{"id":32092,"date":"2024-11-01T15:59:34","date_gmt":"2024-11-01T12:59:34","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=32092"},"modified":"2024-11-01T15:59:36","modified_gmt":"2024-11-01T12:59:36","slug":"esimene-sugis","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/blogi\/esimene-sugis\/","title":{"rendered":"Esimene s\u00fcgis"},"content":{"rendered":"\n

Hanna Jaanovits, Emili Rohumaa, Richard Ester l\u00f5petasid kevadel lavaka ja liitusid s\u00fcgise hakul Draamateatri trupiga. Saame tuttavaks!<\/p>\n\n\n\n\n\n\n\n

\"\"
Richard Ester, Hanna Jaanovits, Emili Rohumaa. Foto: Andra Seepter<\/em><\/figcaption><\/figure>\n\n\n\n

\u00dchest n\u00e4dalalehest k\u00fcsimust laenates \u2013 mis elu elate kah?<\/strong>
Richard Ester: Mul on elu esimene s\u00fcgis ilma koolita. T\u00f6\u00f6inimese elu!

Hanna Jaanovits: Esimene s\u00fcgis peale 17 aastat, kui ei l\u00e4he 1. septembril kooli. Uue elur\u00fctmi otsingud, v\u00e4ljat\u00f6\u00f6tamised on pooleli. Saab hingata, m\u00f5elda m\u00f5tteid, mida pole ammu rahulikult m\u00f5elda saanud. Ja teen \u00fcksi kodus proove \u2013 \u00f5pin kahte lavastusse sisse, see on v\u00e4ga uudne kogemus.<\/p>\n\n\n\n

Emili Rohumaa: Praegune graafik lubab lisaks teatritegemisele ka teatrit n\u00e4ha \u2013 paar n\u00e4dalat tagasi k\u00e4isin viiel j\u00e4rjestikusel \u00f5htul teatrit vaatamas, midagi sellist pole ammu juhtunud. Lisaks proovitegemisele olen saanud perega suhelda, s\u00fc\u00fca ja muusikat teha, rattatulesid osta \u2014 \u00fches\u00f5naga nagu p\u00e4ris inimese elu elada.<\/p>\n\n\n\n

\"\"
Richard Ester lavastuses “\u00dcks helevalge tuvi”. Foto: Gabriela Urm.<\/em><\/figcaption><\/figure>\n\n\n\n

Teil on seljataga intensiivsed neli aastat lavakas. Kuidas muutus \u00f5pingute ajal teie arusaam n\u00e4itlejat\u00f6\u00f6st?<\/strong>
HJ: Peamiselt t\u00f5usis teadlikkus ja vastutustunne. M\u00f5nes m\u00f5ttes igatsen seda aega, kus ei teadnud n\u00e4itlejatehnilisest poolest veel midagi. \u00d5petad k\u00fcll ennast, et ei ole kasu asjade lahterdamisest, tehtu \u00f5igeks v\u00f5i valeks jaotamisest, aga see on nii kerge tulema. N\u00e4itleja peamine t\u00f6\u00f6riist on selge pea ja kohalolu.<\/p>\n\n\n\n

RE: Enne mul arusaama p\u00f5lndki! Ma ei teadnud isegi seda, et n\u00e4itlejaid kusagil \u00f5petatakse. Aga kui hakata kinni liits\u00f5nast n\u00e4itlejat\u00f6\u00f6, siis pigem r\u00f5hutaksin s\u00f5na teist poolt.<\/p>\n\n\n\n

ER: \u00dcks olulisimaid avastusi oligi see, et n\u00e4itleja t\u00f6\u00f6 iseendaga ei t\u00e4henda ainult tehnilist drilli, vaid ka n\u00e4itleja t\u00f6\u00f6d iseenda kui inimesega \u2013 niisama t\u00e4htis, kui on t\u00f6\u00f6 rolliga, on t\u00f6\u00f6 enda tundma\u00f5ppimisega. Kuidas hakkama saada oma tujude ja emotsioonidega? Kuidas stressiga toime tulla? Kuidas olla hea s\u00f5ber ja kolleeg? Selliste k\u00fcsimuste k\u00fcsimine on minu meelest osa n\u00e4itlejat\u00f6\u00f6st.<\/p>\n\n\n\n

