{"id":31074,"date":"2024-05-28T15:09:58","date_gmt":"2024-05-28T12:09:58","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=31074"},"modified":"2024-05-28T15:10:14","modified_gmt":"2024-05-28T12:10:14","slug":"suda-peo-peal","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/suda-peo-peal\/","title":{"rendered":"S\u00fcda peo peal"},"content":{"rendered":"\n

Ene Paaver, Draamateatri leht, kevad 2024<\/p>\n\n\n\n

\"\"
Anna \u2013 Riina Maidre, onu Jakob \u2013 Guido Kangur. Foto: Andra Seepter<\/figcaption><\/figure>\n\n\n\n

Riina Maidre m\u00e4ngib \u201eErak\u00f5nelustes\u201c peaosa, noort pastoriprouat Annat, keda karm ausus enda ja teiste vastu ei viinud armastusele l\u00e4hemale, vaid valusalt vastupidi.<\/em><\/p>\n\n\n\n

Kas Anna on sulle l\u00e4hedane tegelaskuju v\u00f5i pidid enda jaoks v\u00f5\u00f5rasse inimt\u00fc\u00fcpi sisse elama?<\/strong><\/p>\n\n\n\n

\u00dcldjuhul ma ei m\u00f5tle tegelaskujust kui kellestki v\u00f5\u00f5rast, eraldiseisvast ja kindlapiirilisest, kuhu peaksin ennast sisse v\u00e4\u00e4nama. See enese tegelaskujuga kohakuti seadmine toimub kuidagi vastastikusel kokkuleppel. Mina annan tegelaskujule laenuks oma f\u00fc\u00fcsilise keha, h\u00e4\u00e4le, hingamise, energia, aga vahetuskaup on ka aus \u2013 autorilt ja tegelaskujult saan ma omakorda enda kasutusse tema m\u00f5tted ja s\u00f5nad, tahtmised ja kohandumised, antavad olud ja suhted.<\/p>\n\n\n\n

Ma teen oma t\u00f6\u00f6d enda ihule ja hingele nii l\u00e4hedalolevast kohast kui v\u00e4hegi v\u00f5imalik. Kui v\u00f5imalik, siis k\u00e4in ringi, s\u00fcda peo peal, k\u00f5ik kriibib mind ja samal ajal kannab, k\u00f5ike v\u00f5in armastada, k\u00f5ik ajab naerma, k\u00f5ik kindel v\u00f5ib hetkega alt vedada. Anna k\u00e4ib minuga kaasas, ma k\u00e4in temaga k\u00f5rvu.<\/p>\n\n\n\n

Anna lugu ei ole just Disney film, armastus ei v\u00f5ida, argip\u00e4ev ei leevenda, ausus ei saa tasutud andestusega, andestusest saab ainult uus askees. Mida ma v\u00f5ib-olla k\u00f5ige enam prooviperioodi jooksul olin justkui sunnitud avastama, oli see, kui suurt \u00fcksindustunnet, isegi lootusetust koges Anna iga erak\u00f5neluse jooksul\u2026 emaga, abikaasaga, armastatuga, pihiisaga. Kuidas Anna karm ausus enda ja teiste vastu ei viinud teda armastusele l\u00e4hemale, vaid valusalt vastupidi, hakkas teda sellest ihalusest justkui kaugemale kandma.<\/p>\n\n\n\n

Veel oli mul huvitav Ingmar Bergmani triloogiast, kust \u201eErak\u00f5nelused\u201c p\u00e4rineb, lugeda juurde esimest osa \u201eHea tahe\u201c, kus oli veelgi detailsemalt kirjeldatud Anna ja tema abikaasa Henriku armastuse alguse lugu. Kuidas \u00fclevoolav ja ainuv\u00f5imalik, lunastuse lubadusega armastus eluliselt kiiresti t\u00fchjaks jookseb ja mis siis neist kahest inimesest edasi saab \u2013 jumala ees, teineteise ees, iseenda ees.<\/p>\n\n\n\n

Mis olid proovides olulisemad \u00fchised aruteluteemad?<\/strong><\/p>\n\n\n\n

Maestrod Kalmet ja Kangur osutusid ootamatult romantikuteks, kes uskusid Anna armumise ja armastuse l\u00f5putut ehedust. Mina ja Viire Valdma kehitasime vist rohkem selle peale \u00f5lgu ja t\u00f5desime, et armastuse tunne v\u00f5ib ju p\u00e4ris olla, aga k\u00f5ik l\u00e4heb m\u00f6\u00f6da. Annal on tekst, et \u201eluba mul olla temaga koos kasv\u00f5i l\u00fchikest aega\u201c; ta on elukogenenumana v\u00e4gagi teadlik sellest, et suhe Tomasega ei pea vastu, ei saa j\u00e4\u00e4da kestma. Pole kunagi j\u00e4\u00e4nud.<\/p>\n\n\n\n

