{"id":27754,"date":"2023-08-23T09:39:53","date_gmt":"2023-08-23T06:39:53","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=27754"},"modified":"2024-09-24T13:53:59","modified_gmt":"2024-09-24T10:53:59","slug":"arvustus-tana-mangime-onu-bellat","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-tana-mangime-onu-bellat\/","title":{"rendered":"T\u00e4na m\u00e4ngime Onu Bellat"},"content":{"rendered":"\n

Heili Sibrits, Postimees, 15.08.2023<\/p>\n\n\n\n

\"\"
Kertu Moppeli lavastuses \u201eOnu Bella t\u00e4hestik\u201c teeb v\u00f5imsad rollid Anne T\u00fcrnpu (fotol Bella emana), Onu Bellat m\u00e4ngib oma tuntud headuses T\u00f5nis Niinemets. Foto: Alana Proosa<\/figcaption><\/figure>\n\n\n\n

Teater ei pea t\u00e4pselt kopeerima, teater v\u00f5iks panna vaataja n\u00e4gema ja tundma, uskuma. \u201eOnu Bella t\u00e4hestik\u201c aga ei pannud uskuma, vaid j\u00e4i turvaliseks jalutusk\u00e4iguks kost\u00fc\u00fcmitoas, mille uksele on kirjutatud \u201eT\u00e4na m\u00e4ngime Onu Bellat\u201c.<\/em><\/p>\n\n\n\n

Eesti Draamateatri lavastusega \u201eOnu Bella t\u00e4hestik\u201c on mitu probleemi: ma ei saa Kertu Moppeli kui lavastaja ja teksti autori valikutest aru, need ei veena. K\u00f5igepealt j\u00e4i \u00e4hmaseks lavastuse idee, miks ja millist lugu r\u00e4\u00e4gitakse ning kellele ja kellest. Kavalehel \u00f6eldakse, et aeg on edasi l\u00e4inud ja see t\u00e4hestik on m\u00f5eldud lastele. Siit j\u00e4reldan, et lavastus pole Bella kaasaegsetele, vaid neile, kes on kuulnud midagi segastest 90ndatest, Bellast, aga isiklikku m\u00e4lestust pole.<\/p>\n\n\n\n

Nostalgiline virvendus<\/strong><\/p>\n\n\n\n

L\u00e4himineviku m\u00f5testamiseks sobib teatrivorm valatult, ent valitud l\u00e4henemine \u2013 kronoloogiline loo jutustamine, kus fakte ja fantaasiat segatakse, vahepausideks Bella armastatu Malle-Hiie Kiviketi (Inga Salurand) miniloengud v\u00f5i m\u00f5tisklused \u201eaeg oli selline\u201c \u2013 ei toiminud. Loengud v\u00f5tsid tempo maha ning j\u00e4tsid mulje, et kost\u00fc\u00fcmivahetuseks on vaja lavaaega millegagi t\u00e4ita.<\/p>\n\n\n\n

K\u00f5ik muu ehk laval toimuv sigin-sagin, Bella kui artisti s\u00fcnd, v\u00e4ikesed kontserdid ja suured tuurid, kuidas telemees Vahur Kersna ja produtsent Aarne Valmis voolisid Bellast megastaari, kepp ja joomine ning vaidlus raha p\u00e4rast, oli hoogne, aga illustratiivne. Kuigi n\u00e4htu oli magusalt nostalgiline.<\/p>\n\n\n\n

Bella on meie kultuuriloos p\u00f5nev \u00e4\u00e4rmus. Bella rajas oma karj\u00e4\u00e4ri \u0161okeerimisele. Ent draamateatri lavastus on kui leebe vesipilt Bella loodule. V\u00f5ib-olla polegi t\u00e4na v\u00f5imalik vaatajat ehmatada, v\u00e4hemalt massile m\u00f5eldud teatrivormis, luua nii v\u00f5imsat Bellat, kui Bella sai ise end luues luua?<\/p>\n\n\n\n

