{"id":33697,"date":"2025-04-29T14:38:08","date_gmt":"2025-04-29T11:38:08","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=33697"},"modified":"2025-04-29T14:38:11","modified_gmt":"2025-04-29T11:38:11","slug":"vabandust-ma-alles-opin-armastama","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/vabandust-ma-alles-opin-armastama\/","title":{"rendered":"Vabandust, ma alles \u00f5pin armastama"},"content":{"rendered":"\n

Johanna Rannik, Eesti P\u00e4evaleht, 15.04.2025<\/p>\n\n\n\n

\"\"
Tambet Tuisk on \u201eEneseabi\u00f5pikus\u201c tippvormis. Tema k\u00f5rval Emili Rohumaa, kes t\u00f5useb esile suurep\u00e4rase musikaalsusega. Foto: Hele-Mai Alamaa<\/figcaption><\/figure>\n\n\n\n

Tiit Ojasoo \u201eEneseabi\u00f5piku\u201c teises vaatuses v\u00f5etakse vaatajalt varem kogetud mugavustunne \u00e4ra, otsekui proovides osutada sellele, et tegelikult on armastus siiski v\u00e4ga t\u00f5sine asi.<\/em><\/p>\n\n\n\n

Armastusega seotud teooriabaas on meeletu: kui sa ei tea, mis on su kiindumusstiil v\u00f5i milline on su suhtearhet\u00fc\u00fcp, siis kuidas sa \u00fcldse end kedagi armastama lubad? Nagu \u201eMacbethiski\u201c m\u00e4ngib Tiit Ojasoo juba enne etenduse algust ruumi ja neljanda seinaga: kolm publikurida on paigutatud otse lavale \u00fclej\u00e4\u00e4nutega vastamisi. N\u00e4itlejad ise liiguvad selle k\u00f5ige keskel, veidi \u00fcle lava\u00e4\u00e4re ulatuvatel valgetel diivanipatjadel. Kost\u00fc\u00fcmikunstnik Aldo J\u00e4rvsoo k\u00e4tt on aimata peamiselt seel\u00e4bi, et tumeduse ja seksikuse seast paistab j\u00e4rsku s\u00e4ravkuldne kangas v\u00f5i pastelne t\u00fcll, musta naha v\u00f5i l\u00e4bipaistva s\u00e4rgiga ma teda seostada pole osanud, aga olen v\u00e4ga meeldivalt \u00fcllatunud.<\/p>\n\n\n\n

Vaba, tundmatu ja p\u00f5nev<\/strong><\/p>\n\n\n\n

Algab dion\u00fc\u00fcsialik nautlemine: igas vanuses ja kombinatsioonis h\u00e4bitult erootilised kehad risttolmlevad. R\u00f5hutan vanust, kuna on v\u00f5imestav n\u00e4ha, et seks ei ole ainult noore naise kujuline, olgugi et selle \u00fcle lavastuses l\u00f5\u00f5bitakse. Ihat\u00f5mbluste saatel filosofeeritakse monogaamia realistlikkuse \u00fcle ja loetakse pudelikorkide lennates Esther Pereli ja Roland Barthes\u2019i. \u201eEneseabi\u00f5piku\u201c kujutatud inimsuhete spektri \u00fches otsas on armastuse \u00fcleintellektualiseerimine, teises aga \u00fcleni kehaline, irratsionaalne armastus, mis piire ei tunne. \u00dcdini vaba, tundmatu ja p\u00f5nev, ent alati tagaj\u00e4rgedega. Emotsiooni ajel on ohtlikult lihtne libastuda ja v\u00f5ibolla j\u00e4\u00e4d sinna libastusse aastaks v\u00f5i mitmekski, kuni l\u00f5puks pead k\u00f5ik \u00fcles tunnistama ja vaatama otsa sellele, kes on kogu aja heausklikult kodus oodanud. Ja siis on k\u00f5igil eri moodi h\u00e4bi.<\/p>\n\n\n\n

Eelkirjeldatud olukord on \u00fcks lavastuse tipphetki t\u00e4nu Tambet Tuisu t\u00e4ielikule n\u00e4itlejameisterlikkusele. Tuisk on \u201eEneseabi\u00f5pikus\u201c tippvormis, mida toetab kindlasti see, et laval on suures osas vanad trupikaaslased, kellega koos on ansamblim\u00e4ngu ja omavahelist kontakti aastaid lihvitud. \u00dcleminekud meelast flirdist emotsionaalsesse traumasse on sujuvad ja usutavad. V\u00e4ga v\u00f5imas!<\/p>\n\n\n\n

Truppi sulandub h\u00e4sti ainulaadse t\u00e4mbri ja hea kandvusega h\u00e4\u00e4lega k\u00fclalisn\u00e4itleja Evelin V\u00f5igemast, kellele antakse lavastuses t\u00e4nuv\u00e4\u00e4rselt palju laulmisv\u00f5imalust. Suurep\u00e4rase musikaalsusega t\u00f5useb esile ka Emili Rohumaa, teine uus Draamateatri n\u00e4itleja Hanna Jaanovits s\u00e4rab aga f\u00fc\u00fcsilise koomikaga. Need omadused torkasid kummagi puhul silma juba diplomilavastustes.<\/p>\n\n\n\n

