{"id":22259,"date":"2022-06-09T14:29:46","date_gmt":"2022-06-09T11:29:46","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=22259"},"modified":"2022-06-09T14:34:45","modified_gmt":"2022-06-09T11:34:45","slug":"keskparasuse-saatanlikkusest-amadeuse-naitel","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/","title":{"rendered":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel"},"content":{"rendered":"\n<p>Valner Valme teatrijutt, edasi.org, 12.05.2022\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"2512\" height=\"1675\" src=\"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg\" alt=\"\" class=\"wp-image-22260\" srcset=\"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg 2512w, https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-1256x837.jpg 1256w, https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-640x427.jpg 640w, https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-768x512.jpg 768w, https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-1536x1024.jpg 1536w, https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 2512px) 100vw, 2512px\" \/><figcaption>&nbsp;&#8220;Amadeus&#8221;. Stseen lavastusest. Foto: Gabriela Urm<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Draamateatri \u201cAmadeus\u201d r\u00f5hutab geeniuse ja kadeduse konflikti l\u00f5putut j\u00e4tku s\u00f5ltumata isikutest ja ajastust, m\u00e4rgib&nbsp;Valner Valme&nbsp;oma teatrikommentaaris.&nbsp;<\/em><\/p>\n\n\n\n<p>Sattusin hiljuti Tallinn Music Weekil kohutavalt halva r\u00e4piakti peale. Seltskond laval \u00fcmises naturaalkitarri pl\u00f5gina saatel haleda h\u00e4\u00e4lega \u201cMa ei ole keskp\u00e4ranee, sa ei ole keskp\u00e4ranee, keegi meist pole keskp\u00e4raneeeee!\u201d See t\u00f5esti ei olnud keskp\u00e4rane, see oli k\u00f5vasti alla selle. Seega huvitavam kui keskp\u00e4rane, j\u00e4i meelde, abjektiseerus \u00e4ra, pakkus tagantj\u00e4rele l\u00f5bu ja nalja. Naeru kellegi \u00fcle, kahjuks k\u00fcll, kui ta juba lavale on l\u00e4inud, siis peab arvestama igasuguste reaktsioonidega. Positsioneerusin j\u00e4rgmise artisti ajal lava ette, kui&nbsp;V\u00e4ike PD&nbsp;pani saali \u00fches taktis h\u00fcppama ja \u00fc\u00fcrgama \u201cMaja, mitte l\u00f5ks!\u201d. See ei olnud keskp\u00e4rane kindlasti mitte.<\/p>\n\n\n\n<p>Kerime ajas ja muusikas 219 aastat tagasi ja oleme aastas 1781, kus algab Draamateatris&nbsp;Wolfgang Amadeus Mozarti&nbsp;ja&nbsp;Antonio Salieri&nbsp;lugu. See on geeniuse ja tema suurima f\u00e4nni lugu. Salieri haritud ja hea muusikalise maitsega inimesena oskab kaasaegsetest vaat et k\u00f5ige paremini hinnata Mozarti geniaalsust ning tunneb selle k\u00f5rval \u00e4ra enda keskp\u00e4rasuse heliloojana, mist\u00f5ttu ta ihkab \u00fcletada oma keskp\u00e4rasust, makstes k\u00e4tte Jumalale. Maailma \u00fcks kuulsamaid kurjategijaid&nbsp;Clark Olofsson&nbsp;on \u00f6elnud, et kui ta ei saa olla parim, tahab ta olla parim halbadest, ja see tal \u00f5nnestus, tema tegevuse j\u00e4rgi on tuletatud v\u00e4ljend \u201cStockholmi s\u00fcndroom\u201d, teda on kehastanud&nbsp;Ethan Hawke&nbsp;(\u201cStockholm\u201d, 2018, k\u00fcll poolkaude, nimeks on v\u00f5etud Lars Nystrom) ja praegu Netflixis olevas sarjas&nbsp;Bill Skarsg\u00e5rd&nbsp;(\u201cClark\u201d).&nbsp;<\/p>\n\n\n\n<p>Nii teatakse k\u00f5rvuti Mozartiga ka paha Salierit, aga mitte heliloojana, vaid Mozarti vaenlasena, kes \u00f5\u00f5nestas tema loometeed ja v\u00f5ib-olla isegi tappis Mozarti (v\u00f5i aitas sellele kaasa).