{"id":28951,"date":"2023-11-20T14:25:27","date_gmt":"2023-11-20T11:25:27","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=28951"},"modified":"2024-09-24T13:51:10","modified_gmt":"2024-09-24T10:51:10","slug":"arvustus-bella-ciao-bella-ciao-bella-ciao-ciao-ciao-onu-bella-tahestik-2","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-bella-ciao-bella-ciao-bella-ciao-ciao-ciao-onu-bella-tahestik-2\/","title":{"rendered":"Bella ciao, bella ciao, bella ciao, ciao, ciao. \u201eOnu Bella t\u00e4hestik\u201c"},"content":{"rendered":"\n

Valner Valme, Eesti P\u00e4evaleht, 11.08.2023<\/p>\n\n\n\n

\"\"
T\u00f5nis Niinemets ON Bella. Kerge arrogants segi lapseliku \u00f5hinaga, piredad poosid ja s\u00fc\u00fcdimatu ehedus korraga, lisaks kohmakas l\u00e4llamine laulmisena. Foto: Alana Proosa<\/figcaption><\/figure>\n\n\n\n

Onu Bella oli midagi enamat kui \u201eMa v\u00f5tsin viina\u201c, ent Draamateatri suveuuslavastuses j\u00e4\u00e4b Igor Maasiku vastuoluline olemus avamata.<\/em><\/p>\n\n\n\n

Etenduse algul on T\u00f5nis Niinemets j\u00e4lle justkui Mozart, istub samas v\u00f5tmes ja v\u00e4limusega klaveri taga, nagu ta on \u201eAmadeuses\u201c. Tegelikult meenutab tema olemus sel hetkel rohkem Florian Wahli. M\u00f5lemad \u00fclekasvanud imelapse seosed sobivad ka Onu Bellat kehastades Kertu Moppeli lavastuses \u201eOnu Bella t\u00e4hestik\u201c.<\/p>\n\n\n\n

Siis k\u00e4ib pauk ja Ivo Uukkivi m\u00e4ngib 35 aasta tagust iseennast \u2013 kuradi h\u00e4sti, loomulikult \u2013 ja k\u00f5lab Velikije Luki \u201e\u00d5nn on elada me maal\u201c. Lavastuse b\u00e4nd j\u00e4\u00e4b seda tehes k\u00fcll veidi vaguraks ja puiseks, aga Munk on Munk.<\/p>\n\n\n\n

Sel hetkel tundub, et me n\u00e4eme t\u00e4na great show<\/em>\u2019d, mis \u00fchendab aegu, p\u00f5lvkondi ja subkultuure.<\/p>\n\n\n\n

Onu Bella oli ju midagi enamat kui \u201eMa v\u00f5tsin viina\u201c. Nagu lavastuses tabavalt esile tuuakse, oli ta oma \u201emuusiku\u201c-karj\u00e4\u00e4ri hakul pungim kui punk: kui normaalne punkar \u00e4rritas korralikke vanat\u00e4disid, siis Onu Bella ja \u00d6\u00f6rahu \u00e4rritas punkareid ennast. Sirgelt Public Image Ltd-st snitti v\u00f5tnud huligaanrokigrupp esitas 1980-ndate l\u00f5pus jultunud palu, nagu \u201eLiputaja\u201c, \u201eKing Kong\u201c, \u201eSolgitoru\u201c, \u201eMaailmaga vaenujalal\u201c jne, j\u00f5udes napi pooleteise aastaga N\u00f5ukogude Eesti televisiooni ja Rock Summerile masside ette. Kahjuks piirdub pungiperiood lavastuses peamiselt sellega, et loetakse ette 1989. aasta ajalehekatkeid, milles tollased muusikakriitikud \u00fcritasid Onu Bella fenomeni lahates m\u00f5istusele ja jalgele j\u00e4\u00e4da.<\/p>\n\n\n\n

\u201eLiputaja\u201c T\u00f5nis Niinemetsa esituses on pauer. Veel kevadel m\u00e4rkis lavastaja meedias, et Bellasid on laval mitu ja Niinemets on vaid \u00fcks neist. Ilmselt n\u00e4hti t\u00f6\u00f6 k\u00e4igus, et Niinemets ON Bella. Kerge arrogants segi lapseliku \u00f5hinaga, piredad poosid ja s\u00fc\u00fcdimatu ehedus korraga, lisaks kohmakas l\u00e4llamine laulmisena \u2013 kes \u00fcldse \u00fctleb, et laulda tuleb mingil kindlal moel?<\/p>\n\n\n\n

