{"id":24917,"date":"2023-02-01T13:21:23","date_gmt":"2023-02-01T10:21:23","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=24917"},"modified":"2023-02-01T13:28:26","modified_gmt":"2023-02-01T10:28:26","slug":"draamateatri-macbeth-on-iseenda-onnestunud-antitees","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/draamateatri-macbeth-on-iseenda-onnestunud-antitees\/","title":{"rendered":"Draamateatri \u201eMacbeth\u201c on iseenda \u00f5nnestunud antitees"},"content":{"rendered":"\n

Meelis Oidsalu, Eesti Ekspress, 25.01.2023<\/p>\n\n\n\n

\"\"
Kurjused: Lotmani leedi Macbethi jaoks on kurjus loomusund, Malmsteni pidetu Macbethi jaoks aga lihtsalt \u00fcks k\u00e4tte n\u00e4idatud suund. Foto: Draamateater<\/figcaption><\/figure>\n\n\n\n

Meelis Oidsalu kirjutab Draamateatri, ERSO ja Eesti Kontserdi just lavale j\u00f5udnud \u00fchisprojektist \u201eMacbeth\u201c.<\/em><\/p>\n\n\n\n

Istume Estonia kontserdisaali p\u00fcstitatud suure moelava \u00e4\u00e4res. \u00dcksk\u00f5ik kas see ruumilahendus l\u00e4htus ainult praktilisest vajadusest v\u00f5i ka Semperi-Ojasoo publiku \u00f5rritamise p\u00fc\u00fcdest \u2013 hetkeks valdab ebamugavustunne, sest ERSO on just m\u00e4nginud Ukraina h\u00fcmni.<\/p>\n\n\n\n

Eesti rahvusorkester teeb seda iga oma kontserdi alguses mullusest 24. veebruarist saati ja kuni s\u00f5ja l\u00f5puni. V\u00e4idetavasti inspireeris see tava lavastajaid \u201eMacbethis\u201c Ukraina s\u00f5jale otsesemaid viiteid tegema.<\/p>\n\n\n\n

\u201eMacbeth\u201c on korraga elav installatsioon ja kontsertlavastus, milles Shakespeare\u2019i n\u00e4idendikatked ja Hasso Krulli n\u00f5iamonoloogid (Priit V\u00f5igemast ja tema abin\u00f5iad m\u00f5juvad oma punases sortsiburkas arhailiste \u00e4\u00e4rmuslastena) suhestuvad veidi nihestatud, tegelasi objektistava n\u00e4itlemisstiiliga, Lepo Sumera ja Jay Schwartzi muusikaga ja orkestri taha seinale suurele ekraanile kuvatud mustvalge klantsvideopildiga.<\/p>\n\n\n\n

Etenduse alguses liigub trupp laval \u00fclimalt aeglaseks timmitud teosammul saali \u00fchest otsast teise. N\u00e4od nii t\u00f5sised, nagu siirduks stiliseeritud jalav\u00e4er\u00fchm Pariisi v\u00f5i New Yorgi moelavalt otse ajalukku.<\/p>\n\n\n\n

Kuna n\u00e4itlejad m\u00e4ngivad enamiku stseene kaameratesse, v\u00f5ib publiku moeetendusel viibimise tunne \u00fcsna pea vahetuda filmiv\u00f5tetel viibimise kahtluse vastu. Kolm surmt\u00f5sise ja kaastundliku olemisega operaatorit (Epp Kubu jt) filmivad laval f\u00fc\u00fcrer Macbethi (Mait Malmsten) ja tema esileedi (Helena Lotman) verist v\u00f5imukroonikat. Shakespeare\u2019i Macbeth on Dostojevski Raskolnikovi m\u00f5ni sajand varasem versioon: karistamatuse tundest innustunud kurjategija variseb omaenda s\u00fc\u00fctunde all kokku. Kas see kehtib ka Vene n\u00fc\u00fcdisaegse kurjusetraditsiooni puhul? Ja kas Hitler ikka oleks vabatahtlikult hakanud endale tuhka p\u00e4he raputama?<\/p>\n\n\n\n

Lotmani leedi Macbethi jaoks on kurjus loomusund, Malmsteni pidetu Macbethi jaoks aga lihtsalt \u00fcks k\u00e4tte n\u00e4idatud suund. Macbeth on saamatu diktaator, ta ei saagi kuninglikkuseni k\u00fc\u00fcndida, sest motiivid on p\u00e4tilikud. Helena Lotmani hirvesilmse ps\u00fchhopaadist leedi puhul on k\u00f5ige hirmutavam see, et ekraanilt vaatab vastu hell ja lapselikult puhas hing.<\/p>\n\n\n\n

Kui \u00f5ukonnaliikmed esimese vaatuse l\u00f5pus laval sufikeerutusi teevad, siis vaatavad k\u00f5ik peale l\u00e4bin\u00e4geliku MacDuffi (Rasmus Kaljuj\u00e4rv) t\u00f5tt oma v\u00e4ljasirutatud peopesaga (justkui peegliga). Kas Macbethide kuritegusid ei n\u00e4htud l\u00e4bi v\u00f5i ei tahetud n\u00e4ha? Kaljuj\u00e4rve silmad sihivad keerutuste ajal ruumi. MacDuff on skeptiline ja kompromissitu juurdleja, ta n\u00e4eb Macbethide sepitsused l\u00e4bi, selle eest maksvad eluga ka tema naine leedi MacDuff (Hanna Jaanovits) ja kaks v\u00e4ikest last.<\/p>\n\n\n\n