<\/p>\n\n\n\n<p>Lavastaja&nbsp;Karl Laumets&nbsp;astub&nbsp;Peter Schafferi&nbsp;n\u00e4idendist ja ka&nbsp;Milo\u0161 Formani&nbsp;samanimelisest filmist sammu oma suunas ning esitab Salierit inimesena, kes pole mitte lihtsalt kade ja salakaval, vaid karakter, kes pidevalt reflekteerib, valjult publikule m\u00f5eldes, iseennast, oma ajastut ja muusikat kui k\u00f5rget kunsti. Ta ei salga ega \u00f5igusta oma v\u00e4\u00e4raid tegusid, vaid nendib neid tagantj\u00e4rele, kahetsemata, sest on j\u00f5udnud arusaamale, et see oli tema viis minna ajalukku, ning \u00fclestunnistuse k\u00e4igus, mille puhul j\u00e4\u00e4b Mozarti tegelik l\u00f5pp ikkagi mitmetim\u00f5istetavaks, annab andeks enda minevikule ja k\u00f5igile keskp\u00e4rastele maailmas. N\u00fc\u00fcd on Salieri t\u00f5usnud keskp\u00e4rasusest k\u00f5rgemale, ehkki j\u00e4lgil viisil.<\/p>\n\n\n\n<p>Mait Malmsteni&nbsp;rollilahendus on meisterlik: keskp\u00e4rast heliloojat m\u00e4ngides on ta n\u00fcri, s\u00e4ratu t\u00fc\u00fcp, keda ei j\u00e4ta varju ainult Mozart oma s\u00e4rtsaka, ehkki frivoolse karakteriga, vaid ka Mozartit jumaldav naine Constanze (Helena Lotman), kes \u00fcpris lopsakas stseenis annab m\u00e4rku Salieri saamatusest nii mehena kui heliloojana. J\u00e4rjest teravamaid jooni kogub Malmsteni Salieri nurjatu tegevuse k\u00e4igus: ta on leidnud eesm\u00e4rgi, h\u00e4vitada Mozart. K\u00f5ige m\u00f5juvam on aga vana Salieri, kelleks Malmsten moondub aeg-ajalt sekundiga: kuju vajub k\u00fchmu, huuled hakkavad maigutama, k\u00f5nemaneer ja h\u00e4\u00e4l muutuvad t\u00e4iesti. Salieri on v\u00f5itnud ja kaotanud korraga: tema oli oma kaasajal see kahest heliloojast, kes l\u00f5i l\u00e4bi, p\u00e4rast oma elup\u00e4evi on ta aga tola, kes p\u00f5rmustas enda k\u00f5rval geeniuse, ja Salieri teab seda ette.<\/p>\n\n\n\n<p>Vastupidise rollijoonise sooritab&nbsp;T\u00f5nis Niinemets&nbsp;Mozartina: noore geeniusena lendab sisse, pritsides nalju ja roppusi, \u00fcleannetu \u00fclekasvanud m\u00fcrsik, kes imelapsena v\u00f5ib endale ka \u00f5ukonnas k\u00f5ike lubada, nimetades keiserliku ooperiteatri direktrissi Orsinit (\u00dclle Kaljuste) k\u00e4rnkonnaks tema rohelise riietuse t\u00f5ttu (\u00fcliandekad kost\u00fc\u00fcmid, kunstnik&nbsp;Kristjan Suitsult&nbsp;ilmselt?). Ent mida aeg edasi, seda tagasihoidlikumaks muutuvad nii Niinemetsa kost\u00fc\u00fcmid kui k\u00e4itumine laval, kuni l\u00f5pu eel on tegemist t\u00e4iesti murtud mehega, kes on soosingust v\u00e4ljas nii \u00f5ukonnas kui tollast elu Viinis tugevalt kujundanud vabam\u00fc\u00fcrlaste seas.<\/p>\n\n\n\n<p>Olen kuulnud sahinaid, et lavastus on labane, kuna ropendatakse palju, ja seda ei tee ainult Mozart, vaid ka Constanze. Usun, et lavastaja Laumets siiski teadis, mida teeb, ja v\u00fcrtsikas, nilbe ning isegi ilge k\u00f5nepruuk pole publikule ei meeleheaks ega \u00e4rrituseks. Sel on kindel p\u00f5hjus: eraldada Mozart keskkonnast, n\u00e4idata, et ta v\u00f5is t\u00f5esti olla vastuv\u00f5etamatu ja raamidesse mahutamatu t\u00fc\u00fcp nii geniaalsuses kui k\u00e4itumises, mist\u00f5ttu ta Salierile topelt n\u00e4rvidele k\u00e4is.<\/p>\n\n\n\n<p>Mis lubatud geeniusele, pole lubatud tavalistele j\u00f5mmidele:<\/p>\n\n\n\n<p>vaata ka Isamaa ja EKRE garderoobi\u00f5iguste r\u00fc\u00fctlite \/ valge nahav\u00e4rvi austajate&nbsp;Terrase&nbsp;ja&nbsp;Madisoni&nbsp;juhtumit \u201c\u00f5htusest\u201d ajast.<\/p>\n\n\n\n<p>Viimaseks toon v\u00e4lja selle, mis esimesena silma hakkas ja k\u00f5igepealt rabas. Sattusime abikaasaga esimesse ritta, harva on suurtes saalides seda \u00f5nne. Vapustav lavakujundus Kristjan Suitsult tekitab l\u00f5pmatuse efekti k\u00f5igest k\u00fcmne peeglilauaga kahes viieses reas, servis kullal\u00e4ikesed seinad, millest hakatakse aga l\u00e4bi k\u00f5ndima, sest koosnevad, nagu selgub, vaid miskitest karraribadest. Draamateatri enda seinakaunistustega haakuvad karniisid kohal. Lummav!