{"id":30890,"date":"2024-05-10T14:02:39","date_gmt":"2024-05-10T11:02:39","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=30890"},"modified":"2024-09-24T13:42:50","modified_gmt":"2024-09-24T10:42:50","slug":"arvustus-%e2%9f%a9-kui-laval-on-skalpell-peab-ka-verd-voolama","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-kui-laval-on-skalpell-peab-ka-verd-voolama\/","title":{"rendered":"Kui laval on skalpell, peab ka verd voolama"},"content":{"rendered":"\n

Meelis Oidsalu, Postimees, 17.04.2024<\/p>\n\n\n\n

\"\"
Mait Malmsten ja Andres Puustusmaa. Vendade suhe l\u00e4heb teravaks. Foto:\u00a0Heikki Leis.
<\/figcaption><\/figure>\n\n\n\n

Artur Rault\u2019 n\u00e4idend \u00abSkalpell\u00bb on pilguheit kahe venna \u2013 elup\u00f5letajast fotograafi (Mait Malmsten) ja pedantliku kirurgi (Andres Puustusmaa) \u2013 t\u00e4iskasvanu-maskide taha peituvatele lapsikutele vennavaenu-grimassidele.<\/em><\/p>\n\n\n\n

Vana Testamendi p\u00f5llumees Kain tappis loomakasvatajast venna Aabeli, sest et tolle ohvrid olid jumalale meelep\u00e4rasemad. Kadedus orjastas Kaini, kes venna p\u00f5llukiviga teise ilma saatis. Kummalisel kombel jumal Kaini ei karistanud, \u00e4hvardas hoopis seitsmekordse k\u00e4ttemaksuga iga\u00fcht, kes kriminaalist kadetsejale k\u00e4tte maksta soovinuks. Vennatapja elas vanajumala kaitse all 730-aastaseks ja levitas oma kuritegelikku seemet, kuni maja talle kaela varises.<\/p>\n\n\n\n

Andres Puustusmaa kirurg v\u00f5tab ootamatult k\u00fclla saabunud venna oma kodus vastu nii m\u00fcrgise ilmega, et kohe paugust on selge, kumb vendadest kannab Kaini geene, nn Kaini kompleksi p\u00f5eb. Ega l\u00f5puni saagi aru, kas Puustusmaa kehastatud perfektsionistist kontrollifriik kadestab, vihkab ja kardab (sest viha on hirm) oma venda v\u00f5i siis omadusi, mida vend esindab \u2013 loovust ja impulsiivsust.<\/p>\n\n\n\n

Kirjaniku kontrollivajadus<\/strong><\/p>\n\n\n\n

Korraks k\u00e4ivad dialoogist l\u00e4bi ka poliitilised s\u00f5imus\u00f5nad \u00abtolerast ja liberast\u00bb, aga seda liiga vilksamisi, et mingit kaalu omada. Seejuures paistab kirjanik Artur Rault\u2019 kontrollivajadus oma n\u00e4idendi re\u017eii \u00fcle olevat sama suur kui on tema kirurgist tegelaskujul: k\u00f5nepausid ja lauser\u00f5hudki on autor tekstis n\u00e4itlejatele ette \u00e4ra osutanud.<\/p>\n\n\n\n

Viimati ema matusel kohatud venda saabub fotograaf k\u00fclastama ps\u00fchhoterapeudi soovitusel. Edasi saab publik umbes poolteise tunni jooksul (etenduse pikkus on Draamateatri selgituste kohaselt erinevatel p\u00f5hjustel varieerunud 1 tunnist 15 minutist kuni 1 tunni 25 minutini) kogeda kahe venna vestluses p\u00f5nevaid p\u00f6\u00f6rdeid. Ilmsiks tulevad \u00fcha uued \u00abvennaarmastuse\u00bb tumedad asjaolud ja tahud.<\/p>\n\n\n\n

Oma roll kirurgi varjamatus vennavihas on lapsena kogetud eba\u00f5iglusel. Vaenu paisutab kahtlus, et seksikalt l\u00f5dva elumeheolekuga (t\u00e4toveering ja k\u00f5rvar\u00f5ngas!) fotograaf on vennanaisega \u00fchte heitnud, kui piibelliku k\u00f5nepruuki kasutada. K\u00f5iki saladusi siin v\u00e4lja r\u00e4\u00e4kida ei sobi, n\u00e4idend kulgebki krimiloo loogikat j\u00e4rgides ja ka lavastuse paeluvus ripub \u00fcsna \u00fcheselt vestluse p\u00f6\u00f6retest \u00e4ra. Igatahes on m\u00f5istetav, miks kirurg \u00fchel hetkel oma ajalooliste skalpellide kollektsioonist terariista haarab, et see venna k\u00f5rile suruda.<\/p>\n\n\n\n

\u00ab\u00d5dede ja vendade suhted ja peresuhted \u00fcldse on alati keerulised ja pahatihti valusad. Kus mujal leiduks nii palju mahavaikitud saladusi, keelatud teemasid ja mahasurutud vimma? Aga ka nii palju armastust?\u00bb k\u00fcsib autor draamateatri kirjandusala juhatajale Ene Paaverile antud intervjuus. Tema tegelaskujude \u00f5elusele lisab eraldi kihi kalduvus liialdada ja valetada paljalt valu tekitamise eesm\u00e4rgil.<\/p>\n\n\n\n

