{"id":32172,"date":"2024-11-01T17:28:38","date_gmt":"2024-11-01T14:28:38","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=32172"},"modified":"2024-11-01T17:42:27","modified_gmt":"2024-11-01T14:42:27","slug":"elu-rollimangud","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/elu-rollimangud\/","title":{"rendered":"Elu rollim\u00e4ngud"},"content":{"rendered":"\n

Lavastaja ja multimeediakunstnik Mart Piirimees vestles t\u00e4navusel Kirjandust\u00e4nava festivalil oma senisest teatriteest ja lavastusest \u201eJames Brown kandis lokirulle\u201c. Allpool on m\u00f5ned nopped sellest jutuajamisest.<\/em><\/p>\n\n\n\n\n\n\n\n

\"\"
Mart Piirimees. Foto: Andra Seepter<\/em><\/figcaption><\/figure>\n\n\n\n

K\u00f5ik algas, nagu v\u00e4ga paljudel noortel, harrastusteatrist. Tartus Uru Noorteteatris oli p\u00f5nev ja n\u00e4itlemispisik j\u00e4i k\u00fclge, lahti ei saanud, proovisin raputada k\u00fcll. Sattusin g\u00fcmnaasiumis \u00f5ppides juhendama sealset improteatri valikainet, meeldisid ka tehnoloogilised kunstid. Mind t\u00f5mbas alati v\u00e4ga humanitaaria poole, mu ema on kunstiinimene ja isa semiootiku p\u00f5hjaga, nii et olen uudishimumulli sees \u00fcles kasvanud. Peale kooli proovisin programmeerimist, disaini, maalimist, muusikat, \u00f5ppisin klaverit, asjatasin start-up\u2019i maailmas, aga k\u00f5ik huvid kontsentreerusid lavastamises, selles fenomenis \u2013 koos midagi algatada ja edasi liikuda; selles kaifis, et lood ruumi ja teistel on selles hea m\u00f6llata.

Tahtsin uurida visuaalkunste, kunsti tehnoloogilist k\u00fclge, pedagoogikat. \u00d5ppisin Balti filmi- ja meediakoolis integreeritud kunste. Juhendasin oma teatristuudiot, \u00f5ppisime teatriajalugu ja -teooriaid, n\u00e4itlemistehnikaid, proosat, luulet, liikusime pea kogemata samm-sammult f\u00fc\u00fcsilise teatri ja etenduskunstide poole. Stuudio Deformance on mu s\u00fcdameasi, juhin seda siiani.

Klassikalise teatri mull tundus tol ajal nii paksu koorega, et ega sinna l\u00e4bi ei murra. Olen tollase tunde kohta kasutanud metafoori, et oled nagu lennuv\u00e4lja tara taga ja teisel pool on noored, keda \u00f5petatakse lendama, antakse rada ja lennuk k\u00e4tte: mine, lenda. On palju inimesi, kes hurraatavad ja elavad kaasa. Olen tara taga, aga ei p\u00e4\u00e4se sisse. Pean ise puu otsa ronima ja j\u00e4\u00e4nukitest kokku klopsitud tiibadega tuule alla saama. Ja oi kui palju kukkuma. Jah, klassikalisema teatri maailm on mind kogu aeg t\u00f5mmanud ja kunagine kriitiline positsioon oli ajendatud, nagu ikka, teadmatusest ja ligip\u00e4\u00e4smatuse\u2026 v\u00f5ibolla vihast. Viha kadus, aga \u00f5ppisin mitte alla andma. N\u00e4en seda tegudele ajendavat viha siiani paljudes, kes tunnevad ennast taratagusena, aga kes minu hinnangul suudaksid panustada siia mulli oi kui palju\u2026

Astusin Islandil etenduskunstide magistrantuuri. Kuidas tekitada keskkonnas v\u00f5i kogukonnas muutust uue t\u00e4helepanukeskme v\u00f5i uue vormi abil? See k\u00fcsimus mind paelus ja sai Islandil vunki juurde. Seal ei \u00f6eldud, kuidas teha, vaid pidi kohtuma erinevate loojate ning nende meetoditega ja n\u00e4htust-katsetatust ise v\u00e4lja pikkida, mis on sinu teema, sinu meetod. Meile \u00f6eldi juba esimesel n\u00e4dalal, et lakke vahtimine, ookeani \u00e4\u00e4res jalutamine, mitte millegi tegemine on osa sinu protsessist. See muutis mu m\u00f5ttemaailma k\u00fcll. Sarnast mentaliteeti p\u00fc\u00fcan praegu ise k\u00fclalis\u00f5ppej\u00f5una edastada BFM-i \u00fcli\u00f5pilastele.