Naiste ja laste m\u00f5rvamist kujutatakse laval s\u00fcmboolselt: ohvrid m\u00e4ssitakse valgesse linasse, asetatakse transpordik\u00e4rule ja nihutatakse lavaserva, umbes nagu v\u00f5idi nihutada Estonia teatrimaja tagusel v\u00e4ljakul 1905. aasta revolutsiooni monument Konstanti P\u00e4tsi kivipea teelt. Semper ja Ojasoo hoiduvad laval v\u00e4givalda n\u00e4itamast sama kramplikult, nagu Saksamaa liidukantsler hoidub seda n\u00e4gemast. \u00dcle v\u00f5lli kombekus m\u00f5jub paljastavamalt, kui m\u00f5juksid tehisverejoad.<\/p>\n\n\n\n

Lavastuse kuuldav osa \u2013 Lepo Sumera s\u00fcmfooniate kollaa\u017e \u2013 on m\u00e4rksa sopistatum ja n\u00fcansseeritum kui taotluslikult lihtsatele p\u00fchalikkuserelssidele seatud teatrietendus. Sumera kutsuvalt sume ja s\u00fcnk m\u00fcstitsism k\u00f5lab t\u00f5epoolest kokku Hispaania kunstniku Francisco de Goya loominguga (kavalehest leiab seitse Goya s\u00f5ja- ja \u00e4ngipilti). Ta pole k\u00fcll nii morbiidne kui Goya ning etenduse ajal oli vahelduseks p\u00e4ris hea silmad korraks sulgeda ja tunnetada Sumera loomingu d\u017eungellikku kirevust ja keerukat ruumilisust.<\/p>\n\n\n\n

\u201eMacbethi\u201c moelavalik dekoratiivsus ja etendusolukorra propagandafilmilik v\u00f5tteplatsit\u00f5sidus paneb k\u00fcsima, kas tegemist on ikka ainult teatrilavastusega. Peale selle on \u201eMacbeth\u201c ka elav ja liigutav memoriaal k\u00e4imasolevale Ukraina vabaduss\u00f5jale: n\u00e4itlejad v\u00f5tavad kaamerate ees sisse s\u00f5jaskulptuuridele v\u00f5i -memoriaalidele omaseid r\u00fchmapoose. Tulid meelde nii Eesti hiljutine memoriaalis\u00f5da kui ka presidendi vastuv\u00f5tu kontsertlavastuste traditsioon.<\/p>\n\n\n\n

V\u00e4liste tunnuste j\u00e4rgi v\u00f5iks lavastust pidada ka elitaarse esinduskunsti n\u00e4iteks. \u00d5nneks on Semperi-Ojasoo-Eltsi memoriaalkunstiteose m\u00f5ju k\u00f5ike muud kui v\u00f5imum\u00e4nge heroiseeriv v\u00f5i s\u00f5da looritav. Draamateatri \u201eMacbeth\u201c on iseenda \u00f5nnestunud antitees.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Meelis Oidsalu, Eesti Ekspress, 25.01.2023 Meelis Oidsalu kirjutab Draamateatri, ERSO ja Eesti Kontserdi just lavale j\u00f5udnud \u00fchisprojektist \u201eMacbeth\u201c. Istume Estonia kontserdisaali p\u00fcstitatud suure moelava \u00e4\u00e4res. \u00dcksk\u00f5ik kas see ruumilahendus l\u00e4htus ainult praktilisest vajadusest v\u00f5i ka Semperi-Ojasoo publiku \u00f5rritamise p\u00fc\u00fcdest \u2013 hetkeks valdab ebamugavustunne, sest ERSO on just m\u00e4nginud Ukraina h\u00fcmni. Eesti rahvusorkester teeb seda iga oma […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[494,315,722,873,321,890,869,213,205,217,872,316],"class_list":["post-24917","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-eesti-ekspress","tag-ene-liis-semper","tag-epp-kubu","tag-hanna-jaanovits","tag-helena-lotman","tag-jay-schwartz","tag-lepo-sumera","tag-mait-malmsten","tag-meelis-oidsalu","tag-priit-voigemast","tag-rasmus-kaljujarv","tag-tiit-ojasoo"],"acf":[],"yoast_head":"\nDraamateatri \u201eMacbeth\u201c on iseenda \u00f5nnestunud antitees - Draamateater<\/title>\n<meta name=\"description\" content=\"Meelis Oidsalu arvustus Eesti Ekspressis lavastusele "Macbeth", mis esietendus 19. jaanuaril 2023 Estonia kontserdisaalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/draamateatri-macbeth-on-iseenda-onnestunud-antitees\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Draamateatri \u201eMacbeth\u201c on iseenda \u00f5nnestunud antitees - 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