Oleme k\u00f5igega harjunud ja kas oleksimegi valmis vaatama seksimist laval? Kas olime valmis seda vaatama 1989. aastal? Mis on vabadus t\u00e4na ja mis oli toona? See on \u00e4ra\u00fctlemata huvitav teema ja viimaste p\u00e4evade k\u00f5ige kuumema vaidluse valguses v\u00e4\u00e4riks eraldi ja mahukat k\u00e4sitlust Bella ajastu naiste kuvand ja selle kuvandi peegeldus n\u00fc\u00fcd laval ja see, mida me praegu \u00fchiskonnana naise vabaduseks peame.<\/p>\n\n\n\n

2023 ei ole naised laval paljaste rindadega, vaid nende keha katab plastturvis, rinnad kenasti kikkis ja tikitud tutt selge jutina jalge vahel. Minule see areng sobib ja n\u00e4ib ainu\u00f5ige, see pole vabadusest loobumine, vaid vabadus valida. Naisn\u00e4itleja ei pea laval olema paljas. Ega meesn\u00e4itleja. Alasti v\u00f5ib olla v\u00e4ga erinevat moodi. Kusjuures need plastrinnad on ka suurep\u00e4rane s\u00fcmbol toonasele naisekeha perfektsuse ihalusele.<\/p>\n\n\n\n

Anne T\u00fcrnpu supersooritus<\/strong><\/p>\n\n\n\n

Kui minult k\u00fcsitakse, kas vaadata \u201eOnu Bella t\u00e4hestikku\u201c v\u00f5i mitte, siis minu vastus on jah.<\/p>\n\n\n\n

P\u00f5hjus on n\u00e4itleja Anne T\u00fcrnpu \u2013 just tema muudab lavastuse teatris\u00fcndmuseks. Ta on Moppeli autorilavastuse t\u00e4ht ja idee. Minu vaatajakogemuses on T\u00fcrnpu kehastada sageli v\u00e4iksed sutsakad, ka sel korral on ta pidevas k\u00f5rvalosas \u2013 Bella emana, telet\u00f6\u00f6lisest mees-naise Toivona, sukksaabastes posti \u00fcmber v\u00e4\u00e4nleva l\u00f5bunaisena, rahvatantsur\u00fchma tubli t\u00fcdrukuna, nais\u00f5iguste eest v\u00f5itlejana, Bellana\u2026 K\u00f5ik need tegelased on eriilmelised ja veenvad, varbaotsani l\u00e4bi tunnetatud liikumises. T\u00fcrnpu on sajaprotsendiliselt laval kohal, ja selliseid n\u00e4itlejaid on v\u00e4he.<\/p>\n\n\n\n

Onu Bellat m\u00e4ngiva T\u00f5nis Niinemetsa probleem on dramaturgiline, talle pole antud rolli, ei ole v\u00f5imalust tegelasena areneda, ta ainus v\u00f5imalus on halvasti laulda ja teha suuri silmi. Niinemetsa m\u00e4ngitud fassaad on temalikult tuntud headuses, ent igav, sest tema Bellale ei saanud kuidagi kaasa tunda ega kaasa elada.<\/p>\n\n\n\n

Samas igavus pole kindlasti selle lavastuse m\u00e4rks\u00f5na, pigem tasapaksus ja lihtsustamine. Lavastuses on mitu ootamatut ja lahedat hetke, \u00e4gedalt teeb oma asju Ivo Uukkivi, seda nii punkar Munka ehk iseend m\u00e4ngides kui ka teleoperaatorina. Suurep\u00e4rane on Bella \u00e4ratundmise hetk, et n\u00fc\u00fcd aitab \u2013 ta l\u00f5petab Bellana esinemise \u2013, ja kui Niinemetsa Bella \u00fcmber tiirlevad sajad teised Bellad, viited 90ndate rahvatantsuhullusele jne, naersin, ja paar korda s\u00fcdamest. Aga ootasin rohkem, ootasin ideed, \u00fcldistust, midagi rohkemat kui kronoloogiline lugu ja illustreerivad pildid.<\/p>\n\n\n\n

