{"id":26577,"date":"2023-05-01T15:43:54","date_gmt":"2023-05-01T12:43:54","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=26577"},"modified":"2023-05-01T15:43:54","modified_gmt":"2023-05-01T12:43:54","slug":"juhan-ulfsaki-armas-erootiline-juubelihappening","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/juhan-ulfsaki-armas-erootiline-juubelihappening\/","title":{"rendered":"Juhan Ulfsaki armas erootiline juubelih\u00e4ppening"},"content":{"rendered":"\n

Meelis Oidsalu, Eesti Ekspress, 30.04.2023<\/p>\n\n\n\n

\"\"
T\u00c4HELEPANUV\u00c4\u00c4RNE ROLL: Liisa Saarem\u00e4eli hermafrodiitne K\u00fclaline oma \u00fcleloomuliku seksapiili ja h\u00e4bitu s\u00e4raga vastandub \u00fclej\u00e4\u00e4nud trupile. Johan Elmi foto.<\/figcaption><\/figure>\n\n\n\n

\u00c4sja 50. s\u00fcnnip\u00e4eva t\u00e4histanud Juhan Ulfsak on tema senise lavastajatee mahtu arvestades siiski veel suhteliselt noor teatrilavastaja. T\u00e4naseks on ta Eestis v\u00e4lja toonud kaheksa lavastust, neist kaks Draamateatri suures saalis (lisaks \u201eTeoreemile\u201c ka Michel Houllebeqi romaani \u201eKaart ja territoorium\u201c instseneering 2015. aastal). Ulfsakit on k\u00f6itnud tumemeelsed autorid (Lars von Trier, Sarah Kane), algautorilt on Ulfsak v\u00f5tnud impulsi, n-\u00f6 juuretise, p\u00e4tsi selle \u00fcmber s\u00f5tkub ise ja tulemus on tavaliselt olnud m\u00e4rksa v\u00e4hem pessimistlik kui tema iidolid.<\/p>\n\n\n\n

Juhan Ulfsaki adaptatsioonid on olnud \u00fchelt poolt t\u00e4psed \u2013 sellist anal\u00fc\u00fcsiv\u00f5imet ja l\u00e4bin\u00e4gelikkust kohtab harva \u2013, teiselt poolt aga on need olnud selgelt rohkem kui adaptatsioonid. Brechtilikul v\u00f5\u00f5ritusesteetikal p\u00f5hineva \u201eTeoreemi\u201c puhul on l\u00e4htematerjali (Pasolini kuulsa filmi stsenaariumi alusel valminud samanimeline jutustus) t\u00e4henduskihid h\u00e4sti loetavad ja kujundid klaarid. Nii Pasolini jutustuses kui Ulfsaki lavastuses p\u00f5imuvad tarbijalikkus, kristlus ja L\u00e4\u00e4ne inimese seksuaalne p\u00e4rsitus. Tegelased kannatavad nende n\u00e4htuste omavaheliste toksiliste v\u00f5imenduste k\u00fc\u00fcsis.<\/p>\n\n\n\n

J\u00f5uka t\u00f6\u00f6sturiperekonna (Jaan Rekkor, Mari Abel, Ursel Tilk, Marian Eplik) luksuseramu aeda ilmub \u00fchel p\u00e4eval hermafrodiitne K\u00fclaline (Liisa Saarem\u00e4el), kes perekonna liikmed j\u00e4rjestikku v\u00f5rgutab ja nendega seksuaalvahekorda astub. Pere liikmed satuvad p\u00e4rast l\u00e4hemat tutvust autentse, h\u00e4bitu ja s\u00fc\u00fctu K\u00fclalisega kriisi. Nende maailm laguneb koost. Tekkinud t\u00fchjust leevendatakse tarbimis- v\u00f5i p\u00fchalikkuseihaga. Kummastavas l\u00f5pustseenis \u00fclendatakse teenija (Teele P\u00e4rn) p\u00fchakuks.<\/p>\n\n\n\n

Publiku s\u00f5bralik trollimine<\/strong><\/p>\n\n\n\n

Viis, kuidas t\u00f6\u00f6sturipere liikmed end publikule etenduse alguses tutvustavad, on provokatiivselt igav. Nagu Pasolini jutustuses, nii ka Ulfsaki lavastuses tegelaste otsek\u00f5ne praktiliselt puudub. Jaan Rekkorile on lavastaja n\u00e4htavasti andnud \u00fclesande m\u00e4ngida mitte niiv\u00f5rd hedonistlikku keskealist Itaalia t\u00f6\u00f6sturit, kuiv\u00f5rd \u201ev\u00e4ikekodanliku\u201c Eesti repertuaariteatri topist. Vaataja j\u00e4\u00e4bki ootama, et Rekkor n-\u00f6 rolli alustaks. \u00dcsna etenduse alguses k\u00f5lab t\u00f6\u00f6sturipere teenija suust Eesti kombinaatteatrite traditsioonile osutav legendaarne fraas: \u201eH\u00e4rra, teile on kiri!\u201c<\/p>\n\n\n\n