Etendus kulgeb veatult<\/strong><\/p>\n\n\n\n

Puustusmaa lavastus on sujuv ja tempokas, k\u00f5ik on paigas, etendus kulgeb veatult. Sujuvuse hinnaks on, et vennaviha-teema\u00f5htu on algusest l\u00f5puni \u00fchtlasi kontrolli all ja ohutu. Kui Malmsten uksele pr\u00f5mmib, et sarim\u00f5rvari pilguga skalpelli k\u00e4es hoidva Puustusmaa juurest p\u00f5geneda, siis oleks korrakski v\u00f5inud hakata hirm v\u00f5i imelik. V\u00f5ib-olla oli see konkreetsel etenduse k\u00fcsimus, aga uksele pr\u00f5mmiti justkui efekti p\u00e4rast, sest et n\u00e4idendi autor k\u00e4skis pr\u00f5mmida.<\/p>\n\n\n\n

\u00abSkalpelli\u00bb tegelik probleem on selles, et Antoine Rault l\u00fchin\u00e4idend ei vii \u00f5igupoolest kuhugi, teksti autoril j\u00e4i justkui \u00fcldistusn\u00e4ljast puudu, ongi vaid olmelise vennas\u00f5ja teema s\u00e4rav ekspositsioon. Vennavaenust ja selle p\u00f5hjustatud valust on tehtud privaatset laadi vaatem\u00e4ng ja seda ajal, mil siinsamas Euroopas \u00fcks vennasrahvas teist armutult h\u00e4vitada p\u00fc\u00fcab. Samas, ega Rault ei kirjutanudki n\u00e4idendit Ukrainas toimuvast l\u00e4htudes. Eraldi k\u00fcsimus on, kas n\u00e4itekirjanikul tasub n\u00e4ppida nii valusat teemat, mille kohta tal midagi \u00fcldistusj\u00f5ulist \u00f6elda pole.<\/p>\n\n\n\n

Autor mainib kavaleheintervjuus ka Rooma linna asutanud vendade vahelist tapaintsidenti (Romulus tapab oma venna). Kui Vana-Rooma aja- ja kirjandusloolasi uskuda, siis oli vendlussuhetel Roomas eriline t\u00e4hendus, seda t\u00f5endab ka vendade Kastori ja Polydeukese (Castor ja Pollux) t\u00e4htsus antiikm\u00fctoloogias. Sestap pole Romuluse fratritsiid mitte ainult kriminaalne intsident, vaid s\u00fcgav, kogu tsivilisatsiooni m\u00f5jutav kultuuri\u0161okk.<\/p>\n\n\n\n

Antoine Rault\u2018 n\u00e4idend vennastumise kultuuri s\u00fcgavustesse ei kaevu, sestap m\u00f5jub ka \u00abSkalpelli\u00bb vennaviha osavalt vahendatud olustikulise kiusuna, mitte ajavaimu iseloomustava suhte- ja suhtluskultuuri metafoorina. V\u00f5ib vabalt olla, et prantsuse publiku jaoks hakkab nende vabariigi moto \u00abvabadus, v\u00f5rdsus, vendlus\u00bb ahistava vennat\u00fcli taustal kaasa kumisema. Lavastaja Puustusmaa on teinud Rault\u2018 tekstile toreda lisandi ja seadnud kaks venda l\u00f5pustseenis lapsep\u00f5lvefotot vaatama, kus nad kumbki vabalt, v\u00f5rdselt ja vennalikult nii otseses kui kaudses m\u00f5ttes \u00fchele pildile mahuvad.<\/p>\n\n\n\n

Teisest k\u00fcljest pole ka sellist kammerlikku suhtevaatem\u00e4ngu p\u00f5hjust halvaks panna. Andres Puustusmaale ja Mait Malmstenile kummalegi sobib see iga, kuhu nad j\u00f5udnud on. \u00abSkalpell\u00bb m\u00f5jub veidi ehmatava skalpellil\u00f5ikena k\u00fcll, aga mitte eriti s\u00fcgava l\u00f5ikena. Laval kraabiti nahka ja seda ajal, mil Euroopa vennaarmastusest lage p\u00e4riselu verist maailmal\u00f5pu-\u00f5udukat meenutab. Aga, mine tea, v\u00f5ib olla ongi rangelt tegelaste eraelulisse sf\u00e4\u00e4ri kapseldunud \u00abSkalpelli\u00bb vaatamine v\u00f5imalus praeguse elu poliitilistest puhitustest puhata.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Meelis Oidsalu, Postimees, 17.04.2024 Artur Rault\u2019 n\u00e4idend \u00abSkalpell\u00bb on pilguheit kahe venna \u2013 elup\u00f5letajast fotograafi (Mait Malmsten) ja pedantliku kirurgi (Andres Puustusmaa) \u2013 t\u00e4iskasvanu-maskide taha peituvatele lapsikutele vennavaenu-grimassidele. Vana Testamendi p\u00f5llumees Kain tappis loomakasvatajast venna Aabeli, sest et tolle ohvrid olid jumalale meelep\u00e4rasemad. Kadedus orjastas Kaini, kes venna p\u00f5llukiviga teise ilma saatis. Kummalisel kombel jumal […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[927,1726,213,205,111],"class_list":["post-30890","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-andres-puustusmaa","tag-artur-rault","tag-mait-malmsten","tag-meelis-oidsalu","tag-postimees"],"acf":[],"yoast_head":"\nKui laval on skalpell, peab ka verd voolama - Draamateater<\/title>\n<meta name=\"description\" content=\"Meelis Oidsalu arvustus Postimehes Andres Puustusmaa lavastusele "Skalpell", mis esietendus 10.02.2024 Draamateatri Maalisaalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/arvustus-%e2%9f%a9-kui-laval-on-skalpell-peab-ka-verd-voolama\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kui laval on skalpell, peab ka verd voolama - 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