<\/p>\n\n\n\n<p>Huvitav on vaadata, kuidas teised kultuurikriitikud on kujundust n\u00e4inud.&nbsp;Jelena Skulskaja&nbsp;kirjutab&nbsp;Eesti P\u00e4evalehes, et&nbsp;n\u00f5idusliku maailma vastuv\u00f5tuks valmis avatud ruum on raamistatud kahe elegantsete grimeerimislaudade reaga, eredad lambid \u00e4\u00e4ristavad peeglite raame. \u201cPeegleid endid ei ole, nende asemel seisavad raamides Mozarti b\u00fcstid, mis j\u00e4rjest korduvad ja liiguvad igavikku. Mitte keegi ja mitte kunagi ei suuda t\u00fchistada Mozartit: vaadake peeglisse ja k\u00f5ige auahnemates unistustes hakkab kaugelt paistma Amadeuse n\u00e4gu,\u201d \u00fctleb Skulskaja. Imeline.<\/p>\n\n\n\n<p>Seevastu&nbsp;Andrus Karnau&nbsp;Postimehes&nbsp;l\u00e4heneb laudadele funktsionaalselt, et kui esimeses vaatuses on seinal p\u00fcss, siis tehku ta l\u00f5pus ka pauku: \u201c\u201dAmadeuse\u201d lavakujunduses seisab laval k\u00fcmme teatri grimeerimislauda. Neid on ilus vaadata, aga kuna sihip\u00e4rast kasutamist leiab neist vaid \u00fcks, siis milleks \u00fclej\u00e4\u00e4nud \u00fcheksa?\u201d Noh, see pauk on siiski olemas, aga m\u00f5tteline, leian ma.<\/p>\n\n\n\n<p>Kaur Riismaa&nbsp;m\u00e4rgib&nbsp;Sirbis, et&nbsp;Eesti Draamateatri \u201cAmadeuse\u201c lavakujundus haarab esimesest pilgust.&nbsp;\u201cLaval on k\u00fcmme grimmilauda, viis m\u00f5lemal poolel, ning Salieri saab ajast aega \u00fcmber kehastumiseks kasutada laudadel olevaid parukaid. Peeglite asemel seisavad laudadel Mozarti kipsb\u00fcstid \u2013 need piiravad Salierit, kuhu ta ka ei vaataks. Lavas\u00fcgavuses koondub k\u00f5ik kokku mustale klaverile. Lavakujundust pole aga valguseta olemas ning Laumetsa lavastuses on imelisi hetki, mis m\u00e4ngivad perspektiivi pakutavate visuaalsete v\u00f5imalustega.\u201d<\/p>\n\n\n\n<p>Jah, seda lava vaataks ka ilma n\u00e4itlejateta, mitte k\u00fcll kaks tundi ja 50 minutit, aga l\u00f5pus ei rutanud lahkuma ikkagi. Kogu publik t\u00f5usis n\u00e4htud etendusel p\u00fcsti ja ma arvan, et mitte Mozarti mahlakate naljade ega ka Salieri sigaduste p\u00e4rast, kindlasti n\u00e4itlejate p\u00e4rast, aga v\u00f5ib-olla ka seet\u00f5ttu, et kellegi v\u00e4iklane v\u00e4rdjalik kadedus meist idas ohustab praegu kogu l\u00e4\u00e4ne kultuuri, mille juhtide hulgas j\u00e4tkab lavastuses&nbsp;Rein Oja&nbsp;kehastatud Austria keisri&nbsp;Joseph II&nbsp;silmakirjalikkuse ja t\u00fchisuse traditsioone n\u00e4iteks Prantsusmaa president&nbsp;Emmanuel Macron.&nbsp;<\/p>\n\n\n\n<p>Ja l\u00f5ppkokkuv\u00f5ttes me v\u00f5ime eemaldada nimed Mozart ja Salieri, j\u00e4tta l\u00fcngad ning kirjutada sinna iga\u00fcks omad nimed ja m\u00f5isted. See lugu on kahjuks igavene.<\/p>\n\n\n\n<p>Lavastuse lehele <a href=\"https:\/\/www.draamateater.ee\/lavastus\/amadeus\" class=\"ek-link\">\u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Valner Valme teatrijutt, edasi.org, 12.05.2022\u00a0 Draamateatri \u201cAmadeus\u201d r\u00f5hutab geeniuse ja kadeduse konflikti l\u00f5putut j\u00e4tku s\u00f5ltumata isikutest ja ajastust, m\u00e4rgib&nbsp;Valner Valme&nbsp;oma teatrikommentaaris.&nbsp; Sattusin hiljuti Tallinn Music Weekil kohutavalt halva r\u00e4piakti peale. Seltskond laval \u00fcmises naturaalkitarri pl\u00f5gina saatel haleda h\u00e4\u00e4lega \u201cMa ei ole keskp\u00e4ranee, sa ei ole keskp\u00e4ranee, keegi meist pole keskp\u00e4raneeeee!