Meiemehestatud Bella<\/strong><\/p>\n\n\n\n

Onu Bella sattus p\u00e4rast \u201eOnu Bella t\u00e4hestikku\u201c samasse ritta Meie Mehega ehk \u00fchte patta kohaliku muusika\u00e4ri \u00fche madalama nimetajaga. Moppel meiemehestas Bella ja selle \u00fcle olen k\u00f5ige kurvem, sest k\u00f5ik ajaloolised allikad viitavad, et Bella oli trikster, kes teadlikult m\u00e4ngis Bella rolli, mitte tohman, keda l\u00fckati ja t\u00f5mmati. Mingil p\u00f5hjusel tundusid laval k\u00f5ik tegelased natuke ohmakad, 90ndad oli k\u00fcll kummaline aeg, aga mitte p\u00e4ris selline, v\u00f5i noh, oli igasugune.<\/p>\n\n\n\n

Bella k\u00f5ige tuntum laul k\u00f5lab juba esimese vaatuse l\u00f5pu eel ehk kulminatsioon toimub enne kulminatsiooni! L\u00f5pulauluks valitud, Tartu Kuradisillal filmitud originaalvideo \u201eTahad saada heaks\u201c j\u00e4i lahjaks, sest ei sobinud lavastuse klouni-helistikuga kokku, kuigi aiman lavastaja taotlust. Teel koju ei kummitanud mul sugugi Onu Bella looming, vaid \u00dcllar J\u00f6rberg (J\u00f6rpa ja ta naise suurep\u00e4rane kehastamine Lauri Kaldojalt ja Hilje Murelilt!), ent seda avastanuna suunasin oma aju \u00f5igele rajale ning ikka suutsin end panna \u00fcmisema \u201ema v\u00f5tsin viina\u201c. Ja m\u00f5ned \u00f6\u00f6tunnid ohverdasin Youtube\u2019ile, sest tahtsin vaadata originaalvideoid Onu Bellast, sest p\u00e4rast k\u00f5iki neid teatrisaalis veedetud tunde soovisin kohata p\u00e4ris Onu Bellat.<\/p>\n\n\n\n

Arvustus sai \u00fcsna kriitiline, ent kokkuv\u00f5ttes pean n\u00e4htut siiski \u00f5nnestunuks \u2013 lavastus p\u00fcsib koos, paneb m\u00f5tlema ja mineviku (vabaduste ja muusika) \u00fcle arutama. Pealegi p\u00fc\u00fcdlus, julgus maksab ka midagi. Imet ei s\u00fcndinud, aga ei s\u00fcnnigi iga kord. Aasta alguses s\u00fcndis Eesti Draamateatris juba \u00fcks ime, kaht imet \u00fches aastas \u00fchelt suurelt (riigi)teatrilt ongi palju n\u00f5uda. Viimane pole iroonia, minu jaoks on draamateater j\u00e4tkuvalt oma tee otsingus p\u00f5nev ja tunnustan nende soovi end proovile panna, end avada, oma saalidest v\u00e4lja minna, vaadata, mis nende publikut k\u00f6idab ja mis mitte, mis neid end s\u00fctitab.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Heili Sibrits, Postimees, 15.08.2023 Teater ei pea t\u00e4pselt kopeerima, teater v\u00f5iks panna vaataja n\u00e4gema ja tundma, uskuma. \u201eOnu Bella t\u00e4hestik\u201c aga ei pannud uskuma, vaid j\u00e4i turvaliseks jalutusk\u00e4iguks kost\u00fc\u00fcmitoas, mille uksele on kirjutatud \u201eT\u00e4na m\u00e4ngime Onu Bellat\u201c. Eesti Draamateatri lavastusega \u201eOnu Bella t\u00e4hestik\u201c on mitu probleemi: ma ei saa Kertu Moppeli kui lavastaja ja teksti […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1023,1021,195,320,236,366,649,111,682,1022],"class_list":["post-27754","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-aarne-valmis","tag-anne-turnpu","tag-heili-sibrits","tag-hilje-murel","tag-inga-salurand","tag-kertu-moppel","tag-lauri-kaldoja","tag-postimees","tag-tonis-niinemets","tag-vahur-kersna"],"acf":[],"yoast_head":"\nT\u00e4na m\u00e4ngime Onu Bellat - Draamateater<\/title>\n<meta name=\"description\" content=\"Heili Sibritsa arvustus Postimehes Draamateatri suvelavastusele "Onu Bella t\u00e4hestik"\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-tana-mangime-onu-bellat\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00e4na m\u00e4ngime Onu Bellat - 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