Tiiduse Aston on aga oma vaikuses, aeglases unistamises ja poolikutes m\u00e4lestustes k\u00f5ige huvitavam tegelane, eriti ehitusplatsi korratuse ja teiste jutuvada taustal. Oma viljatus tegutsemises ja v\u00e4ikestes eesm\u00e4rkides on ta k\u00f5ige inimlikum, ehk k\u00f5ige lootusrikkamgi, sest erinevalt Daviese ja Astoni suurejoonelistest ambitsioonidest on v\u00e4ike kuur ja t\u00f5rvatud katus siiski saavutatav, isegi kui ta selleni kunagi ei j\u00f5ua.<\/p>\n\n\n\n

On t\u00f5eliselt kahju, et selle arvustuse kirjutamise hetkeks polnud \u00fchegi teise vaataja muljetamist ilmunud \u2013 kangesti oleks olnud vaja kellegi targema arvamust lugeda, sest p\u00e4rast vaatamist ja Pinteri teksti \u00fclelugemist j\u00e4i mulle siiski \u00fcht-teist segaseks. See v\u00e4ike ja oluline \u201emiks\u201c. Asi ei ole ju selles, et \u201eMajahoidja\u201c ongi oma olemuselt n\u00e4idend, mille jooksul midagi p\u00f5rutavat ei juhtu. Palju on neid suurep\u00e4raseid n\u00e4idendeid, kus midagi ei juhtu \u2013 ja ometi juhtub, ometi s\u00fcnnib suuri olulisi ideid, murdub m\u00f5ni alustala v\u00f5i selgineb udu. K\u00fcsimus on, miks on seda siin ja praegu vaja?<\/p>\n\n\n\n

Lavastuse tutvustus lisab segadust, levitades kirjeldust, millel laval toimuvaga mingit seost pole: \u201eLaval on kaks venda, kes kinnisvara arendama hakkavad. \u00dcks on nii rikkaks saanud, et sooviks n\u00fc\u00fcd oma k\u00e4tega midagi t\u00f5elist teha, n\u00e4iteks kuuri ehitada, kuigi tal on kuldklotser ja ka\u0161miirmantel. Teine vend genereerib ideid, kuidas t\u00e4iuslikult k\u00f5rghooneid sisustada. Kuna nende \u00e4riideoloogiad ei kattu, tuuakse majja \u00fcks kogenud inimene. Majavalitsejaks. Ja tuba saab kujundatud \u2013 no see pole enam korter, see on loss! Aga \u00e4kki \u2026 \u00c4kki on see, kes tuli, hoopis vendade isa?\u201c<\/p>\n\n\n\n

Mida see t\u00e4hendab? Ja Toompere maalid, mida n-\u00f6 lavastuse v\u00f5tmena esitletakse, on nagu abstraktne kunst ikka: kaunis v\u00e4rvigamma ja taust, mis aitab lavastuse m\u00f5testamisel vaid lavastajat, mitte vaatajat. See k\u00f5ik tekitab k\u00fcsimuse, kas Toompere otsus oma lavastuses nimiosa m\u00e4ngida oli ikka k\u00f5ige \u00f5igem. Kuigi lavastajaid ja re\u017eiss\u00f6\u00f6re, kes ise oma teostes m\u00e4ngivad, on omajagu palju, peitub selles oht, et kapteni kindel k\u00e4si ja v\u00e4rske pilk kaob detailidesse. \u201eMajahoidjas\u201c on puudu suur pilt, \u00fchtne siht ja suund ning s\u00f5num. See v\u00e4ike \u201emiks\u201c.<\/p>\n\n\n\n

Nagu juba \u00f6eldud, on \u201eMajahoidjas\u201c palju tabavaid, humoorikaid detaile alates idamaistest kingadest, liikuvast seinakontaktist ja miniatuursest noast kuni autosignaalist algava muusika ja poeetilise ehituskileni. Ja mitmel korral (eriti \u00fcleminekustseenides) tekib kuhjuvatest detailidest hurmavalt paeluvad momendid, peaaegu (\u00f5udus)unen\u00e4olised eikellegimaad, mis v\u00f5iks v\u00f5tme anda m\u00f5ne tegelase v\u00f5i lavastuse terviku kohta.<\/p>\n\n\n\n

