{"id":22123,"date":"2022-06-03T15:06:49","date_gmt":"2022-06-03T12:06:49","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=22123"},"modified":"2022-06-03T15:11:02","modified_gmt":"2022-06-03T12:11:02","slug":"noore-taluperemehe-hinges-koliseb-jaa","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/noore-taluperemehe-hinges-koliseb-jaa\/","title":{"rendered":"Noore taluperemehe hinges k\u00f5liseb j\u00e4\u00e4"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 04.04.2022<\/p>\n\n\n\n

\"\"
Christopher Rajaveer ja Teele P\u00e4rn lavaloos \u201ePuud olid, puud olid hellad velled\u201c, lavastaja ja helikujundaja Priit Pedajas. Foto: Heikki Leis<\/figcaption><\/figure>\n\n\n\n

\u2013 K\u00f5ik lavastused v\u00f5iks laias laastus jaotada kahte leeri.
\u2013 Peksukaristuse t\u00e4ideviimine, lavatagune tume vitsavihin ja karjed on s\u00fcnge refr\u00e4\u00e4n.
\u2013 \u201e\u00dcits asi om elu, t\u00f5ne asi unen\u00e4gu.\u201c<\/p>\n\n\n\n

Lavastused v\u00f5iks jaotada kahte leeri, laias laastus ja lihtsustatult m\u00f5istagi. Need, mis kisuvad vaataja kaasa oma andekasse kujundikeerisesse, \u00fcllatavad, raputavad. Ja nood teised, mida j\u00e4lgides tuleb saalis omajagu t\u00f6\u00f6d teha ja vaeva n\u00e4ha, ise pidevalt t\u00e4hendusi juurde luua. Priit Pedajase uuslavastus kuulub sinna teise liiki.<\/em><\/p>\n\n\n\n

Mats Traadi l\u00fchiromaan \u201ePuud olid, puud olid hellad velled\u201c (1979), proloog j\u00f5giromaanile \u201eMinge \u00fcles m\u00e4gedele\u201c, on kontsentreeritud, poeetiline, sugestiivne tekst, mis j\u00e4\u00e4nud m\u00e4llu kumisema. Taipasin teatrisaalis, et m\u00e4letan Traadi s\u00f5nu ja stiili palju selgemini, kui arvasin. Kahjuks ei ole ma n\u00e4inud Merle Karusoo lavastust 9. lennuga (Noorsooteater 1979), mille s\u00f5numit tingimata v\u00f5imendas aeg, koos lavakatudengite energiaga.<\/p>\n\n\n\n

Ilusa kokkusattumusena n\u00e4gin p\u00e4ev p\u00e4rast Pedajase lavastust lavakooli 31. lennu lavak\u00f5ne kava \u201eAbc-kir\u00e4oppusest Traadi Matsi ja Shakespeare\u2019i Williamini\u201c, juhendaja Anu Lamp, kus l\u00f5unaeesti keeled k\u00f5lavad kui muusika. Noored esitasid ka s\u00f5lmkatkendeid romaanist \u201ePuud olid\u2026\u201c, lisades tingliku, luulelise salam\u00f5\u00f5tme. Selle v\u00f5rdluse taustal oli Pedajase lavastuses \u201etartu kiilt\u201c \u00fcksjagu vaevalisem kuulatada ja lausetest aru saada, ehkki muusikaks muundusid s\u00f5nad tasahaaval ometigi.<\/p>\n\n\n\n

Peategelasele, nii aastatelt kui hingeilmalt veel poisiohtu Hind Raudsepale, on kanda antud r\u00e4nk koorem: isa ja vanem vend surid, Hind hakaku taluperemeheks. \u00dcle j\u00f5u k\u00e4ivaks muudab selle \u00fclesande, lisaks Palanum\u00e4e Hinnu unistavale hingelaadile, vaesus ja armutu aeg, 1840ndad. Peksukaristuse m\u00e4\u00e4ramine ja kohene t\u00e4ideviimine, lavatagune tume vitsavihin ja karjed on s\u00fcnge refr\u00e4\u00e4n, aga kohtumeestele vaid t\u00fclpinud rutiin.<\/p>\n\n\n\n

N\u00f5ndamoodi Jaan Rekkori M\u00fcllerson ja Taavi Teplenkovi Evert Ajalik oma ametit peavadki, kord tiba karmimalt, kord kahjur\u00f5\u00f5msalt, parastav kuradike silmanurgas. T\u00f5nu Kargu Siimon Kaiv lisab kamaluga lodevat sadismi, piirates ja piinates Martin Veinmanni l\u00e4bipekstud M\u00e4rt J\u00f5ksi, usuvahetuse segadikus tuiavat mehikest. Kaie Mihkelson M\u00e4rdi naise Alajaani Mari rollis poetab oma peot\u00e4ie enesestm\u00f5istetavat muserdatust, paatoseta argist ilmaelukest.<\/p>\n\n\n\n

\u201ePuud olid\u2026\u201c sobiks mentaalsuselt pigem v\u00e4ikesesse saali, kus publikut j\u00e4tkuks kauemaks. Vastuse, miks siiski valitud suur saal, annab Pille J\u00e4nese kunstnikut\u00f6\u00f6, Tauno Makke videokujundus, Kaido Miku valguskujundus. Suure lava avarus, hellad velled puud tuuletuhinas ekraanil, mets kui Hinnu kohtumispaik surnud isaga, Palanum\u00e4e p\u00f5lemise trag\u00f6\u00f6dia \u2013 hingav kujundus peegeldab Traadi romaani poeesiat tundlikumalt kui n\u00e4itlejate skemaatilisem rolliloome.<\/p>\n\n\n\n