Te olete teinud mitu diplomilavastust, lisaks esimesed rollid Draamateatris \u2013 mida olete teada saanud publiku kohta?<\/strong>
ER: Minu jaoks on kontakt publikuga \u00fcks k\u00e4ivitavaid j\u00f5uallikaid. Kui n\u00e4itlejate ja publiku vahel tekib p\u00e4ris kontakt, siis tundub, et nii m\u00e4ngult kui p\u00e4riselt on k\u00f5ik lubatud. See aga eeldab m\u00f5lema osapoole kohalolu ja haavatavust, seda, et nii n\u00e4itleja kui vaataja lubavad endal olla lahtised ja empaatilised. Arvan, et j\u00e4medam ots on siin n\u00e4itleja k\u00e4es, sest kui mina n\u00e4itlejana ei suuda olla haavatav, siis miks peaks publik seda tegema?<\/p>\n\n\n\n

HJ: Vahetu kontakt on imeilus ja v\u00f5imas. Meil on mitmes diplomilavastuses olnud otsest publikuga kontakti loomist ja see on kardinaalselt erinev pro\u017eedest pimestatuna musta saali vaatamisest. See tunne, et n\u00e4itlejad ja vaatajad ei eksiteeri eri ruumides, vaid \u00fcheskoos samal ajal ja samas kohas tekitab v\u00e4ga tuntava energiavahetuse.<\/p>\n\n\n\n

RE: Teater on teatud m\u00f5ttes alati p\u00e4ris. Mis iganes juhtub \u2013 juhtub. Ja tunnistajaiks saavad ainult need, kes tol \u00f5htul kohal olid. J\u00e4rgmisel \u00f5htul juhtub juba midagi j\u00e4rgmist.<\/p>\n\n\n\n

Milline senistest t\u00f6\u00f6dest on k\u00f5ige hingel\u00e4hedasem?<\/strong>
HJ: Keeruline \u00f6elda, sest iga lavastus kasvab k\u00fclge ja \u00f5petab, j\u00e4tab oma j\u00e4lje, viib edasi. Aga \u201eMacbeth\u201c ja leedi Macduff on mind kindlasti senini k\u00f5ige rohkem raputanud ja neil on oluline koht minu sees.<\/p>\n\n\n\n

ER: K\u00f5ik rollid on hingel\u00e4hedased, aga Miina \u201eLuidrikus\u201c (lav. Taavi T\u00f5nisson) on ikkagi esimene roll siin teatris ja seet\u00f5ttu kuidagi eriti armas. Ootan huviga, et saaks juba uuesti m\u00e4ngida, sest tunnen, et aastaga oleme m\u00f5lemad Miinaga muutunud.<\/p>\n\n\n\n

RE: Diplomilavastus Linnateatris \u201eTiit Pagu\u201c on olnud k\u00f5ige hingel\u00e4hedasem. See on \u00fchtlasi suur lugemissoovitus!<\/p>\n\n\n\n

\"\"
Kersti Heinloo ja Emili Rohumaa lavastuses “Luidrik”. Foto: Gabriela Urm.<\/em><\/figcaption><\/figure>\n\n\n\n

Kas on olnud (v\u00f5i on) m\u00f5ni stseen, mille m\u00e4ngimist te olete \u00fches v\u00f5i teises lavastuses kuidagi eriliselt oodanud?<\/strong>
ER: Etendusi m\u00e4ngides tekivad v\u00e4ikesed rituaalid, mis on saanud vaikimisi lavastuse p\u00e4risosaks. N\u00e4iteks ma v\u00e4ga ootan alati seda hetke, kui Kersti Heinloo mul \u201eLuidrikus\u201c k\u00e4est kinni v\u00f5tab ja s\u00f5natult lohutada p\u00fc\u00fcab (Kersti m\u00e4ngib mu ema). Lavastuse m\u00f5ttes on see k\u00f5igest v\u00e4ike \u00fcleminekuhetk, aga minu jaoks on see iga kord nii ilus ja oluline koht ning tekitab alati mingi \u00e4ratundmishetke. \u201e\u00dche helevalge tuvi\u201c puhul ootan v\u00e4ga stseene Teelega, tunnen, et kahe inimese stseenid v\u00f5ivad teinekord olla isegi plahvatusohtlikud, sest kaks inimest on kogu oma t\u00e4helepanuga teineteisel ja sellest maksimaalsest t\u00e4helepanust v\u00f5ib s\u00fcndida midagi uut ja ootamatut. Samas on \u201eTuvi\u201c etenduste rituaaliks kujunenud ka trepi veerel keedumuna s\u00f6\u00f6mine, kui rekvisiit pole \u00f5nnekombel (v\u00f5i sihilikult) stseeni jooksul otsa saanud.<\/p>\n\n\n\n

