{"id":30960,"date":"2024-05-23T15:43:26","date_gmt":"2024-05-23T12:43:26","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=30960"},"modified":"2024-05-23T15:43:58","modified_gmt":"2024-05-23T12:43:58","slug":"kulaline-tuleb-valges","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/kulaline-tuleb-valges\/","title":{"rendered":"K\u00fclaline tuleb valges"},"content":{"rendered":"\n

Kaie M\u00f6lter<\/em><\/p>\n\n\n\n

Kui \u00f6eldakse, et k\u00f5ik lood r\u00e4\u00e4givad armastusest, siis Eesti Draamateatri lavastus \u201eTeoreem\u201d ja Tallinna Linnateatri \u201e\u00dclest\u00e4hendusi p\u00f5randa alt\u201d n\u00e4itavad igatsust armastuse j\u00e4rele. Pier Paolo Pasolini kujutas \u201eTeoreemis\u201d toona tema jaoks \u00fclimalt p\u00f5lastusv\u00e4\u00e4rset kodanlaste elu 1960ndate Itaalias. Fjodor Dostojevski loo peategelane ihaleb armastuse j\u00e4rele 19. sajandi Peterburis.

\u201eTeoreem\u201d n\u00e4itab laval heal j\u00e4rjel perekonda, kelle liikmetel pole pealtn\u00e4ha millestki puudust. K\u00f5igil pereliikmeil on elus oma koht ja teadmine, mida see positsioon t\u00e4hendab ja neilt n\u00f5uab, kuni k\u00fclalise (Liisa Saarem\u00e4el) saabumine muudab k\u00f5igi elu, ja tema lahkumine veelgi enam.<\/p>\n\n\n\n

Ka \u201e\u00dclest\u00e4hendustes\u201d saabub peategelase juurde k\u00fclaline. Kuid vastupidiselt \u201eTeoreemi\u201d k\u00fclalisele, kellesse kogu perekond kiindub, j\u00e4\u00e4b \u201e\u00dclest\u00e4henduste\u201d peategelane P\u00f5randaalune (Rain Simmul) ka peale Liza (Hele K\u00f5rve) lahkumist endiseks, kibestunud ja uhkeks tegelaseks ning Lizas kustub lootus, et armastus v\u00f5iks p\u00e4\u00e4sta nii teda kui P\u00f5randaalust.<\/p>\n\n\n\n

Rainer Sarneti lavastatud \u201e\u00dclest\u00e4hendusi p\u00f5randa alt\u201d m\u00e4ngitakse Salme kultuurikeskuse blackboxis, Juhan Ulfsaki lavastatud \u201eTeoreem\u201d seevastu h\u00f5lmab kogu Draamateatri suure lava, alustades lavaesisest, ulatudes akside vahele ning avades ka lava k\u00f5ige tagumise osa, kus on parasjagu ootel teiste lavastuste dekoratsioonid. Lavakujunduse rohelised toonid markeerivad lopsakat haljastust ja perekonna kost\u00fc\u00fcmid mugavat kodust olemist.<\/p>\n\n\n\n

M\u00f5lema lavastuse kunstnikut\u00f6\u00f6 on teinud Laura P\u00e4hlapuu ning tema kaht lavakujundust \u00fchendav detail \u2013 ekraan \u2013 annab m\u00f5lemale lavastusele omamoodi r\u00fctmi. \u00dchele ilmub aeg ajalt videopilt, v\u00f5imendades detaile, mis muidu saali ei paistakski. Teises lavastuses tekitab ekraani ees toimuv n\u00e4itlejate m\u00e4ng vaatajas filmiliku tunde, kui peategelane m\u00f6\u00f6dub jalutusk\u00e4igul joonistatud linnakodanikest.<\/p>\n\n\n\n

