{"id":30868,"date":"2024-05-10T11:40:59","date_gmt":"2024-05-10T08:40:59","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=30868"},"modified":"2024-09-24T13:43:58","modified_gmt":"2024-09-24T10:43:58","slug":"arvustus-erakonelused-kui-lugu-sugudevahelisest-vampirismist","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-erakonelused-kui-lugu-sugudevahelisest-vampirismist\/","title":{"rendered":"“Erak\u00f5nelused” kui lugu sugudevahelisest vampirismist"},"content":{"rendered":"\n

Meelis Oidsalu, kultuur.err.ee, 25.03.2024<\/p>\n\n\n\n

\"\"
“Erak\u00f5nelused”, foto autor Andra Seepter<\/figcaption><\/figure>\n\n\n\n

Lavastaja Madis Kalmet on hiljuti Vikeraadio saates “Vikerhommik” iseloomustanud Ingmar Bergmani kui “vampiirilikku loojat, kes iga paari-kolme aasta tagant oma lemmikn\u00e4itlejannaga paariaastase kooselu veedab ja peale selle l\u00f5ppu uue filmi v\u00f5i n\u00e4idendiga maha saab.”<\/p>\n\n\n\n

Bergmani “Erak\u00f5nelused”, mille Kalmet n\u00fc\u00fcd Draamateatri v\u00e4ikeses saalis lavale seadis, on samuti lugu sugudevahelisest vampirismist, k\u00fcll veidi teistsugusest. Rootsi ektsentriline realist pani kirja (l\u00fchiromaan ilmus 1996) ja lavastas (film linastus samal aastal) oma hooldus\u00f5est ema Karini ja vaimulikust isa Eriku m\u00f5ranenud abielu loo.<\/p>\n\n\n\n

Romaanis ja lavastuses kannab ema tegelaskuju Anna nime (kehastab Riina Maidre), isa kutsutakse Henrikuks (Kristo Viiding). Kolm tegelast mahtus Priit P\u00f5ldma akuraatsesse dramatiseeringusse veel \u2013 Anna poisiohtu vaimulikust armuke Tomas (M\u00e4rten Metsaviir), naise usaldusalusest pastor Jacob (Guido Kangur), kellega Anna peabki pihtimuslikku erak\u00f5nelusi; lisaks n\u00e4eme Anna k\u00fclask\u00e4iku ema Karini (Viire Valdma) juurde.<\/p>\n\n\n\n

Lavastaja pakkus “Vikerhommiku” intervjuus, et publikust \u00fcle poole on olnud osalised armukolmnurkades ning peaksid seet\u00f5ttu suutma end n\u00e4htuga samastada. J\u00e4in m\u00f5tlema, kui \u00f5iglane on v\u00f5rrelda sajanditaguse vaimuliku naise ja m\u00f5ne t\u00e4nase truudusetu Eesti daami olukorda. Bergmani kirjeldatud Rootsis on naisel nii majanduslikult kui seltskondlikult v\u00f5imatu omal algatusel mehest lahku minna. Samamoodi ei pidanud Henrik vaimulikuna v\u00f5imalikuks, et ta abielu lahutab. Praegu v\u00f5ib luteri kirikus karj\u00e4\u00e4ri teha ka truudusetu vaimulik, samuti on daamidel \u00fcldjuhul v\u00f5imalik oma majapidamine sisse seada, kui abielu luhtub.\u00a0<\/p>\n\n\n\n

“Erak\u00f5nelused” on selles m\u00f5ttes kurb lugu, et nn struktuursetel \u00fchiskondlikel p\u00f5hjustel peategelasel sisuliselt valikuid polegi v\u00f5i kui on, siis viivad k\u00f5ik valikud tupikusse. Korra perekonna loonuna kaotab Anna igasuguse sotsiaalse autonoomia. Seksuaalse autonoomia (armukese v\u00f5tmise) hind on Anna jaoks aga nii r\u00f5vedalt k\u00f5rge, et solgib k\u00f5rvalsuhtest otsitud elur\u00f5\u00f5mu. Abikaasa Henrik laguneb t\u00f5de kuuldes ja klammerdub Anna k\u00fclge. Vaimulikust Henriku abitus on \u00fchtlasi v\u00f5imutehnika.<\/p>\n\n\n\n

Lavastuse aluseks olevast romaanist j\u00e4i meelde, et salasuhe Tomasega pakkus Annale hingetroosti. Lavastaja Kalmet ja dramaturg P\u00f5ldma Anna suhtes nii lahked pole olnud, M\u00e4rten Metsaviir (Tomas) m\u00f5jub g\u00fcmnasistina, kelle kooli\u00f5petaja on \u00e4ra r\u00e4\u00e4kinud. Salaarmukeste voodistseen polegi piinlik vaadata nagu voodistseenid \u00fcldiselt, t\u00e4itsa elulist kohmetust kohtas.<\/p>\n\n\n\n