Konventsioonid, patt, s\u00fc\u00fc, karistus, kahetsus, armulaud, andeksand, t\u00f5de, vale, p\u00fchadus \u2013 need on Bergmani tekstis kaalukad m\u00e4rks\u00f5nad ja k\u00f5lavad k\u00fcsivalt mitmel korral k\u00f5igi tegelaste suust. Proovides r\u00e4\u00e4kisime neil teemadel palju, kes otsis viiteid piiblist, kes Bergmani teostest, kes iseendast.<\/p>\n\n\n\n

Bergmani m\u00f5tte selgus, teravus ja t\u00f5esus v\u00f5tab \u00e4ra v\u00f5imaluse, et n\u00e4itlejatel oleks v\u00e4ga vaja midagi leiutada ja vaielda.<\/p>\n\n\n\n

Kui Anna kahtleb, kas ta ikka usub jumalat ja kas tulla leeri, siis pastor Jakob \u00fctleb: aga \u00e4ra \u00fctle jumal, \u00fctle p\u00fcha. Kuidas otsib Anna oma elus p\u00fchaduse m\u00f5\u00f5det, kust leiad seda sina?<\/strong><\/p>\n\n\n\n

Bergman s\u00f5nastab selle onu Jakobi repliigi t\u00f5esti h\u00e4sti. P\u00fchadus ei ole nii p\u00fcha, et teda igatseda ei v\u00f5iks, aga p\u00fcha ei allu ka meie tahtmisele. \u201eKuid \u00fcks on kindel, meid \u00fcmbritsevad s\u00fcndmused, mida me oma meeltega ei taju, kuid mis meid vahetpidamata m\u00f5jutavad.\u201c<\/p>\n\n\n\n

Oma tegudes tajub Anna p\u00fchadust selgelt, ta on h\u00e4sti aus, fassaadi p\u00fcsti ei hoia ja n\u00e4item\u00e4ngu ei tee. Isegi kui ta oma argip\u00e4eva pettuses elab, siis erak\u00f5nelustes on ta p\u00fchaduse tunnetusele l\u00e4hedal. Kuueteistaastasena on Anna maailm klaar: ta tahab liituda misjonit\u00f6\u00f6ga Aasias v\u00f5i hoopis armastada ja abielluda \u2013 k\u00f5ik valikud on v\u00f5rdselt head. Aga kolmek\u00fcmne viie aastasena ei ole teadmine sellest, mis on \u00f5ige armastuse tegu, enam nii selge.<\/p>\n\n\n\n

V\u00f5ibolla usk, et me elame p\u00fchaduse aimamises ja m\u00f5juv\u00e4ljas, on piisav. Ma usaldan, et kui p\u00fcha on olemas, siis v\u00e4ljendub see aeg-ajalt ka minu tegudes. Mitte tervenisti, aga kildude kaupa.<\/p>\n\n\n\n

Sa \u00f5ppisid p\u00e4rast Eesti lavakunstikooli Amsterdami teatrikoolis. Kas seal \u00f5petati rohkem etenduskunste?<\/strong><\/p>\n\n\n\n

Jaa, just. See oli magistri\u00f5pe suhteliselt vabades stuudiot\u00f6\u00f6 tingimustes \u2013 ammutad, anal\u00fc\u00fcsid, s\u00f5nastad, lood, reageerid, peegeldad, katsetad. Kursuse moodustab seal tavaliselt 6-10 praktiseerivat kunstnikku, etendajat, tantsijat, dramaturgi v\u00f5i koreograafi eri maadest ja kultuurilistest taustadest. S\u00fcgiseti veedeti 10 n\u00e4dalat koos intensiivses ja kureeritud teemaprogrammis. Kevade poolaastad olid struktureeritud iga\u00fche individuaalse uurimuse ja praktika kaudu.<\/p>\n\n\n\n

Peab \u00fctlema, et Hollandi riik on ikka p\u00e4ris rikas ja rikkalik, k\u00fclalislahke ja lahke. Sealne kunsti- ja tantsuv\u00e4li on n\u00e4gemist ja kogemist v\u00e4\u00e4rt. V\u00f5tab ikka suu ammuli k\u00fcll.<\/p>\n\n\n\n

Mida sa etenduskunstniku kogemusest \u201eErak\u00f5nelustesse\u201c kaasa v\u00f5tad?<\/strong><\/p>\n\n\n\n