Dostojevski kirjutas \u201e\u00dclest\u00e4henduste\u201d s\u00fcndmused Peterburi \u00fche ametniku korterisse, restorani, l\u00f5bumajja ja Neeva kaldale ning nii on see ka lavastuses. Ametniku korter sarnaneb laval v\u00f5lvkoopa kambritega, kahem\u00f5\u00f5tmeline restoranilaud v\u00f5imendab peategelase ihnsat olekut ja kujuteldav kaldapealne lubab aimata avarust ja samas kitsikust. Kohale ja ajale kindlaksj\u00e4\u00e4mist r\u00f5hutavad laval ka tegelaste kost\u00fc\u00fcmid, aukartus tsaari impeeriumi vapi ees ning valge ekraani v\u00e4rvuse vaheldumine sinise ja punasega.<\/p>\n\n\n\n

Usk ja \u00fchiskondlikud normid kammitsevad m\u00f5lema loo tegelasi. Teatraalsus ja grotesksus iseloomustab kaht lavastust ning sarnaseid rolle etendavad neis \u00fches teener (Indrek Sammul) ja teises Teele (Teele P\u00e4rn, kes on samuti teenija rollis) ning k\u00fclaline ja Liza (Hele K\u00f5rve). Need kolm tegelast kannavad lunastuse ideed. Provintsist Peterburi saabunud Liza ootab imet, et elu p\u00f6\u00f6rduks, kodanlaspere juurest koduk\u00fclla naasnud Teelega toimunud imet n\u00e4eb seevastu kogu tema kodukant. Vaataja silme ees on lootusetus ja lootus \u00fchekorraga.<\/p>\n\n\n\n

Nii \u201eTeoreemi\u201d kui \u201eP\u00f5randaaluse\u201d lavastuse tegelased seisavad v\u00e4ljakutse ees inimesena muutuda. Et v\u00f5iks kuhugi j\u00f5uda, uskuda ja armastada. Kolm lihtsat soovi ja kaks k\u00fclalist valges, kellest \u00fcks loodab ja kaotab oma lootuse ning teine viib lahkudes k\u00f5igi tegelaste lootused enesega kaasa. Daam valges Tallinna Linnateatris ja valges \u00fclikonnas ebamaine androg\u00fc\u00fcn Eesti Draamateatris.<\/p>\n\n\n\n

Tekst on valminud loovkirjutamiskooli Drakadeemia kursuse \u201cEtenduse anal\u00fc\u00fcs: \u00dclest\u00e4hendusi inimeseks olemisest\u201d raames. Kursus toimus 18.01.\u201324.03.2024. Kursuse juhendaja oli Madli Pesti ja osalejad Anneli J\u00fcrgens, Ege Ello, Riina Muuga, Helen P\u00e4rk, Varja Arola, Anneli Leinpere, Evelin Tobre, Kaie M\u00f6lter, Liis Sein, Heli Reimann ja Mari Rostfeldt.<\/em><\/p>\n\n\n\n

Lavastusest l\u00e4hemalt \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Kaie M\u00f6lter Kui \u00f6eldakse, et k\u00f5ik lood r\u00e4\u00e4givad armastusest, siis Eesti Draamateatri lavastus \u201eTeoreem\u201d ja Tallinna Linnateatri \u201e\u00dclest\u00e4hendusi p\u00f5randa alt\u201d n\u00e4itavad igatsust armastuse j\u00e4rele. Pier Paolo Pasolini kujutas \u201eTeoreemis\u201d toona tema jaoks \u00fclimalt p\u00f5lastusv\u00e4\u00e4rset kodanlaste elu 1960ndate Itaalias. Fjodor Dostojevski loo peategelane ihaleb armastuse j\u00e4rele 19. sajandi Peterburis. \u201eTeoreem\u201d n\u00e4itab laval heal j\u00e4rjel perekonda, kelle […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,197,273,950],"class_list":["post-30960","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-juhan-ulfsak","tag-laura-pahlapuu","tag-teoreem"],"acf":[],"yoast_head":"\nK\u00fclaline tuleb valges - Draamateater<\/title>\n<meta name=\"description\" content=\"Arvustus lavastuse "Teoreem" (Pasolini, lav. 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