Eestisse tagasi tulles astusin lavakooli lavastaja ja teatripedagoogika magistrantuuri. Mulle v\u00e4ga meeldib pedagoogiamet ja \u00f5ppimise fenomen. Aga et teatrikunste edasi anda, peaks tervet spektrit kaasaegsetest etenduskunstidest ps\u00fchholoogilise teatrini ise v\u00e4ga korralikult haldama. Olen teel. Otsisin l\u00f5put\u00f6\u00f6 materjali, t\u00f5lkija Margus Alver oli just soovitanud Yasmina Reza \u201eJames Brown kandis lokirulle\u201c Draamateatrile ja sealt see minuni j\u00f5udis. N\u00e4idendi maailmaesietendus oli umbes poolteist aastat tagasi M\u00fcnchenis. Nagu ikka hea t\u00fckiga: loed kaks lehek\u00fclge ja saad aru, et seda peab tegema.

Huvi identiteediteemade vastu ajendasid ka Islandi \u00f5pingud. Uurisin seal magistrit\u00f6\u00f6 raames m\u00e4lu, neuroloogilisest ja filosoofilisest vaatepunktist, mentoriks Saksa neuroloog. Kuidas me v\u00f5ime nii valesti m\u00e4letada ja missugune v\u00f5im on inimestel oma m\u00e4lu \u00fcle! Kui hommikul suudame \u00f6\u00f6sel n\u00e4htu pea j\u00e4\u00e4gitult \u00e4ra unustada, miks siis \u00e4rkvel olles toetume nii enesekindlalt oma m\u00e4letamisv\u00f5ime terviklikkusele? Kuidas kahel inimesel v\u00f5ivad samast juhtumist olla paari aasta m\u00f6\u00f6dudes radikaalselt erinevad m\u00e4lupildid? Kuidas ellusuhtumisega on v\u00f5imalik ennast m\u00f5elda t\u00e4iesti teise reaalsusesse\u2026 Reaalsus m\u00f5jutab meie suhtumist, suhtumine m\u00f5jutab meie tegusid, teod m\u00f5jutavad reaalsust.<\/p>\n\n\n\n

\"N\u00e4itlejad
Philippe – Ursel Tilk. Jacob – Richard Ester. Foto: Sille Riin Rand.<\/em><\/figcaption><\/figure>\n\n\n\n

Reza pilkab elu rollim\u00e4nge. Pidev rolli m\u00e4ngimine v\u00f5ib v\u00f5tta nii ekstreemseid m\u00f5\u00f5tmeid, et inimene m\u00f5tleb ennast v\u00e4lja sildini v\u00f5i mingisuguse isikuni v\u00f5i isiku joonteni, mille t\u00f5ttu ta \u00fchiskonda enam ei sobi (v\u00f5i lihtsalt kardetakse, et ei sobi). Kuid l\u00f5puks on rollim\u00e4ng meile k\u00f5igile omane ning rollist rolli liikumine \u00fcks ja see sama: inimese \u00f5ppimine ja areng.

Reza \u00fctles \u00fches intervjuus, et ta ei anna oma tegelastele hinnanguid. Me proovime lavastuses hoida sama \u201eneutraalsust\u201c, nagu Rezal on n\u00e4idendis. T\u00f5esti, me ei anna hinnanguid, et mis on \u00f5ige, mis vale, vaid nendime, et asjad ongi hetkel niimoodi, nagu nad on. Muidugi see on ekstreemne, kui sa v\u00f5tad omaks kellegi teise identiteedi ja teed igap\u00e4evaselt teise (juba maailmas eksisteeriva) inimese tegevusi: muretsed lakkamatult oma h\u00e4\u00e4le p\u00e4rast, kuigi endal ju kontserte anda ei tule. Aga kas seal on l\u00f5puks vahet? V\u00f5ibolla on, v\u00f5ibolla pole\u2026<\/p>\n\n\n\n

Ene Paaver<\/em><\/p>\n\n\n\n

Lavastusest l\u00e4hemalt \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Lavastaja ja multimeediakunstnik Mart Piirimees vestles t\u00e4navusel Kirjandust\u00e4nava festivalil oma senisest teatriteest ja lavastusest \u201eJames Brown kandis lokirulle\u201c. Allpool on m\u00f5ned nopped sellest jutuajamisest.<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,281,1791,803],"class_list":["post-32172","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-draamateatri-ajaleht","tag-mart-piirimees","tag-yasmina-reza"],"acf":[],"yoast_head":"\nElu rollim\u00e4ngud - Draamateater<\/title>\n<meta name=\"description\" content=\"Mart Piirimees senisest teatriteest ja uuest lavastusest "James Brown kandis lokirulle" (autor Yasmina Reza; esietendus 2.11.2024 v\u00e4ikeses saalis)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/elu-rollimangud\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Elu rollim\u00e4ngud" - 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