\u201d See t\u00f5esti ei olnud keskp\u00e4rane, [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[795,614,670,213,279,682,383,264],"class_list":["post-22259","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-helema-lotman","tag-karl-laumets","tag-kristjan-suits","tag-mait-malmsten","tag-rein-oja","tag-tonis-niinemets","tag-ulle-kaljuste","tag-valner-valme"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater<\/title>\n<meta name=\"description\" content=\"Valner Valme v\u00e4ljaandes edasi.org arvustus &quot;Amadeusi&quot; lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Valner Valme v\u00e4ljaandes edasi.org arvustus &quot;Amadeusi&quot; lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/\" \/>\n<meta property=\"og:site_name\" content=\"Draamateater\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/draamateater\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-09T11:29:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-09T11:34:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg\" \/>\n<meta name=\"author\" content=\"Tanel Tomson\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tanel Tomson\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/\"},\"author\":{\"name\":\"Tanel Tomson\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#\\\/schema\\\/person\\\/3a6276f373c1f3109cd4294697561731\"},\"headline\":\"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel\",\"datePublished\":\"2022-06-09T11:29:46+00:00\",\"dateModified\":\"2022-06-09T11:34:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/\"},\"wordCount\":1213,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.draamateater.ee\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/Amadeus_Gabriela_Urm67-2512x1675.jpg\",\"keywords\":[\"Helema Lotman\",\"Karl Laumets\",\"Kristjan Suits\",\"Mait Malmsten\",\"Rein Oja\",\"T\u00f5nis Niinemets\",\"\u00dclle Kaljuste\",\"Valner Valme\"],\"articleSection\":[\"Meedia\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/\",\"url\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/\",\"name\":\"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.draamateater.ee\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/Amadeus_Gabriela_Urm67-2512x1675.jpg\",\"datePublished\":\"2022-06-09T11:29:46+00:00\",\"dateModified\":\"2022-06-09T11:34:45+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#\\\/schema\\\/person\\\/3a6276f373c1f3109cd4294697561731\"},\"description\":\"Valner Valme v\u00e4ljaandes edasi.org arvustus \\\"Amadeusi\\\" lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.draamateater.ee\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/Amadeus_Gabriela_Urm67-2512x1675.jpg\",\"contentUrl\":\"https:\\\/\\\/www.draamateater.ee\\\/wp-content\\\/uploads\\\/2022\\\/06\\\/Amadeus_Gabriela_Urm67-2512x1675.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/keskparasuse-saatanlikkusest-amadeuse-naitel\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/avaleht\\\/?lang=en\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/\",\"name\":\"Draamateater\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#\\\/schema\\\/person\\\/3a6276f373c1f3109cd4294697561731\",\"name\":\"Tanel Tomson\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g\",\"caption\":\"Tanel Tomson\"},\"sameAs\":[\"http:\\\/\\\/www.draamateater.ee\"],\"url\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/author\\\/tanel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater","description":"Valner Valme v\u00e4ljaandes edasi.org arvustus \"Amadeusi\" lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/","og_locale":"en_US","og_type":"article","og_title":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater","og_description":"Valner Valme v\u00e4ljaandes edasi.org arvustus \"Amadeusi\" lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.","og_url":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/","og_site_name":"Draamateater","article_publisher":"https:\/\/www.facebook.com\/draamateater\/","article_published_time":"2022-06-09T11:29:46+00:00","article_modified_time":"2022-06-09T11:34:45+00:00","og_image":[{"url":"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg","type":"","width":"","height":""}],"author":"Tanel