{"id":34377,"date":"2025-10-14T13:18:38","date_gmt":"2025-10-14T10:18:38","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=34377"},"modified":"2025-10-14T13:18:41","modified_gmt":"2025-10-14T10:18:41","slug":"lavastus-sulle-kes-sa-motlematult-rahmeldad","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/lavastus-sulle-kes-sa-motlematult-rahmeldad\/","title":{"rendered":"Lavastus sulle, kes sa m\u00f5tlematult rahmeldad"},"content":{"rendered":"\n

Karin Allik, Sirp, 06.06.2025<\/p>\n\n\n\n

\"\"
Christopher Rajaveer, M\u00e4rten Metsaviir ja Richard Ester ronivad redelite otsa ning kehastuvad rongaks, hakiks ja vareseks, kes arutlevad elu m\u00f5tte \u00fcle. \u00dcmber nende jookseb \u00e4hkides T\u00f5nis Niinemets. Foto: Gabriela J\u00e4rvet<\/figcaption><\/figure>\n\n\n\n

V\u00f5rreldes Renate Keerdi eelmiste lavastustega iseloomustab \u201eParasv\u00f6\u00f6d\u201c fookuse nihkumine visuaalselt ja f\u00fc\u00fcsiliselt kujundilt helilisele ja s\u00f5nalisele kujundile.<\/em><\/p>\n\n\n\n

Renate Keerdi \u201eParasv\u00f6\u00f6\u201c vastuv\u00f5tt ulatub \u00e4\u00e4rmusest \u00e4\u00e4rmusesse. P\u00e4rast esietendust tituleeriti teos \u00fchismeedias nii aasta parimaks kui ka halvimaks teatrikogemuseks, teisel etendusel r\u00f5kkas Eesti Draamateatri saal nii naerust kui ka ustest, mis keset etendust lahkuvate vaatajate j\u00e4rel paukusid. Institutsioon osutab vastupanu, nentis kolleeg Madli Pesti tolle etenduse l\u00f5ppedes. T\u00f5epoolest, ehkki Eesti Draamateater paistab organisatsioonina Keerdi soojalt tervitavat, siis Eesti Draamateater, mis elab publiku peas, pole uute l\u00e4henemisviiside suhtes sugugi nii vastuv\u00f5tlik. Mis siis, et draama\u00adkomponent on \u201eParasv\u00f6\u00f6s\u201c ehk suuremgi kui Keerdi varasemates lavastustes.<\/p>\n\n\n\n

V\u00f5rreldes Keerdi eelmiste lavastustega iseloomustab \u201eParasv\u00f6\u00f6d\u201c fookuse nihkumine visuaalselt ja f\u00fc\u00fcsiliselt kujundilt helilisele ja s\u00f5nalisele kujundile. Mitte et Keerd poleks varemgi olulisel m\u00e4\u00e4ral teksti kasutanud, kuid Eesti Draamateatri suurel laval kujuneb sellest \u00fches muusikaga kindel dominant. Lavastajale muidu omaseid visuaalselt nutikaid stseene, mis t\u00f5ukuvad m\u00f5nest (argisest) esemest ning annavad talle m\u00e4ngus \u00fcha uusi funktsioone, leiab \u201eParasv\u00f6\u00f6st\u201c vaid \u00fcksikuid. Samamoodi taanduvad v\u00f5rreldes varasemaga f\u00fc\u00fcsiline risk ja (n\u00e4htav) kehaline pingutus \u2013 \u00fcksnes T\u00f5nis Niinemets saab lavastuses t\u00f5eliselt energiat pillata, kui esitab aina kiireneva trummisoolo ja ajab seej\u00e4rel laialitassitud trumme m\u00f6\u00f6da lava taga. Absurdihuumorit \u2013 nagu toosama trummide tagaajamine \u2013 leidub lavastuses endiselt, kuigi tervik saab kokku pigem m\u00f5tlik kui m\u00e4nglev.<\/p>\n\n\n\n

Seda j\u00e4lgides taban ka enda vastuv\u00f5tus vastuolu: \u00fchelt poolt igatsen m\u00e4ngu ja riski, mis on mind Keerdi etendustel varem pannud tooliserval istuma, peopesad higised, teisalt j\u00e4lgin uudishimuga, kuhu see areng v\u00e4lja viib, milliseid t\u00e4hendusi loob. Keerd, kes elab minu peas, on k\u00fcll teistsugune kui Keerd, kes on lavastanud \u201eParasv\u00f6\u00f6\u201c, aga pole p\u00f5hjust talle selle eest midagi ette heita. Minu igatsus on teisej\u00e4rguline selle k\u00f5rval, millised impulsid ja ideed kujundavad parajasti lavastaja valikuid. Pealegi lahendab see vastukaaluks mure, mis on tekkinud nendel kogenud Keerdi-vaatajatel, kes on k\u00fcsinud, kas niiv\u00f5rd spetsiifiline k\u00e4ekiri ei hakka end ammendama, kui lavastusest lavastusse kordub. \u201eParasv\u00f6\u00f6\u201c on samm uues suunas.<\/p>\n\n\n\n

