{"id":30114,"date":"2024-02-28T12:00:34","date_gmt":"2024-02-28T09:00:34","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=30114"},"modified":"2024-09-24T13:48:53","modified_gmt":"2024-09-24T10:48:53","slug":"arvustus-%e2%9f%a9-kohtumiseni-eluvalede-kohvikus","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-kohtumiseni-eluvalede-kohvikus\/","title":{"rendered":"Kohtumiseni eluvalede kohvikus"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 14.02.2024<\/p>\n\n\n\n

\"\"
Kursusekaaslased saavad laval kokku ja r\u00e4\u00e4givad eimillestki: Harriet Toompere (Cora) ja Tiina Tauraite (Denise). Foto: Andra Seepter<\/figcaption><\/figure>\n\n\n\n

<\/a>Kuid k\u00f5ik, mis mul vaesel on, on mu ulmad\u2026 Nood William Butler Yeatsi luuleread ongi j\u00e4lle platsis, kui p\u00fc\u00fcan s\u00f5nastada Priit Pedajase lavastuse \u00abL\u00e4henemine\u00bb j\u00e4relm\u00f5ju. Ehkki seda luuletust lausuti draamateatri v\u00e4ikses saalis hoopis teises Pedajase lavastatud iiri loos: Brian Frieli \u00abIgatsuse rapsoodias\u00bb (2021).<\/em><\/p>\n\n\n\n

\u00abL\u00e4henemise\u00bb \u00f5dus publikumagnet on kolme kursusekaaslase kokkusaamine: Hilje Murel (Anna), Harriet Toompere (Cora) ja Tiina Tauraite (Denise) l\u00f5petasid 1998. aastal lavakooli XVIII lennu, kursuse juhendaja Priit Pedajas. Esietenduse p\u00f5hjal tundusid kolme naise rollid m\u00f5neti ootusp\u00e4rased, tuttavliku moega. Mark O\u2019Rowe\u2019i n\u00e4item\u00e4ng m\u00f5jub \u00fcsna kummalisena, kuna mitte kui midagi justkui ei toimu.<\/p>\n\n\n\n

Kolm naist, kel \u00fchine minevik, kaks neist on koguni \u00f5ed, saavad aeg-ajalt kokku. Kusagil kohvikus. Kohtutakse pooljuhuslikult ja kahekaupa, kolmandat mainitakse, v\u00e4lditakse, klat\u0161itakse. Dialoogid kulgevad kuidagi sihitult, h\u00f5redalt, katkendlikult, kompavalt, r\u00e4\u00e4gitakse eimillestki. Krista Kaera t\u00f5lge toonitab triviaalsust, kuni tegelaste s\u00f5navara ahtus hakkab n\u00e4rvidele k\u00e4ima: kui ikka mituk\u00fcmmend korda kuulda s\u00f5nu \u00abkuradi\u00bb v\u00f5i \u00abkuradima\u00bb ja \u00abh\u00fcva\u00bb, muutub s\u00fcnon\u00fc\u00fcmitus \u00fcsna t\u00fc\u00fctuks. Liiatigi ei m\u00f5ju selline s\u00f5navalik eesti keeles kuigi orgaanilise ega k\u00f5nekeelsena.<\/p>\n\n\n\n

Kui haarata v\u00f5rdluseks kolme mehe s\u00f5pruse lugu selsamal n\u00e4itelaval \u2013 Guido Kangur, T\u00f5nu Oja (m\u00f5lemad lavakooli IX lend) ja Jaan Rekkor (X lend) Yasmina Reza n\u00e4idendis \u00abKunst\u00bb (lavastaja Karl Laumets, 2022) \u2013, siis tundub meeste dispuut \u00fcmber valge maali vaimukam, v\u00e4rvikam, vaimsem, isiksuslikum. T\u00f5si, sissem\u00e4ngimise aega ja n\u00fcansside lihvimist on vajanud ka \u00abKunst\u00bb. P\u00f5hiolemuselt on aga lavalood ja m\u00e4ngureeglid v\u00f5rreldamatud, vist.<\/p>\n\n\n\n

Kuigi, kolmel naisel kohvikus viivleb kusagil taustal, igap\u00e4iste s\u00f5nade kohal ja all ja taga, oma valge maal, mille teema avaneb areldi, kiht-kihilt. M\u00e4lupildil, kuhu iga\u00fcks neist saamatuid kriipse veab, on tardunud kooli\u00f5de Emily oma p\u00f5genemiste, p\u00e4\u00e4stmatu \u00fcksilduse ja viimaks enesetapuga. S\u00fc\u00fctunde ja teadmatuse tumedad laigud imbuvad kaitsekihist l\u00e4bi, aga pintseldatakse j\u00e4lle hoolega \u00fcle. Nii nagu lavapildis lohutu hall vihm vaheldub v\u00e4rviliste veiklevate tulukestega, t\u00e4navavalgustusega.<\/p>\n\n\n\n

