{"id":33595,"date":"2025-04-09T14:01:00","date_gmt":"2025-04-09T11:01:00","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=33595"},"modified":"2025-04-09T14:01:04","modified_gmt":"2025-04-09T11:01:04","slug":"kujutlusevoog-viiele-naitlejale-ja-nahtamatule-dirigendile","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/kujutlusevoog-viiele-naitlejale-ja-nahtamatule-dirigendile\/","title":{"rendered":"Kujutlusevoog viiele n\u00e4itlejale ja n\u00e4htamatule dirigendile"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 28.02.2025<\/p>\n\n\n\n

\"\"
Merle Palmiste Draamateatri lavastuses \u00abAraabia \u00f6\u00f6\u00bb. Foto: Gabriela J\u00e4rvet<\/figcaption><\/figure>\n\n\n\n

Eesti Draamateatri uus lavastus \u00abAraabia \u00f6\u00f6\u00bb on midagi sellist, mis kipub inimest m\u00f5jutama j\u00e4rgmiselgi hommikul, kas koju ununenud telefoni v\u00f5i \u00e4hvardava auto n\u00e4ol, mis jalak\u00e4ijat \u00fclek\u00e4igurajal r\u00fcndab. Siinkirjutajaga t\u00e4pselt nii juhtus; lavastuse kummaline unen\u00e4oseisund ei tahtnud taanduda.<\/em><\/p>\n\n\n\n

20. veebruari \u00abAraabia \u00f6\u00f6le\u00bb j\u00e4rgnes sisutihe kohtumine sarjast \u00abLink\u00bb, lavastaja Johan Elm ning n\u00e4itlejad Merle Palmiste ja Hendrik Toompere s\u00f5nastasid erksalt lavastusprotsessi. Tabava m\u00e4rks\u00f5naga \u00abkujutlusevoog\u00bb iseloomustas n\u00e4idendit Toompere. Oli alles neljas etendus, nii et see p\u00e4ris m\u00e4ngum\u00f5nu ja -t\u00e4psus ootab ees, Palmiste soovitas kindlasti ka sajandat etendust vaatama tulla. Pole kerge \u00fclesanne olla laval viiekesi koos, ometi iga\u00fcks oma \u00fcksinduses, vahendada tervikut nagu orkestris, ainult et dirigent on n\u00e4htamatu, on sisemine.<\/p>\n\n\n\n

Mono(eba)loogilised lood<\/strong><\/p>\n\n\n\n

Roland Schimmelpfennigi tekstipartituur m\u00f5jub t\u00f5epoolest kui maagilis-matemaatiline heliteos. Nagu t\u00f5des Johan Elm, eeldab vastuv\u00f5tt publikult pingsat t\u00e4helepanu, kuna iga vaataja saalis lavastab reaalajas oma n\u00e4idendit. \u00d5igupoolest p\u00f5imub-ristub-hargneb laval viis mono(eba)loogilist lugu. Draamateatri ajalehele antud intervjuus r\u00e4\u00e4gib lavastaja Elm, kuidas kunstiline juht Toompere jr talle lausus: \u00abJohan, tee midagi uut! Ps\u00fchholoogilist teatrit oled teinud ja oskad teha, aga prooviks n\u00fc\u00fcd midagi atmosf\u00e4\u00e4rikamat.\u00bb<\/p>\n\n\n\n

\u00d5igupoolest niisugune vastandus vist ei kehti, \u00fchisosa aga k\u00fcll. Viie n\u00e4itleja osalahendustes on p\u00f5nev j\u00e4lgida, kuidas iga\u00fcks stardib esmapilgul puhtps\u00fchholoogilises m\u00e4nguv\u00f5tmes, et j\u00e4rk-j\u00e4rgult t\u00f5elusest irduva, absurdini paisuva \u00f5hustiku poole liikuda. N\u00e4htud etendusel tundus, et just Toompere ja Palmiste sulatavad nood kaks poolust ise\u00e4ranis sujuva somnambuulitajuga \u00fcheks.<\/p>\n\n\n\n

Ehkki Toompere majahoidja Hans Lomeier viibiks nagu aina \u00e4rkvel ja Palmiste Franziska Dehke uitaks kuut\u00f5bisena, muundub kummagi lavaline olek vahepeal vastupidiseks, Franziska l\u00e4bib m\u00e4lupilte v\u00e4\u00e4ramatu sihikindlusega, Lomeier aga takerdub \u00fcha, seiskub, k\u00e4garduva f\u00fc\u00fcsise ja moonduva h\u00e4\u00e4lega. Nende kahe kokkusaamine l\u00f5petab lavastuse \u00fcllatava kergusetundega, h\u00fc\u00fcum\u00e4rgiks n\u00e4itlejate muigav happy end\u2019i paroodia rollist v\u00e4ljumise piiril. Iselaadse minoorse huumori, konjakiaroomina aurustuva lootuse(tuse) lisab J\u00fcri Tiidus Peter Karpati osas. Nooremad, Hanna Jaanovits Fatima ja Ursel Tilk Kalili rollis, sukelduvad kumbki omal moel une s\u00fcrrealismi, m\u00f5lema loo sees tahaks veelkord ekselda, piire kombata.<\/p>\n\n\n\n