Pasolini filmis toimub tegevus vaheldumisi \u00fche luksuseramu aias ja k\u00f5rbes. Ulfsakil on lavaruum samuti kaheks jaotatud \u2013 must eeslavak\u00f5rb on kontrastis tagalava kunstmururohelise ja plastise, aga lopsaka hiidk\u00fcpressisaluga, kuhu pereliikmed kordam\u00f6\u00f6da hiilivad, et seal K\u00fclalisega \u201epattu langeda\u201c (lavakunstnik Laura P\u00e4hlapuu).<\/p>\n\n\n\n

Ulfsakile n\u00e4ib olevat pakkunud l\u00f5bu idee t\u00e4histada oma juubelit Draamateatri publiku s\u00f5braliku trollimisega. Retsept on lihtne: teha k\u00f5ike vastuoksa sellele, mida eeldad, et Draamateatri p\u00fcsipublik \u00fchelt teatri\u00f5htult ootaks. N\u00e4itlejad r\u00e4\u00e4givad iseenda tegelasest kolmandas isikus, lavak\u00f5ne asemel oleks tegemist justkui pimedate tarbeks tehtud emotsioonitu kirjeldust\u00f5lkega. Kommenteeriva esituslaadiga on vaatajalt v\u00f5etud v\u00e4himgi v\u00f5imalus samastumiseks.<\/p>\n\n\n\n

Lugu, mida j\u00e4lgida, otseselt pole, on neli eraldi v\u00f5rgutamiss\u00fcndmust ja neile j\u00e4rgnev Teele P\u00e4rna p\u00fchakuks kroonimise stseen, millega narritakse publiku katarsisejanu. Piinlikkustunnet \u00f5hutatakse K\u00fclalise kunstpeenise korduva vilgutamisega ekraanidel, \u00fcks h\u00e4\u00e4lekas seksistseen leiab aset saalis, teatrik\u00fclastajate jalge ees.<\/p>\n\n\n\n

Oravate v\u00f5imukangestus<\/strong><\/p>\n\n\n\n

Lavastaja tegi esietenduse eelses intervjuus nalja publiku kaasaegse teatri t\u00f5lgendamisraskuste arvel. \u201eTeoreemis\u201c on Ulfsak varjamatu irooniaga \u201ev\u00e4ikekodanlikule\u201c publikule justkui suuremeelselt vastu tulnud. K\u00f5ik on tehtud piinlikult arusaadavaks, t\u00f5lgendada pole midagi vaja, antakse aega igavust tunda. Ulfsaki lavastust on sama lihtne lugeda kui murutraktorite kataloogi, mida Rekkori l\u00f5dvalt kehastatud t\u00f6\u00f6stur laval sirvib.<\/p>\n\n\n\n

Trupi n\u00e4itlemislaad on nii v\u00f5\u00f5ritatud ja vaesestatud, et sama h\u00e4sti v\u00f5inuks laval n\u00e4htut pidada harrastusn\u00e4itlejate etendatud kristlikuks m\u00fcsteeriumiks. Ainult Saarem\u00e4el oma \u00fcleloomuliku seksapiili ja h\u00e4bitu s\u00e4raga vastandub \u00fclej\u00e4\u00e4nud trupile. See roll v\u00e4\u00e4rib t\u00e4helepanu ja t\u00f5useb \u00fclej\u00e4\u00e4nud lavastuse kohale, nii nagu Teele P\u00e4rna Teenija t\u00f5useb l\u00f5pustseenis kiriku kohale.<\/p>\n\n\n\n

Kui Pasolini filmis kehastas K\u00fclalist n\u00e4gus mees, siis Ulfsak v\u00f5ttis Liisa Saarem\u00e4eli ja lasi ta kost\u00fc\u00fcmikunstnik Jaanus Vahtral androg\u00fc\u00fcnseks transmeheks maskeerida. Saarem\u00e4eli K\u00fclaline on segu erootikafilmide kangelannast Emmanuelle\u2019ist, eesti kirjandusklassikast tuntud Toomas Nipernaadist ja Dostojevski v\u00fcrst M\u00f5\u0161kinist. Tema k\u00fclge lavastaja iroonia juba ei hakka, nagu ka mitte soom\u00e4\u00e4ratlused, ideoloogilised sildid v\u00f5i ka kunstpeenis, mille ta \u00fchel hetkel endal efektselt k\u00fcljest rebib.<\/p>\n\n\n\n