Ma ei oska niimoodi eristada. V\u00f5i \u00f5igemini, saan aru k\u00fcll, mida niimoodi k\u00fcsides justkui vastandatakse, aga minu arusaamades, minu kehas, minu tegemistes on k\u00f5ik \u00fcks. See on mu isiklik areng ja teekond. Ma olen n\u00e4itleja ja etendaja. K\u00f5ik varasemalt \u00f5pitu ja kogetu k\u00e4ib minuga kaasas ja ma rakendan iga oma oskust ja taipamist k\u00f5iges, mida ma teen.<\/p>\n\n\n\n

Materjali algolemus ja lavastuse eesm\u00e4rk dikteerivad sisulise vormi. Trikitamise p\u00e4rast ei ole vaja asju tagurpidi teha. Bergman on kirjutanud ps\u00fchholoogilise draama, olen peaaegu kolm tundi j\u00e4rjest laval ja r\u00e4\u00e4gin lehek\u00fcljepikkuste monoloogide kaupa m\u00f5tet, mis vajab v\u00e4lja\u00fctlemist, samuti m\u00f5tteid, mis j\u00e4\u00e4vad s\u00f5nade vahel v\u00e4lja \u00fctlemata. Minu arvates on selline h\u00fcperfookuses teksti edastamine v\u00e4ga punk. Ja ma ka suudan ja oskan seda teha.<\/p>\n\n\n\n

Oluline on partner mu vastas, publik meiega samas aegruumis ning energiatase ja hea tahe. Selgus, tervik ja eesm\u00e4rk on alati olulisemad kui \u201ehuvitav\u201c rollilahendus. M\u00e4ngima peab tervikut ja alustada tasub tavaliselt algusest.<\/p>\n\n\n\n

\u00dcks haridus on sul veel, eripedagoogika magistrikraad Tartu \u00dclikoolist. Kas eripedagoogi t\u00f6\u00f6s on midagi sarnast tegelase anal\u00fc\u00fcsiga teatris?<\/strong><\/p>\n\n\n\n

Jah, teatris ja eripedagoogikas on sarnane teise inimese kuulamise ja lugemise oskus. Ja ka enda asetamine olukorda, kus ma ei ole k\u00f5rgem, targem ega tublim kui laps v\u00f5i tegelaskuju mu vastas. Alguspunktis on mul toeks ainult see, et mul on oma sarnane v\u00f5i teistlaadne kogemus elust, v\u00f5i ma oskan k\u00fcsida suunavaid k\u00fcsimusi, v\u00f5i ma oskan suuri ja tugevaid emotsioone ja sasipuntraid aeglaselt v\u00e4iksemateks osadeks lahti v\u00f5tta. K\u00f5ik algab kohalolust ja kontakti loomisest. Ja see ei pruugi alati olla r\u00f5\u00f5mus, terve, harmooniline ja enesega h\u00e4sti hakkamasaav inimene mu vastas, pigem vastupidi. Aga k\u00f5ik targad n\u00f5ustamised ja \u00f5petamised saavad alata alles siis, kui loodud on usalduslik ja inimlik kontakt.<\/p>\n\n\n\n

Ja see on minu jaoks v\u00f5rdselt huvitav nii teatris kui ka koolis kui ka elus. Kui mulle on antud, siis ma pean andma. Ja ma ei kahtle ega k\u00fcsi, vaid l\u00e4hen ja teen.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ene Paaver, Draamateatri leht, kevad 2024 Riina Maidre m\u00e4ngib \u201eErak\u00f5nelustes\u201c peaosa, noort pastoriprouat Annat, keda karm ausus enda ja teiste vastu ei viinud armastusele l\u00e4hemale, vaid valusalt vastupidi. Kas Anna on sulle l\u00e4hedane tegelaskuju v\u00f5i pidid enda jaoks v\u00f5\u00f5rasse inimt\u00fc\u00fcpi sisse elama? \u00dcldjuhul ma ei m\u00f5tle tegelaskujust kui kellestki v\u00f5\u00f5rast, eraldiseisvast ja kindlapiirilisest, kuhu peaksin […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1045,1489,212,1743,1725],"class_list":["post-31074","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-ene-paaver","tag-erakonelused","tag-guido-kangur","tag-madis-klamet","tag-riina-maidre-2"],"acf":[],"yoast_head":"\nS\u00fcda peo peal - Draamateater<\/title>\n<meta name=\"description\" content=\""Erak\u00f5neluste" peaosalise Riina Maidre intervjuu Ene Paaverile Draamateatri ajalehes, mis ilmus 2024. aasta kevadel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/suda-peo-peal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S\u00fcda peo peal - 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