Ei \u00fchtki suvalist heli<\/strong><\/p>\n\n\n\n

\u00abAraabia \u00f6\u00f6\u00bb sugestiivsust loob Eugen Tambergi lavaruum Priidu Adlase valguskujunduses, nihkuvad seinad ja muutlikud valgused v\u00f5imendavad tinglikkust, hetketi tunneme end nagu Karpati naabermajas: \u00abMidagi pimestab mind, mingi valguspeegeldus langeb mulle silma.\u00bb K\u00fc\u00fcnlakuu kliima asendub saalis k\u00f5rbekuumusega. Helid on Schimmelpfennigi tekstis olulised, alates Lomeieri esimesest, \u00e4revil repliigist: \u00abMa kuulen vee solinat. Vett ei ole, aga ma kuulen solinat.\u00bb Otsekui vastus peitub n\u00e4idendi viimases repliigis Franziskalt: \u00abMa panen silmad kinni, ja sellest hoolimata tunnen ma kuuvalgust.\u00bb Aleksandra Koel-Tsupsmani muusikaline ja helikujundus m\u00f5jutab meeli, \u00fckski kolksatus ega h\u00e4\u00e4letus pole suvaline.<\/p>\n\n\n\n

\u00abAraabia \u00f6\u00f6\u00bb on Johan Elmi \u00fcheteistk\u00fcmnes lavastus, mul neist n\u00e4gemata j\u00e4\u00e4nud kaks. Kui korrata m\u00e4rks\u00f5na \u00abatmosf\u00e4\u00e4rikas\u00bb, siis see on Elmile tunnuslik algusest peale, pineva \u00f5hustikuga p\u00fcsib m\u00e4lus tema koolit\u00f6\u00f6 \u00abNoad kanade sees\u00bb (autor David Harrower, Tallinna Linnateatri lavastus Hobuveskis, 2018). Ka Elmi hiljutine lavastus \u00abTikud\u00bb (autor Konstantin Ste\u0161ik, Linnateater 2024) p\u00fcsib tundliku kummastatusega une ja t\u00f5eluse vahealal. Kui v\u00f5rrelda j\u00e4relm\u00f5ju v\u00f5i l\u00e4bivat meeleolu, mis m\u00f5istagi l\u00e4htub ka vaataja hingeilmast konkreetsel \u00f5htul saalis, on \u00abTikud\u00bb siiski valusam ja karmim, kuigi m\u00e4ngitud ilma raskuse vaimuta; \u00abAraabia \u00f6\u00f6\u00bb aga nakatab olemise kergusega.<\/p>\n\n\n\n

See uner\u00e4nnak v\u00f5i kujutlusevoog m\u00f5jub viimaks v\u00e4gagi vabastavalt. Painavaid fantasmagooriaid on me argip\u00e4evades niikuinii \u00fclem\u00e4\u00e4ra, avasilmi \u00abAraabia \u00f6\u00f6s\u00bb kulgedes saame kogeda inimlikku lootust kui kuuvalgust silmalaugudel.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 28.02.2025 Eesti Draamateatri uus lavastus \u00abAraabia \u00f6\u00f6\u00bb on midagi sellist, mis kipub inimest m\u00f5jutama j\u00e4rgmiselgi hommikul, kas koju ununenud telefoni v\u00f5i \u00e4hvardava auto n\u00e4ol, mis jalak\u00e4ijat \u00fclek\u00e4igurajal r\u00fcndab. Siinkirjutajaga t\u00e4pselt nii juhtus; lavastuse kummaline unen\u00e4oseisund ei tahtnud taanduda. 20. veebruari \u00abAraabia \u00f6\u00f6le\u00bb j\u00e4rgnes sisutihe kohtumine sarjast \u00abLink\u00bb, lavastaja Johan Elm ning n\u00e4itlejad […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1839,1792,84,1838,873,94,1836,1793,371,113,85,111,616,1794,319],"class_list":["post-33595","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-aleksandra-koel-tsupsman","tag-araabia-oo","tag-arvustus","tag-eugen-tamberg","tag-hanna-jaanovits","tag-hendrik-toompere","tag-johan-el","tag-johan-elm","tag-juri-tiidus","tag-merle-palmiste","tag-pille-riin-purje","tag-postimees","tag-priidu-adlas","tag-roland-schimmelpfennig","tag-ursel-tilk"],"acf":[],"yoast_head":"\nKujutlusevoog viiele n\u00e4itlejale ja n\u00e4htamatule dirigendile - 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