Kui lavastust poliitiliseks pidada, siis identiteedipoliitiliseks. Lavalt silmatorkavalt puuduv pere\u00f5nn on justkui v\u00e4ljakutse abieluv\u00f5rdsuse vastastele. 21. aprilli P\u00e4evalehe intervjuus viitab Ulfsak veel \u00fchele t\u00f5lgendusv\u00f5imalusele: t\u00f6\u00f6sturipere klantselu pilades v\u00f5is lavastaja meeles pidada ka Reformierakonna \u00fclekaalukat valimisv\u00f5itu ja sellega kaasnevat eelseisvat v\u00f5imalikku oravate v\u00f5imukangestust, mille n\u00e4gemist v\u00f5ib takistada liberaalsest p\u00f6\u00f6rdest heldinute silmanurkadesse kogunenud niiskus v\u00f5i siis s\u00f5jaoht.<\/p>\n\n\n\n

Ehtulfsakilik bravuur<\/strong><\/p>\n\n\n\n

Ulfsaki kiituseks peab \u00fctlema, et ta on osanud Draamateatri suure saali hetketi t\u00e4itsa veenvalt \u00fcmber kodeerida \u2013 hetkiti l\u00e4binisti erootiliseks ruumiks moondada, selliseks, kus kaovad piirid saali- ja lavaintiimsuse vahel. K\u00f5netavaks teatrilavastuseks \u201eTeoreemi\u201c aga nimetada ei saa, kuigi see, millest lavastus r\u00e4\u00e4gib, on v\u00e4gagi selge.<\/p>\n\n\n\n

Vormilisel tasemel on k\u00f5ik timmis ja t\u00e4pne ja olemas: eeskujulik r\u00fctmistatus, huvitavalt lahtise l\u00f5puga kompositsioon, selged esitusv\u00f5tmed. Milles siis asi? \u00c4kki valis Ulfsak seekord lihtsalt liiga v\u00e4ikese vastase? Valitsevat Reformierakonda ega \u201eliberaalsest p\u00f6\u00f6rdest\u201c heldinuid lavastaja nii otseselt pilada ei tahtnud, et sellist pila oleks olnud v\u00f5imalik laval \u00e4ra tunda. V\u00e4ikekodanlikkuse kriitika m\u00f5jus pigem museaalse j\u00e4relkajana Pasolini s\u00f5jaj\u00e4rgsest k\u00f5nekusest.<\/p>\n\n\n\n

Draamateatri publiku \u00f5rritamine on kuidagi liiga lihtne \u00fclesanne Ulfsaki intellekti arvestades, et selle \u00f5nnestunud sooritamisest heldida. Ka on Draamateatri publik noore Toompere valitsusajal juba palju rohkemaga harjunud, kui Ulfsak eeldas. Juhan Ulfsak korraldas endale s\u00fcnnip\u00e4eva puhul erootilise juubelih\u00e4ppeningi. Pasolini \u201eTeoreemi\u201c kasutamises juubelipeo saalikaunistusena on ju ka iseenesest ehtufsakilikku bravuuri.

<\/a>Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Meelis Oidsalu, Eesti Ekspress, 30.04.2023 \u00c4sja 50. s\u00fcnnip\u00e4eva t\u00e4histanud Juhan Ulfsak on tema senise lavastajatee mahtu arvestades siiski veel suhteliselt noor teatrilavastaja. T\u00e4naseks on ta Eestis v\u00e4lja toonud kaheksa lavastust, neist kaks Draamateatri suures saalis (lisaks \u201eTeoreemile\u201c ka Michel Houllebeqi romaani \u201eKaart ja territoorium\u201c instseneering 2015. aastal). Ulfsakit on k\u00f6itnud tumemeelsed autorid (Lars von Trier, […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[494,326,959,197,521,957,958,205,169,319],"class_list":["post-26577","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-eesti-ekspress","tag-jaan-rekkor","tag-jaanus-vahtra","tag-juhan-ulfsak","tag-liisa-saaremael","tag-mari-abel","tag-marian-eplik","tag-meelis-oidsalu","tag-teele-parn","tag-ursel-tilk"],"acf":[],"yoast_head":"\nJuhan Ulfsaki armas erootiline juubelih\u00e4ppening - Draamateater<\/title>\n<meta name=\"description\" content=\"Meelis Oidsalu arvustus Eesti Ekspressis lavastusele "Teoreem", mis esietendus 15. aprillil 2023 Draamateatri suures saalis,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/juhan-ulfsaki-armas-erootiline-juubelihappening\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Juhan Ulfsaki armas erootiline juubelih\u00e4ppening - 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