{"id":30871,"date":"2024-05-10T11:52:45","date_gmt":"2024-05-10T08:52:45","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=30871"},"modified":"2024-09-24T13:43:31","modified_gmt":"2024-09-24T10:43:31","slug":"arvustus-%e2%9f%a9-elujogi-seitsme-surmapatusillaga","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-elujogi-seitsme-surmapatusillaga\/","title":{"rendered":"Eluj\u00f5gi seitsme surmapatusillaga"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 27.03.2024<\/p>\n\n\n\n

\"\"
Skandinaavia \u00e4ng: Onu Jacob (Guido Kangur) ja Anna (Riina Maidre). Foto: Andra Seepter<\/figcaption><\/figure>\n\n\n\n

Lavastaja Madis Kalmetile sobib Ingmar Bergmani kompromissitu inimesek\u00e4sitlus, samuti tumesalalik skandinaavia \u00e4ng. Ennek\u00f5ike aga elut\u00f5sidus. Seda \u00e4ratundmist kinnitab ja s\u00fcvendab Kalmeti kolmas Bergmani-t\u00f5lgendus \u00abErak\u00f5nelused\u00bb. Lisat\u00e4henduse annab draamateatri v\u00e4ikses saalis teadmine, et seda materjali soovis 1990ndate l\u00f5pus lavastada Mikk Mikiver. Ise\u00e4ranis Guido Kanguri tegelaskuju Jacobi kaudu saab loodud tundlik m\u00e4lusild, tasutud t\u00e4nuv\u00f5lg.<\/em><\/p>\n\n\n\n

Bergmani \u00abErak\u00f5nelused\u00bb on harvan\u00e4htavalt j\u00f5ulise sisemise pingev\u00e4ljaga lavastus, publikut ei alahinnata. Kolm tundi m\u00f6\u00f6dub justkui silmapilk, kisub kaasa n\u00e4itlejate maksimaalne kohalolu, m\u00e4ngulaadi t\u00fchikuteta intensiivsus. Katkematu ps\u00fchholoogilise piirsituatsiooni loomine ja hoidmine saab v\u00f5rsuda \u00fcksnes maksimaalsest usaldusest lavastaja ja trupi vahel.<\/p>\n\n\n\n

Kirglik siseilm<\/strong><\/p>\n\n\n\n

Kalmeti \u00fcks p\u00f5hiteemasid on naise saatus, hapruse ja uhkuse, kaitsetuse ja kestmisj\u00f5u sulam. Nii ka n\u00fc\u00fcd, peategelane Anna (Riina Maidre) kannab ja v\u00e4ljendab s\u00fcgavat hingelist murrangut, mille ta ise s\u00f5nastab elukatastroofi l\u00e4vel olekuks. See elukatastroofi tunnetus haakub t\u00e4pselt meie ajaga, tervendav on vaadata iseendasse, oma hingepeeglisse \u2013 \u00abNagu peeglis\u00bb oli Kalmeti eelmise Bergmani-lavastuse pealkiri (Rakvere teater, 2019).<\/p>\n\n\n\n

Elame kaasa Anna kirglikule enese- ja elut\u00f5e otsingule, armastuselootusele, s\u00fc\u00fctundele, kahtlustele usus, meeleheitele, vastuhakule ja vastupidavusele. Stseenid Anna elust liiguvad l\u00e4bi kahek\u00fcmne seitsme aasta. Arthur Arula stsenograafias on laval mitu ust, tegevusaegu m\u00e4rkivate aastaarvudega. Teistkordsel vaatamisel, mil saalis tagapool oli numbreid raske m\u00e4rgata, hakkasin nende vajalikkuses kahtlema. Uksed ahendavad m\u00e4nguruumi, markeerides Anna ahis(ta)tusetunnet, korraks muutub \u00fcks uks reaalseks, Anna keerab selle abikaasa vihaiili peljates lukku.<\/p>\n\n\n\n

Riina Maidre lavaelu on katkematu sisemonoloog, iga Anna erak\u00f5nelus pihtimuse kaaluga. Anna mainib erinevaid elurolle, tagalaval on tema jaoks hulk kleite nagu n\u00e4itleja garderoobis, ent kost\u00fc\u00fcmivahetused ei t\u00e4hista v\u00e4lispidist teatraalsust, vaid absoluutset valmisolekut olla igal hetkel elus. Maidre suudab olla v\u00f5rdv\u00e4\u00e4rselt sugestiivne partneritega suheldes ning suhteid ja oma siseilma kirjeldades, tema s\u00f5nad k\u00e4ivitavad isegi eredamaid kujutluspilte kui silmaga n\u00e4htav tegelikkus.<\/p>\n\n\n\n