S\u00fcvaps\u00fchholoogia, siseilmade paotamine ei n\u00e4i olevat Pedajase eesm\u00e4rk, pigem sujub ja kulgeb lavastus kui koreograafilise joonisega vaatem\u00e4ng, kus veiklevad lavastaja autotsitaadid varasemast. Ise\u00e4ranis toob endaga m\u00e4lestusi Hilje Mureli helelehviv t\u00fcdruk Ell, keda vaadates meenub Madis K\u00f5ivu \u201ePeiarite \u00f5htun\u00e4itus\u201c (18. lennu diplomilavastus, 1997).<\/p>\n\n\n\n

Palanum\u00e4e noorrahval tuleb laval hoida imelikku tasakaalu kerguse ja \u00e4ngi piiril. Christopher Rajaveer Hind Raudsepa osas p\u00fcsib vaevatud vaatlejana, valuiilides abitult peast kinni kahmates. Jan Ehrenbergi orvuke Moorits toetab ja kannab Hinnu teemat hapra elukurbusega. Karmo Nigula laiskust eluviisina harrastav sulane Jaak Eli t\u00fc\u00fcrib pigem kuhugi Hugo Raudsepa \u201eVedelvorsti\u201c kanti, koos Mureli Elliga nad justkui tahaksivad tantsiskleda teise aega ja teise \u017eanrisse, publikut kutsuvalt \u00fches viibates.<\/p>\n\n\n\n

Teele P\u00e4rna virtin Paabu on lavastuse l\u00e4bivalt t\u00e4pseim roll. R\u00f5\u00f5mustavalt prii on tegelaskuju P\u00e4rna m\u00f5ndagi rolli ehk \u00fclem\u00e4\u00e4ra kimbutanud j\u00f5ulisest kompromissitusest. Paabu askeldab ja toimetab talus lennukalt ja kergelt, ent Elli pidetu kergluseta. Paabu on ilmasammas, kelle ligiolek elluj\u00e4\u00e4mislootust sisendab.<\/p>\n\n\n\n

P\u00e4rna duettm\u00e4ng T\u00f5nu Oja sarmika peiarina kohmerdava Pakk-r\u00e4tsepaga on lavastuse helgeim moment. (Teatrilooline v\u00f5lu peitub t\u00f5igas, et T\u00f5nu Oja tudengina ka sedasinast r\u00e4tsepat m\u00e4ngis!) Paabult kasukam\u00f5\u00f5tude v\u00f5tmise m\u00e4nglev musikaalne rituaal, t\u00fcdruku k\u00e4ed kerkimas kui lennuvalmis tiivad, silmis imestlev salar\u00f5\u00f5m \u2013 korraks suudavad n\u00e4itlejad puudutada Traadi loojutustamise luulem\u00f5\u00f5det.<\/p>\n\n\n\n

Aga oh paraku: \u201e\u00dcits asi om elu, t\u00f5ne asi unen\u00e4gu. Talumiis tehku omma t\u00fc\u00fcd, aagu omma asju, unen\u00e4o j\u00e4\u00e4gu vilussohvele.\u201c Nii tardub, nii j\u00e4\u00e4tub \u00fc\u00fcrikese \u00f5nnelootuse kaotanud Hind, vokk s\u00fcles, ootama r\u00e4ndu k\u00fclmale maale. Koju j\u00f5udnud vaataja aga haarab hingepidemeks riiulist Mats Traadi j\u00f5giromaani esimese k\u00f6ite ja asutab j\u00e4lle kord lugema\u2026<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 04.04.2022 \u2013 K\u00f5ik lavastused v\u00f5iks laias laastus jaotada kahte leeri.\u2013 Peksukaristuse t\u00e4ideviimine, lavatagune tume vitsavihin ja karjed on s\u00fcnge refr\u00e4\u00e4n.\u2013 \u201e\u00dcits asi om elu, t\u00f5ne asi unen\u00e4gu.\u201c Lavastused v\u00f5iks jaotada kahte leeri, laias laastus ja lihtsustatult m\u00f5istagi. Need, mis kisuvad vaataja kaasa oma andekasse kujundikeerisesse, \u00fcllatavad, raputavad. Ja nood teised, mida j\u00e4lgides […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[146,320,477,326,711,793,162,794,170,668,211,85,105,116,788,169,115,324],"class_list":["post-22123","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-christopher-rajaveer","tag-hilje-murel","tag-hugo-raudsepp","tag-jaan-rekkor","tag-jan-ehrenberg","tag-kaido-mikk","tag-karmo-nigula","tag-madis-koiv","tag-martin-veinmann","tag-mats-traat","tag-merle-karusoo","tag-pille-riin-purje","tag-priit-pedajas","tag-taavi-teplenkov","tag-tauno-makke","tag-teele-parn","tag-tonu-kark","tag-tonu-oja"],"acf":[],"yoast_head":"\nNoore taluperemehe hinges k\u00f5liseb j\u00e4\u00e4 - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/noore-taluperemehe-hinges-koliseb-jaa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Noore taluperemehe hinges k\u00f5liseb j\u00e4\u00e4 - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Pille-Riin Purje, Postimees, 04.04.2022 \u2013 K\u00f5ik lavastused v\u00f5iks laias laastus jaotada kahte leeri.\u2013 Peksukaristuse t\u00e4ideviimine, lavatagune tume vitsavihin ja karjed on s\u00fcnge refr\u00e4\u00e4n.\u2013 \u201e\u00dcits asi om elu, t\u00f5ne asi unen\u00e4gu.\u201c Lavastused v\u00f5iks jaotada kahte leeri, laias laastus ja lihtsustatult m\u00f5istagi. 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Need, mis kisuvad vaataja kaasa oma andekasse kujundikeerisesse, \u00fcllatavad, raputavad. 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