Tomson","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Tanel Tomson","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#article","isPartOf":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/"},"author":{"name":"Tanel Tomson","@id":"https:\/\/www.draamateater.ee\/en\/#\/schema\/person\/3a6276f373c1f3109cd4294697561731"},"headline":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel","datePublished":"2022-06-09T11:29:46+00:00","dateModified":"2022-06-09T11:34:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/"},"wordCount":1213,"commentCount":0,"image":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#primaryimage"},"thumbnailUrl":"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg","keywords":["Helema Lotman","Karl Laumets","Kristjan Suits","Mait Malmsten","Rein Oja","T\u00f5nis Niinemets","\u00dclle Kaljuste","Valner Valme"],"articleSection":["Meedia"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/","url":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/","name":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel - Draamateater","isPartOf":{"@id":"https:\/\/www.draamateater.ee\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#primaryimage"},"image":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#primaryimage"},"thumbnailUrl":"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg","datePublished":"2022-06-09T11:29:46+00:00","dateModified":"2022-06-09T11:34:45+00:00","author":{"@id":"https:\/\/www.draamateater.ee\/en\/#\/schema\/person\/3a6276f373c1f3109cd4294697561731"},"description":"Valner Valme v\u00e4ljaandes edasi.org arvustus \"Amadeusi\" lavastusele, mis esietendus 9. aprillil 2022 Draamateatri suures saalis.","breadcrumb":{"@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#primaryimage","url":"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg","contentUrl":"https:\/\/www.draamateater.ee\/wp-content\/uploads\/2022\/06\/Amadeus_Gabriela_Urm67-2512x1675.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/www.draamateater.ee\/en\/meedia\/keskparasuse-saatanlikkusest-amadeuse-naitel\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.draamateater.ee\/en\/avaleht\/?lang=en"},{"@type":"ListItem","position":2,"name":"Keskp\u00e4rasuse saatanlikkusest\u00a0\u201cAmadeuse\u201d\u00a0n\u00e4itel"}]},{"@type":"WebSite","@id":"https:\/\/www.draamateater.ee\/en\/#website","url":"https:\/\/www.draamateater.ee\/en\/","name":"Draamateater","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.draamateater.ee\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.draamateater.ee\/en\/#\/schema\/person\/3a6276f373c1f3109cd4294697561731","name":"Tanel Tomson","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/a250c06b2cb0c1033ab1fa018c7a25f8356867167287ccf0359b53e14f659e93?s=96&d=mm&r=g","caption":"Tanel Tomson"},"sameAs":["http:\/\/www.draamateater.ee"],"url":"https:\/\/www.draamateater.ee\/en\/author\/tanel\/"}]}},"_links":{"self":[{"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/posts\/22259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/comments?post=22259"}],"version-history":[{"count":2,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/posts\/22259\/revisions"}],"predecessor-version":[{"id":22269,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/posts\/22259\/revisions\/22269"}],"wp:attachment":[{"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/media?parent=22259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/categories?post=22259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.draamateater.ee\/en\/wp-json\/wp\/v2\/tags?post=22259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}