Kas Keerdi inspireerisid sel sammul etteantud olud v\u00f5i on pigem tegu loomingulise arengu etapiga, mis lihtsalt sattus just Eesti Draamateatri laval manifesteeruma, saab kommenteerida \u00fcksnes lavastaja ise. K\u00fcll aga tuleb t\u00f5deda, et valitud v\u00e4ljendusvahendite komplekt sulandub selle teatri repertuaari paremini, kui sulandunuks m\u00f5ni f\u00fc\u00fcsilisema ja\/v\u00f5i visuaalsema dominandiga lavastus. Ka sealsele publikule, kes ootab teatrilt eelk\u00f5ige loojutustamist, ei tohiks \u201eParasv\u00f6\u00f6\u201c teoreetiliselt m\u00f5juda \u00fclepeakaela v\u00f5\u00f5rana \u2013 ehkki jah, praktikas kohati ikka m\u00f5jub \u2013, sest lugudest lavastuses puudu ei tule. Ei pruugi alati olla ekspositsioone, kulminatsioone v\u00f5i pu\u00e4nte, aga on lood.<\/p>\n\n\n\n

Nimelt jutustab \u201eParasv\u00f6\u00f6\u201c Arvo Valtoni, Jaan Kruusvalli, Kairi Loogi, Valdur Mikita ja David Byrne\u2019i tekstidele tuginedes rea lugusid, mis tiirlevad \u00fcmber k\u00fcsimuse, milline elu on inimesele paras. Kas maailm, milles t\u00e4nap\u00e4eva inimene elab, on talle t\u00f5epoolest kohane? V\u00f5i kaldutakse loomuomasest elust aegamisi eemale? Keerd n\u00e4ib n\u00f5ustuvat viimasega. Loomuomane vajub seda enam unustusse, mida enam eemaldutakse loomaomasest \u2013 just loomaomasest, sest laval jutustatud lugudes kujuneb loomadest l\u00e4biv motiiv. Loom on kui k\u00f5rvalpilk, millega n\u00e4ha inimelu jaburust, ja kui etalon, mille p\u00f5hjal kalkuleerida inimese k\u00f5rvalekallet.<\/p>\n\n\n\n

Stseen, kus Christopher Rajaveer, M\u00e4rten Metsaviir ja Richard Ester ronivad k\u00f5rvuti redelite otsa ning asuvad vastavalt ronka, hakki ja varest m\u00e4ngima, v\u00e4ljendab k\u00f5rvalpilku eksplitsiitseimalt. Linnud istuvad redelil otsekui puuladvas ja vaatavad, kuidas T\u00f5nis Niinemets, Marian Eplik, Inga Salurand ja Britta Soll \u00e4hkides nende \u00fcmber jooksevad. Ladvas algab arutelu elu m\u00f5ttest. \u00dcks k\u00f5rvalpilk tekib, kuulates lindude t\u00f5lgendusi: elu m\u00f5te on kaua elada, elu m\u00f5te on teha palju tegusid, elu m\u00f5te on see, et hakke oleks palju \u2026 \u00dchisosa inimestega saab suur: k\u00f5ik keerleb kvantiteedi \u00fcmber. Teine k\u00f5rvalpilk tekib, vaadates, millega tegelevad inimesed, samal ajal kui linnud filosofeerivad. Nad jooksevad ja keegi ei tea, miks. Nad ei peatu ega k\u00fcsi ka.<\/p>\n\n\n\n