Teelahkmel seisan ma<\/strong><\/p>\n\n\n\n

Onu Bella fenomeni lahkamisega j\u00e4\u00e4b lavastus aga teelahkmele tammuma. Kas minna muusikalise tulev\u00e4rgi ja koomilise vaatem\u00e4ngu teed? Episoode leidub, tervikuna show<\/em>-pool ei t\u00f6\u00f6ta. Napib d\u00fcnaamikat, tempot ja hullust. B\u00e4ndi lugu ei saa teha b\u00e4nditeatri meetoditeta, b\u00e4ndi aga Nobeli laval ei teki. Seejuures on \u00fcks b\u00e4nd (Ahto Abner, Marvin Mitt, Indrek M\u00e4llo, Kristjan-Robert Rebane) isegi lava nurgas, ent neid ei m\u00e4rka, sama h\u00e4sti v\u00f5iks muusika tulla lindilt. N\u00e4itlejad ei kata aga tohutut Nobeli lava \u00e4ra, improst ja \u00fchisloomingust on vajaka, episoodide vahed on liiga pikad, m\u00f5nigi monoloog v\u00f5i stseen venib, sest k\u00fcllap on teistel n\u00e4itlejatel vaja lava taga riideid vahetada.<\/p>\n\n\n\n

Teine tee oleks \u00fcritada lahti m\u00f5testada ajastu skisofreenilisust: n\u00f5ukaaja l\u00f5pu ja vabariigi alguse t\u00f5mblused, mis praegu paistavad nii kummalised. L\u00e4\u00e4ne \u00fchiskonda tuli matkida n\u00fc\u00fcd ja kohe, v\u00e4lja kukkus paroodiana. Seda paroodiat kehastas paljuski Onu Bella \u2013 publikuga teadlikult manipuleerides (loomulikult manager<\/em> Aarne Valmise abiga). K\u00f5igi muude N\u00f5ukogude Eestile seni v\u00f5\u00f5raste asjade hulgas s\u00fcnnitatakse muusika\u00e4ri, ja kes v\u00f5iks seda paremini s\u00fcmboliseerida kui muude aasta tiitlite seas 1992. aasta klouniks valitud Onu Bella! Mees, kes t\u00f5i seksiteemad Eesti poppi, muutis macho<\/em>-poosi tolarolliks ja seisis tegelikult k\u00f5igi friikide eest!<\/p>\n\n\n\n

Hetki on<\/strong><\/p>\n\n\n\n

Lavastus toob tollase muusika\u00e4ri telgitagused ilmekalt ja vaimukalt esile, esineb palju \u00f5nnestunud sket\u0161e: Ivo Uukkivi ja Lauri Kaldoja purjus v\u00f5ttegrupina P\u00fchaj\u00e4rve Beach Partyl, \u201eBella Paradiisi\u201c video v\u00e4ntamine v\u00f5i rahak\u00fcsimine Aarne Valmiselt (Karmo Nigula lopsakate joontega kehastuses). Samas ei j\u00f5ua selle s\u00f5ubisnise \u00f5ied Draamateatri, antud juhul Nobeli lavale. Sket\u0161id seisavad eraldi nagu telesaates, kus vahepeal on saatejuhi kommentaarid.<\/p>\n\n\n\n

Need kommentaarid on lavastuses v\u00f5\u00f5rkehad. S\u00fc\u00fcdi pole Inga Salurand, kelle \u00f5lule neid enim s\u00e4titi, ega teised n\u00e4itlejad, vaid h\u00f5re dramaturgiline lahendus ja paatos, mis ei pruugi vaatajaga haakuda. Publikule r\u00e4\u00e4gitakse, kuidas siis ikkagi see n\u00f5ukogude aeg kokku kukkus ja kauboikapitalism asemele tuli: v\u00e4rvilise traadi, suhkruvati ja n\u00f5ukogude naiste jaoks ennen\u00e4gematute asjadega nagu tampoonid. Kli\u0161eed ei t\u00f6\u00f6ta lavastuses, mis k\u00e4sitleb inimest, n\u00e4htust, kes ja mis ei olnud kli\u0161ee: Onu Bella, keemia\u00f5petajast punkrokkstaariks, sealt edasi diskot\u00e4heks ja vabariigi kuulsaimaks inimeseks.<\/p>\n\n\n\n

Kohatu tundub ka meie-vorm: pooletunnisel vaheajal tuttavatega meenutades tuli see lollaka perestroikaga alanud ja iseseisva Eestiga p\u00e4\u00e4dinud riiklik ja mentaalne p\u00f6\u00f6re iga\u00fchele erinevalt, kes ikka tagantj\u00e4rele neid kooperatiive ja meedia ebaadekvaatsust \u00fcle t\u00e4htsustab, pealegi mida peaksid meie-vormis p\u00f6\u00f6rdumisest arvama 35-aastased ja nooremad, kes s\u00fcndisid Bella t\u00e4helennu algul v\u00f5i p\u00e4rast seda.<\/p>\n\n\n\n

Vahek\u00f5ned l\u00f5huvad lavastuse r\u00fctmi, ja kui tuleb taas hoogsam number, siis see m\u00f5jubki eraldi sket\u0161ina ja tervik ei t\u00f5mba kaasa etenduse omailma.<\/p>\n\n\n\n