RE: Mart Kangro lavastuses \u201eKom\u00f6\u00f6dia\u201c sai kursavennaga kahekesi v\u00e4iksesse kaanetatud t\u00fcnni poetud ja seal sees l\u00e4rmatud. Vat nihukest arusaama n\u00e4itlejat\u00f6\u00f6st neli aastat tagasi k\u00fcll ei old!<\/p>\n\n\n\n

HJ: Minu lemmikud stseenid on need, mis ei ole t\u00e4ielikult ette lavastatud ja kus suurt osa m\u00e4ngib juhus ja tolles hetkes otsuste langetamine. Nagu n\u00e4iteks \u00fcheksa minutit j\u00e4rjest keerutamine \u201eMacbethis\u201c v\u00f5i veet\u00fcnnis, minimaalse n\u00e4htavusega, ringi paterdamine ja stseeni m\u00e4ngimine \u201eKom\u00f6\u00f6dias\u201c. Ene-Liis Semperi ja Tiit Ojasoo lavastus \u201e72 p\u00e4eva\u201c oli pea tervenisti tundmatus kohas vette h\u00fcppamine, kus meil olid k\u00fcll kindlad reeglid ja kokkulepped, aga muutuvaid tegureid piisavalt palju, et mitte teada, mis j\u00e4rgmine hetk p\u00e4riselt toob.<\/p>\n\n\n\n

\"Hanna
Leedi MacDuff – Hanna Jaanovits. Foto: Epp Kubu.<\/em><\/figcaption><\/figure>\n\n\n\n

Teatrimaailm on sedav\u00f5rd mitmepalgeline, et teatrivaatajal v\u00f5ib olla keeruline selles k\u00f5iges orienteeruda, nii et k\u00fcsiksin teatrisoovitusi. Aga l\u00e4heneks seekord teistmoodi, soovitage m\u00f5ne teise nurga alt kui n\u00e4itlejate-lavastajate p\u00f5hjal.<\/strong><\/p>\n\n\n\n

ER: Mina sain hiljuti parima show \u00f5htul Telliskivis ja Kalamajas rattaga s\u00f5ites \u2013 k\u00f5ik inimesed, kes mulle vastu tulid, olid nagu tegelased mingist kurvast ja naljakast Eesti filmist. Nende r\u00f5\u00f5me ja muresid v\u00f5is lugeda nagu subtiitreid \u2013 k\u00f5ik, kes mulle vastu tulid, olid mingid tegelased oma r\u00f5\u00f5mude ja murede, saatuse ja traagikaga. V\u00e4hemalt nii mulle tundus. See \u00f5htune \u201eshow\u201c meenutas John Fowlesi \u201eMaagi\u201d \u2013 tundus, et see etendus juhuslike m\u00f6\u00f6dujate poolt on minu jaoks lavastatud ning just mina pean seda n\u00e4gema, et mingile saladusele j\u00e4lile j\u00f5uda. Konkreetsema teatrisoovituse kohapealt kutsun lugejaid Von Krahli Teatri tegemistel silma peal hoidma, mulle tundub, et seal v\u00f5ib l\u00e4hiajal lahedaid asju n\u00e4ha.<\/p>\n\n\n\n

HJ: Linnateatri lavastusel \u201ePoiss, kes n\u00e4gi pimeduses\u201c on sissesulanduv ja t\u00e4pne helikujundus, mida esmapilgul isegi ei pruugi t\u00e4hele panna, aga mis toetab v\u00e4ga tugevalt stseenide ja atmosf\u00e4\u00e4ride muundumist.<\/p>\n\n\n\n

RE: Soovitan kuulata siinse maja loomingulise juhi t\u00fckkide helikujundust, mida on teinud Lauri Kaldoja.<\/p>\n\n\n\n

Kairi Kruus<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Hanna Jaanovits, Emili Rohumaa, Richard Ester l\u00f5petasid kevadel lavaka ja liitusid s\u00fcgise hakul Draamateatri trupiga. Saame tuttavaks!<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[52],"tags":[83,281,1720,873,1721],"class_list":["post-32092","post","type-post","status-publish","format-standard","hentry","category-blogi","tag-draamateater","tag-draamateatri-ajaleht","tag-emili-rohumaa","tag-hanna-jaanovits","tag-richard-ester"],"acf":[],"yoast_head":"\nEsimene s\u00fcgis - Draamateater<\/title>\n<meta name=\"description\" content=\"Uued n\u00e4itlejad Draamateatri trupis - Hanna Jaanovits, Emili Rohumaa, Richard Ester. 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