Veel \u00fcks l\u00e4biv motiiv on t\u00f6\u00f6. Visuaalias heiastub t\u00f6\u00f6 nii kost\u00fc\u00fcmi- kui ka lavakujunduse kaudu: sinistes ja rohelistes tunkedes n\u00e4itlejad askeldavad laval redelitega, l\u00fckkavad aiak\u00e4ru, lohistavad koormakatet. Teksti tasandil ilmneb t\u00f6\u00f6 kas konkreetse s\u00f5na v\u00f5i abstraktsema viitena peaaegu k\u00f5igis lugudes ning hakkab huvitavalt t\u00e4iendama k\u00fcsimust loomaomasusest. T\u00f6\u00f6 tegi k\u00fcll ahvist inimese, aga kas t\u00f6\u00f6st loobumine viiks meid tagasi ahviseisusesse, tagasi oma parasv\u00f6\u00f6sse? Nii lihtne see ka ei ole. Kogu t\u00f6\u00f6 ei ole ebaloomulik; t\u00f6\u00f6d on vaja teha ka selleks, et saavutada seda k\u00f5ige loomuomasemat \u2013 kontakti teisega. Ebaloomulik on t\u00f6\u00f6 juures pigem \u00e4\u00e4rmine spetsiifika, \u00fclem\u00e4\u00e4rane komplekssus. Loomuomane on punuda pesa ja rajada kodu, ebaloomulik on bituumenmastiks, \u00fclielastne veet\u00f5ke ja sammum\u00fcra summutav plaat.<\/p>\n\n\n\n

Muide, k\u00fcsimus t\u00f6\u00f6 (\u00fcle)t\u00e4htsustamisest ja enese liiga t\u00f5siselt v\u00f5tmisest meenub mulle nii Keerdi lavastuse \u201eS\u00fc\u00fcde\u201c (Eesti Noorsooteater, 2024) kui ka \u201eP\u00e4va l\u00f5puks, kiigu\u201c (Tartu Uus teater, 2023) vaatajakogemusest. Mine v\u00f5ta siis kinni, kui palju on selles kogemuses lavastaja n\u00e4gemust ja kui palju vaataja isikliku elu projektsiooni, aga igal juhul pakub inimene, kes m\u00f5tlematult rahmeldab ja seejuures veel eriti t\u00f5sist n\u00e4gu teeb, Keerdi absurdimasinale suure\u00adp\u00e4rast ainest. V\u00e4hemalt seniks, kuni inimene saalis on valmis niipaljugi oma t\u00f5sidusest loobuma, et suudab end selles absurdis \u00e4ra tunda.<\/p>\n\n\n\n

PS! Tulen selle teksti juurde k\u00fcmne aasta p\u00e4rast tagasi. Mind siiralt huvitab, kas paukuvate uste p\u00f5hjus on toosama t\u00f5sidus, mis k\u00e4rbib aegamisi abstraktse m\u00f5tlemise ja kujundilugemisoskuse tiibu, v\u00f5i \u00fcksnes v\u00f5\u00f5ristus uute vormide ees, mis \u00e4\u00e4realalt peavoolu liikudes esialgu ehmatavad, aga hiljem juba huvitavad. Kui v\u00f5\u00f5ristus, siis pole see ju muud kui paratamatu kasvuvalu. Kui aga t\u00f5sidus, p\u00f6\u00f6rdub kasv hoopis k\u00e4ngumiseks. Eks n\u00e4is.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Karin Allik, Sirp, 06.06.2025 V\u00f5rreldes Renate Keerdi eelmiste lavastustega iseloomustab \u201eParasv\u00f6\u00f6d\u201c fookuse nihkumine visuaalselt ja f\u00fc\u00fcsiliselt kujundilt helilisele ja s\u00f5nalisele kujundile. Renate Keerdi \u201eParasv\u00f6\u00f6\u201c vastuv\u00f5tt ulatub \u00e4\u00e4rmusest \u00e4\u00e4rmusesse. P\u00e4rast esietendust tituleeriti teos \u00fchismeedias nii aasta parimaks kui ka halvimaks teatrikogemuseks, teisel etendusel r\u00f5kkas Eesti Draamateatri saal nii naerust kui ka ustest, mis keset etendust lahkuvate […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1870,84,402,146,1873,236,421,1871,1741,958,384,1830,1721,591,682,1872],"class_list":["post-34377","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arvo-valton","tag-arvustus","tag-britta-soll","tag-christopher-rajaveer","tag-david-byrne","tag-inga-salurand","tag-jaan-kruusvall","tag-kairi-loog","tag-karin-allik","tag-marian-eplik","tag-marten-metsaviir","tag-renate-keerd","tag-richard-ester","tag-sirp","tag-tonis-niinemets","tag-valdur-mikita"],"acf":[],"yoast_head":"\nLavastus sulle, kes sa m\u00f5tlematult rahmeldad - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/lavastus-sulle-kes-sa-motlematult-rahmeldad\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lavastus sulle, kes sa m\u00f5tlematult rahmeldad - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Karin Allik, Sirp, 06.06.2025 V\u00f5rreldes Renate Keerdi eelmiste lavastustega iseloomustab \u201eParasv\u00f6\u00f6d\u201c fookuse nihkumine visuaalselt ja f\u00fc\u00fcsiliselt kujundilt helilisele ja s\u00f5nalisele kujundile. 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