T\u00f5elist vaimset ja hingelist l\u00e4hedust tunneb Anna hoopis kolmanda mehega \u2013 vana Jacobiga (Guido Kangur), kes on Annaga pihtimuslikke erak\u00f5nelusi l\u00e4bi viies erakordselt delikaatne ja inimlik. Jacobi-sugune kirikuisa kaunistaks iga kirikut. Eesti kirikuisade persona<\/em>‘des domineerib poliitiline vilumus, inimlikku hingesuurust ja -soojust kohta harva. Luteri kiriku plakatid k\u00fcsivad rahvalt raha kinnisvara hooldamiseks, kuhu on j\u00e4\u00e4nud armastuse jagamise kampaaniad, tahaks Guido Kanguri rollist inspireerituna k\u00fcsida. Veidral kombel on Kanguri Jacob k\u00fcll vana ja leebe, aga \u00fcdini mehelik natuur. Anna suhtes tunneb ta s\u00fcgavat t\u00f5mmet, tema l\u00e4hedus noore naisega ei muutu hetkekski tatiseks.<\/p>\n\n\n\n

Riina Maidre Anna on raamatu-Annast ehk isegi nurgelisem ja k\u00e4rsitum, Gustave Flaubert’i romaani “Madame Bovary” nimitegelane tuli meelde. Ka Kristo Viiding Henriku rollis on ootamatu valik, mehelikum kui oli Bergmani portree oma h\u00e4dap\u00e4takast isast.<\/p>\n\n\n\n

Ajah\u00fcpete t\u00e4histamiseks tagaseinast kordam\u00f6\u00f6da ette nihkuvad uksed (kunstnik Arthur Arula) r\u00fctmistavad lavastust, esimene vaatus j\u00e4i sellegipoolest monotoonseks. Vahel kiputakse inimsuhteid lavale kui muuseumieksponaate vitriinklaasi taha s\u00e4ttima. Kalmeti lavastus on luterlikult kasin, kogu d\u00fcnaamika tuleb veenvatest rollidest. Lavastaja kokkuv\u00f5ttev kommentaar v\u00f5i kujundliku tinglikkuse element j\u00e4i siiski justkui puudu tervikust. <\/p>\n\n\n\n

Draamateatri v\u00e4ikses saalis m\u00e4ngitakse praegu nelja kammerlikku suhtelugu: “V\u00f5\u00f5rad”, “Bertod ja Agnes”, “L\u00e4henemine” ja “Erak\u00f5nelused”. Kui peaksin s\u00f5brale soovitamiseks \u00fche valima, valiksin Kalmeti-Bergmani luterliku suhtedraama, “L\u00e4henemist” soovitan v\u00e4ltida.<\/p>\n\n\n\n

Madis Kalmeti eelmine Bergmani-k\u00e4sitlus “Nagu peeglis” (2019) on t\u00e4naseks kahjuks Rakvere teatri m\u00e4ngukavast maha v\u00f5etud. Ka siis oli m\u00e4rgata, et Kalmeti sisemised erak\u00f5nelused kirjanik Bergmaniga on elusad, p\u00f5nevad, n\u00fcansseeritud.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Meelis Oidsalu, kultuur.err.ee, 25.03.2024 Lavastaja Madis Kalmet on hiljuti Vikeraadio saates “Vikerhommik” iseloomustanud Ingmar Bergmani kui “vampiirilikku loojat, kes iga paari-kolme aasta tagant oma lemmikn\u00e4itlejannaga paariaastase kooselu veedab ja peale selle l\u00f5ppu uue filmi v\u00f5i n\u00e4idendiga maha saab.” Bergmani “Erak\u00f5nelused”, mille Kalmet n\u00fc\u00fcd Draamateatri v\u00e4ikeses saalis lavale seadis, on samuti lugu sugudevahelisest vampirismist, k\u00fcll veidi […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[367,1489,212,376,238,920,469,384,205,1490,1725,117],"class_list":["post-30868","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arthur-arula","tag-erakonelused","tag-guido-kangur","tag-ingmar-bergman","tag-kristo-viiding","tag-kultuur-err-ee","tag-madis-kalmet","tag-marten-metsaviir","tag-meelis-oidsalu","tag-priit-poldma","tag-riina-maidre-2","tag-viire-valdma"],"acf":[],"yoast_head":"\n"Erak\u00f5nelused" kui lugu sugudevahelisest vampirismist - 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