Kes kardab, et ilma (teatri)kaaslaseta hakkaks sellisel etendusel olles endast natuke hale, siis lohutuseks kinnitab Mirtel Pohla monoloog, et \u00fcksiolemise ja -elamisega kaasneb samuti omajagu kadestamisv\u00e4\u00e4rseid \u201eoh my god\u201c ja \u201eoh yea\u201c hetki! Tsiteerimisv\u00e4\u00e4rseid kohti oleks tegelikult palju, sest trupi \u00fchisloomel p\u00f5hinev ning Eero Epneri dramatiseeritud tekst on vahe ja viitetihe. Peale selle, et lavastusest k\u00e4ib l\u00e4bi suur valik eesti romantilist popkit\u0161i (aga mitte ainult), toob Mirtel Pohla viivuks sisse \u201eLeviaatanist\u201c (ehk teisest Epneri dramaturgiaga lavastusest) tuttavad Joona, vaala ja Niineve linna. Omajagu eetriaega saab Mati Undi \u201eS\u00fcgisballgi\u201c, mille tahakski n\u00fc\u00fcd ebatraditsiooniliste armastusstiilide kontekstis uuesti \u00fcle lugeda-vaadata.<\/p>\n\n\n\n

Teine vaatus viskab k\u00fclma vette<\/strong><\/p>\n\n\n\n

Teine vaatus s\u00f5idutab publiku aga j\u00e4rsu kurviga otse k\u00fclma vette. Lavapealsed kolm publikurida on lavaauku \u00fcmber t\u00f5stetud, n\u00e4itlejad ise on lava kauges otsas, ligip\u00e4\u00e4smatud. Dramaturgiliselt on teise vaatuse intensiivsus ja tempo halastamatu. V\u00f5ibolla tunneb m\u00f5ni publikus end selle peale lausa n\u00f6rritatuna: kurat, just sai Nexust, J\u00f6rbergi, mehe-naise suhteid ja seksi, n\u00fc\u00fcd tulen, konjak hammastel, saali tagasi ja k\u00f5ik on j\u00e4rsku j\u00f5le t\u00f5siseks t\u00f5mmanud.<\/p>\n\n\n\n

Tihti \u00f6eldakse, et armastus pole mitte niiv\u00f5rd nimi-, kuiv\u00f5rd tegus\u00f5na, et armastus n\u00f5uab pidevat t\u00f6\u00f6d. \u00dcsna eestlaslik. Teises vaatuses tuleb muu hulgas esile seesugune pidevalt teadvustatud, \u00fclevaevatud armastus. M\u00f5nikord polegi enam armastust kui sellist, vaid on \u00fcksnes paarisuhe, ja siis proovitakse viimase \u00f5lek\u00f5rrena teraapiat (isegi kui k\u00f5igil, sh terapeudil endal, on tegelikult juba ammu selge, et siin pole enam midagi teha). Armastuses l\u00e4bi kukkumise hirm on lihtsalt suurem kui otsast alustamise jaks. \u00c4kki ikka m\u00f5ni raamat aitab? \u00c4kki teeks mingi retriidi l\u00e4bi koos? Mul siin just keegi r\u00e4\u00e4kis, et\u2026<\/p>\n\n\n\n

\u201eEneseabi\u00f5piku\u201c \u00fclesehitus ja emotsioonide ampluaa on k\u00fcll ootamatu, aga \u00fcsna kohe tekib tunne, et siia see k\u00f5ik ju tegelikult v\u00e4lja j\u00f5udma peabki. M\u00f5nes m\u00f5ttes on seega kogu teine vaatus v\u00e4ga loomulik kulminatsioon esimeses vaatuses n\u00e4htule ja r\u00e4\u00e4gitule. See on kainestav, n\u00f5udes samal ajal nii publikult kui ka n\u00e4itlejatelt (eriti viimastelt), et pinge ja kohalolu sekundikski \u00e4ra ei vajuks. Mugavustunne v\u00f5etakse t\u00e4ielikult \u00e4ra, otsekui proovides osutada sellele, et tegelikult on armastus siiski (muu hulgas) v\u00e4ga t\u00f5sine asi.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Johanna Rannik, Eesti P\u00e4evaleht, 15.04.2025 Tiit Ojasoo \u201eEneseabi\u00f5piku\u201c teises vaatuses v\u00f5etakse vaatajalt varem kogetud mugavustunne \u00e4ra, otsekui proovides osutada sellele, et tegelikult on armastus siiski v\u00e4ga t\u00f5sine asi. Armastusega seotud teooriabaas on meeletu: kui sa ei tea, mis on su kiindumusstiil v\u00f5i milline on su suhtearhet\u00fc\u00fcp, siis kuidas sa \u00fcldse end kedagi armastama lubad? Nagu […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1845,84,1846,496,1720,1827,1843,873,1844,723,109,316],"class_list":["post-33697","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-aldo-jarvsoo","tag-arvustus","tag-eeroepner","tag-eesti-paevaleht","tag-emili-rohumaa","tag-eneseabiopik","tag-evelin-voigemast","tag-hanna-jaanovits","tag-johanna-rannik","tag-mirtel-pohla","tag-tambet-tuisk","tag-tiit-ojasoo"],"acf":[],"yoast_head":"\nVabandust, ma alles \u00f5pin armastama - Draamateater<\/title>\n<meta name=\"description\" content=\"Johanna Ranniku arvustus Eesti P\u00e4evalehes lavastusele "Eneseabi\u00f5pik", mis esietendus 05.04.2025 Draamateatri suures saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/vabandust-ma-alles-opin-armastama\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vabandust, ma alles \u00f5pin armastama - 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