Paipoiss ja pang<\/strong><\/p>\n\n\n\n

M\u00f5ni stseen on pikav\u00f5itu. \u201ePublikust t\u00f5usnud\u201c proua (Anne T\u00fcrnpu) hakkab Onu Bellat ja tema videos paljaks v\u00f5tnud Mercat (Hilje Murel) hurjutama. Anne T\u00fcrnpu teeb k\u00f5ik osad lavastuses professionaalse p\u00f5lemisega, sajaprotsendilise kohaloluga, asi pole temas, vaid lavastamises, mille puhul tahtnuks rohkem l\u00e4bitoimetamist.<\/p>\n\n\n\n

Imelik on seda \u00f6elda Kertu Moppeli kohta, kellelt ma ei tea seni \u00fchtegi eba\u00f5nnestumist, kes on detailit\u00e4pselt ja d\u00fcnaamiliselt demonstreerinud oma lavastaja-vaatepunkti. \u201eBellas\u201c ma ei n\u00e4e sellist enesekindlust \u2013 teisalt ei n\u00e4e ka \u00fchtset kambavaimu. Lavalolijad teevad oma t\u00f6\u00f6d h\u00e4sti, s\u00fcnergia j\u00e4tab siiski soovida. V\u00f5ib-olla oli asi esietenduse rabeduses, kuid v\u00f5ib arvata, et lavastuse \u00fclesehitus j\u00e4\u00e4b paika.<\/p>\n\n\n\n

Kes oli Igor Maasik, peale selle, et 27-aastaselt skandaalseks b\u00e4ndimeheks hakates oli samal ajal kodus emale paipoiss, kes viis alati ise solgipange v\u00e4lja? Karakteri vastuoluline olemus j\u00e4\u00e4b avamata hoolimata Niinemetsa maitsekast esitusest: ta ei veiderda ega paku \u00fcle, kuigi roll lubaks. Pisiasjad on paigas: \u00f5la- ja l\u00f5uan\u00f5ksud, teatraalsed poosid, k\u00e4si ette \u2013 v\u00e4liselt on me ees Onu Bella, tema ise. Selle v\u00e4lise poosi v\u00f5tamegi kaasa ja m\u00f5testame kodus edasi.<\/p>\n\n\n\n

Pu\u00e4ndiks ilmub lavale uus kangelane, keda Lauri Kaldoja esitab \u00fclivaimukalt, aga lavastuse kontekstis m\u00f5jub see nagu j\u00e4rgmine saade ETV kavas. Jah, tegelikult see ta ongi. Aeg oli selline ja v\u00f5ib-olla peab ka see lavastus t\u00e4pselt selline olema, nagu ta on.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Valner Valme, Eesti P\u00e4evaleht, 11.08.2023 Onu Bella oli midagi enamat kui \u201eMa v\u00f5tsin viina\u201c, ent Draamateatri suveuuslavastuses j\u00e4\u00e4b Igor Maasiku vastuoluline olemus avamata. Etenduse algul on T\u00f5nis Niinemets j\u00e4lle justkui Mozart, istub samas v\u00f5tmes ja v\u00e4limusega klaveri taga, nagu ta on \u201eAmadeuses\u201c. Tegelikult meenutab tema olemus sel hetkel rohkem Florian Wahli. M\u00f5lemad \u00fclekasvanud imelapse seosed […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1023,972,1021,496,320,1014,1019,236,362,162,366,971,649,1018,954,682,264],"class_list":["post-28951","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-aarne-valmis","tag-ahto-abner","tag-anne-turnpu","tag-eesti-paevaleht","tag-hilje-murel","tag-igor-maasik","tag-indrek-mallo","tag-inga-salurand","tag-ivo-uukkivi","tag-karmo-nigula","tag-kertu-moppel","tag-kristjan-robert-rebane","tag-lauri-kaldoja","tag-marvin-mitt","tag-onu-bella-tahestik","tag-tonis-niinemets","tag-valner-valme"],"acf":[],"yoast_head":"\nBella ciao, bella ciao, bella ciao, ciao, ciao. \u201eOnu Bella t\u00e4hestik\u201c - Draamateater<\/title>\n<meta name=\"description\" content=\"Valner Valme arvustus Eesti P\u00e4evalehes Draamateatri lavastusele "Onu Bella t\u00e4hestik", mis esietendus Noblessneri valukojas 10. augustil 2023.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-bella-ciao-bella-ciao-bella-ciao-ciao-ciao-onu-bella-tahestik-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Onu Bella t\u00e4hestiku" arvustus\" \/>\n<meta property=\"og:description\" content=\"Valner Valme arvustus Eesti P\u00e4evalehes Draamateatri lavastusele "Onu Bella t\u00e4hestik", mis esietendus Noblessneri valukojas 10. augustil 2023.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-bella-ciao-bella-ciao-bella-ciao-ciao-ciao-onu-bella-tahestik-2\/\" \/>\n<meta property=\"og:site_name\" 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