Miski j\u00e4\u00e4b varjatuks<\/strong><\/p>\n\n\n\n

Nelja partneri hool on avada Anna olemust, mis ei t\u00e4henda oma rolli\u0161ansi loovutamist. M\u00f5jusalt on lavastatud vaikimised. Nii suudab Viire Valdma Anna ema Karini rollis range hoiaku ja laitmatu enesevalitsemise varjus v\u00e4ljendada \u00fcksnes silmadega iseendagi eest salatud m\u00f5tteid, stseen l\u00f5peb ema ja t\u00fctre \u00fc\u00fcrikese liigutava teineteisem\u00f5istmisega. Kristo Viiding Anna abikaasa Henrikuna heitleb oma deemonitega, tema vaoshoituses on midagi kardetavat. M\u00e4rten Metsaviir ujevoorusliku armukese Tomase osas j\u00e4\u00e4b verevaeselt eluaraks, s\u00f6andamata Annaga koos isegi \u00f5nnetu olla. Tekib kahtlus, \u00e4kki on Anna oma armumise Tomasesse v\u00e4lja m\u00f5elnud.<\/p>\n\n\n\n

\u00abErak\u00f5neluste\u00bb tuumaks kujunevad raamstseenid, Anna kohtumised onu Jacobiga, mis teisendavad helistiku \u00f5huliseks. Guido Kangur loob varjundipeene ja s\u00fcmpaatse hingekarjase tegelaskuju. \u00c4ra\u00fctlemata huvitav on j\u00e4lgida, kuidas tema Annat kuulab ja kuuleb, mismoodi kulgeb Jacobi sisek\u00f5ne, kuhu kanduvad tema m\u00f5tted. Kanguri ja Maidre partnerluses aimub meistriklassi. Viimane erak\u00f5nelus, mil Jacob on vana ja haige ja isemoodi leebe, paotab uue tasandi aususe ja eluvalede, t\u00f5e ja halastuse vaekaaludel. N\u00e4eme Anna muutumist.<\/p>\n\n\n\n

L\u00f5puks kordub m\u00e4lupilt noorukesest Annast, kes oma k\u00fcbara trotslikult j\u00f5kke heitis, kui onu Jacob temas t\u00e4iskasvanut ei n\u00e4inud. Leerilapsest, kes t\u00f5rkus armulauale minemast. See viivuke v\u00f5ib olla Jacobi hallutsinatsioon v\u00f5i jagatud meenutus, mille tagamaa ja t\u00e4hendus on ajas muutunud. Kummaline liits\u00f5na \u00aberak\u00f5nelus\u00bb sisaldab sedagi, et me ei suuda iial lugeda teineteise m\u00f5tteid l\u00f5puni, et miski j\u00e4\u00e4b varjatuks, peabki j\u00e4\u00e4ma.<\/p>\n\n\n\n

Sel j\u00f5el on seitse silda\u2026 Nii kohtuvad jumalagaj\u00e4tvas erak\u00f5neluses surmapatud ja armulaud.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 27.03.2024 Lavastaja Madis Kalmetile sobib Ingmar Bergmani kompromissitu inimesek\u00e4sitlus, samuti tumesalalik skandinaavia \u00e4ng. Ennek\u00f5ike aga elut\u00f5sidus. Seda \u00e4ratundmist kinnitab ja s\u00fcvendab Kalmeti kolmas Bergmani-t\u00f5lgendus \u00abErak\u00f5nelused\u00bb. Lisat\u00e4henduse annab draamateatri v\u00e4ikses saalis teadmine, et seda materjali soovis 1990ndate l\u00f5pus lavastada Mikk Mikiver. Ise\u00e4ranis Guido Kanguri tegelaskuju Jacobi kaudu saab loodud tundlik m\u00e4lusild, tasutud t\u00e4nuv\u00f5lg. […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[367,212,376,238,469,384,292,85,111,1725,117],"class_list":["post-30871","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arthur-arula","tag-guido-kangur","tag-ingmar-bergman","tag-kristo-viiding","tag-madis-kalmet","tag-marten-metsaviir","tag-mikk-mikiver","tag-pille-riin-purje","tag-postimees","tag-riina-maidre-2","tag-viire-valdma"],"acf":[],"yoast_head":"\nEluj\u00f5gi seitsme surmapatusillaga - Draamateater<\/title>\n<meta name=\"description\" content=\"Pille-Riin Purje arvustus Postimehes Madis Kalmeti lavastusele "Erak\u00f5nelused", mis esietendus 22.02.2024 Draamateatri v\u00e4ikeses saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-elujogi-seitsme-surmapatusillaga\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Eluj\u00f5gi seitsme surmapatusillaga - 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