Aga on ka palju Pinteri-aegseid koha- ja ajaspetsiifilisi n\u00e4htusi, mis praegusele vaatajale midagi ei \u00fctle. Eks see on klassika puhul alati oht ning sageli p\u00f5hjus, miks lavastajad tekste vastavalt oma maitsele kohendavad. Seejuures tekib sel juhul k\u00fcsimus, miks Toompere on j\u00e4tnud dialoogidesse sisse palju m\u00f6\u00f6dunud aja m\u00f5isteid, aga ometi ei pea kinni Pinteri kirjutatust Daviese tekstis, segades oma k\u00f5nesse hulganisti isiklikke parasiits\u00f5nu, mis tema tegelast labastavad. Mis piirini on autori tekst p\u00fcha ja mis hetkel kaalub uue aja m\u00f5istmatus kultusteose v\u00e4\u00e4rtuse \u00fcles?<\/p>\n\n\n\n

Harold Pinter ja tema \u201eMajahoidja\u201c on moodne klassika ning seda staatust ei muuda \u00fckski interpretatsioon. Tema jahedad, tuikavalt valusad tekstid ja \u00fcksildased tegelased on \u00e4ratuntavad igal ajal igas vanuses publikule. Neid vestlusi, mil k\u00f5ik teineteist kuulmata oma sisemonoloogi valjusti r\u00e4\u00e4givad, on t\u00e4is nii teatrid, baarid kui videovestlused ning panged, kuhu l\u00f5pmata vihmavett tilgub, ripub m\u00e4rkamatult paljudes tubades. \u201eKuidas l\u00e4heb\u201c k\u00fcsimusele vastatakse refleksiivselt \u201eh\u00e4sti\u201c ja katuse parandamine j\u00e4\u00e4b aina tulevikuplaaniks, selleks ajaks, mil ilm paraneb. \u201eAga mis te teete, kui see pang t\u00e4is saab?\u201c on k\u00fcsimus, mida aina v\u00e4hem k\u00fcsitakse, kas siis t\u00e4helepanematusest, hoolimatusest v\u00f5i hirmust. Tekib k\u00fcsimus, kas neid noori vihaseid mehi, keda Pinter inspireeris, on \u00fcldse veel. V\u00f5i on neil uus oma Pinter?<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Auri J\u00fcrna, Sirp, 18.02.2022 \u201eMajahoidjas\u201c on palju tabavaid, humoorikaid detaile alates idamaistest kingadest, liikuvast seinakontaktist ja miniatuursest noast kuni autosignaalist algava muusika ja poeetilise ehituskileni. Igal p\u00f5lvkonnal on oma iidolid, oma lemmikideed ja kultusteosed. Need, mis seostuvad just selle p\u00f5lvkonna aktiivseima eaga, toovad nostalgilist \u00e4ratundmist ja sooja mineviku kaja. Tagantj\u00e4rele on uutel p\u00f5lvkondadel ehk keeruline […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[720,718,94,371,238,717],"class_list":["post-20384","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-auri-jurna","tag-harold-pinter","tag-hendrik-toompere","tag-juri-tiidus","tag-kristo-viiding","tag-majahoidja"],"acf":[],"yoast_head":"\nKas pang on t\u00fchi v\u00f5i t\u00e4is? - Draamateater<\/title>\n<meta name=\"description\" content=\"Auri J\u00fcrna arvustus Sirbis lavastusele "Majahoidja", mis esietendus 5. veebruaruil 2022 Draamateatri v\u00e4ikses saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/kas-pang-on-tuhi-voi-tais\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kas pang on t\u00fchi v\u00f5i t\u00e4is? 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