\u00abL\u00e4henemise\u00bb kavalehel on rists\u00f5na, mille t\u00e4hendus selgineb naiste juttu kuulates ajapikku. V\u00e4lgatab iselaadne huumor, mida v\u00f5iks laval julgemalt, varjundirikkamalt serveerida. Just rists\u00f5nast saab alguse eluvalede v\u00f5i ulmade kriipiv v\u00f5i lausa k\u00f5he leitmotiiv. Hakkame saalis tasahaaval taipama, et need naised on sattunud ja j\u00e4\u00e4nudki l\u00f5ksu, enesepettuse surnud ringi, eluvalede karussellile tiirutama.<\/p>\n\n\n\n

Sel taipamise hetkel muutub hoobilt loogilise(ma)ks ka veider asjaolu, et aeg aina m\u00f6\u00f6dub, aga naised ei vaheta riideid, ei muuda isegi aksessuaare. Nii ei saa ju reaalselt olla! Kuni korraga muundub kahtlaseks absoluutselt k\u00f5ik, mida lavalt n\u00e4ha ja kuulda. K\u00f5ik need imetabaselt \u00f5nnelikud ja siiski \u00e4kitselt katkenud suhted, need \u00fclel\u00f6\u00f6dud ja mahaj\u00e4etud unelmate mehed, need ebam\u00e4\u00e4rased k\u00fcllakutsed, ebasiirad kokkulepped, sinnapaika j\u00e4etud j\u00e4llen\u00e4gemised. L\u00f5puks tunduvad isegi koer ja laps, kes peaksid olema t\u00e4itsa konkreetsed pidepunktid elus, \u00fcksnes luul.<\/p>\n\n\n\n

\u00abKuid k\u00f5ik, mis mul vaesel on, on mu ulmad;\/Olen laotanud ulmad su jalgade ette; \/K\u00e4i tasa, sest see, millel k\u00e4id, on mu ulmad.\u00bb (W. B. Yeats, \u00abTa igatseb endale taevakangaid\u00bb, M\u00e4rt V\u00e4ljataga t\u00f5lge.) Aga kui ligiduses pole mitte kedagi, kelle jalgade ette oma ulmad laotada? \u00dcksnes kohvikulaud t\u00fchjuses, ilma ettekandjata; \u00fcksnes l\u00e4biligunenud teepakike, mida tassis veel kord solgutada.<\/p>\n\n\n\n

Kui dialoog teeb viimse pu\u00e4ndika k\u00e4\u00e4naku, v\u00f5patlevad meeled virgeks. N\u00fc\u00fcd asetub pealkiri \u00abL\u00e4henemine\u00bb \u00fcht\u00e4kki uude valgusse. Seniilsuse moonduvate v\u00e4rvide (v)algus? Surelikkuse teadvustamise h\u00e4mar valgus? \u00dcksik l\u00f5kketuli \u00fcleval m\u00e4gedes, k\u00fclmas pimedas \u00f6\u00f6s? L\u00f5pust saab alguse n\u00e4item\u00e4ngu saladus, mille kallal koduteel kannatlikult urgitseda, rists\u00f5nale vastuseid otsides v\u00f5i vastupidi, ise k\u00fcsimusi koostades.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 14.02.2024 Kuid k\u00f5ik, mis mul vaesel on, on mu ulmad\u2026 Nood William Butler Yeatsi luuleread ongi j\u00e4lle platsis, kui p\u00fc\u00fcan s\u00f5nastada Priit Pedajase lavastuse \u00abL\u00e4henemine\u00bb j\u00e4relm\u00f5ju. Ehkki seda luuletust lausuti draamateatri v\u00e4ikses saalis hoopis teises Pedajase lavastatud iiri loos: Brian Frieli \u00abIgatsuse rapsoodias\u00bb (2021). \u00abL\u00e4henemise\u00bb \u00f5dus publikumagnet on kolme kursusekaaslase kokkusaamine: Hilje […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[212,323,320,326,1492,85,111,105,400,324],"class_list":["post-30114","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-guido-kangur","tag-harriet-toompere","tag-hilje-murel","tag-jaan-rekkor","tag-mark-orowe-2","tag-pille-riin-purje","tag-postimees","tag-priit-pedajas","tag-tiina-tauraite","tag-tonu-oja"],"acf":[],"yoast_head":"\nKohtumiseni eluvalede kohvikus - Draamateater<\/title>\n<meta name=\"description\" content=\"Pille-Riin Purje arvustus Postimehes lavastusele "L\u00e4henemine", mis esietendus 20. jaanuaril 2024 Draamateatri v\u00e4ikeses saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-kohtumiseni-eluvalede-kohvikus\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kohtumiseni eluvalede kohvikus - 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