{"id":34385,"date":"2025-10-14T13:46:40","date_gmt":"2025-10-14T10:46:40","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=34385"},"modified":"2025-10-14T13:46:43","modified_gmt":"2025-10-14T10:46:43","slug":"renate-keerd-paraja-temperatuuri-otsingul","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/renate-keerd-paraja-temperatuuri-otsingul\/","title":{"rendered":"Renate Keerd paraja temperatuuri otsingul"},"content":{"rendered":"\n

Heli Reimann, kultuur.err.ee, 13.05.2025<\/p>\n\n\n\n

\"\"
“Parasv\u00f6\u00f6”. Foto autor: Gabriela J\u00e4rvet<\/figcaption><\/figure>\n\n\n\n

Renate Keerd pakub oma \u00e4sja Draamateatris etendunud uuslavastusega taaskord v\u00f5imalust heita k\u00f5rval(k\u00f5ver)pilk inimeseks olemisele \u2013 teemale, millest on saanud lavastaja p\u00fcsiv loominguline telg.<\/p>\n\n\n\n

Keerdi huvi keskmes on seekord s\u00f5na “parasv\u00f6\u00f6”. Loodusteaduslikus tausts\u00fcsteemis t\u00e4histab see arktilise k\u00fclma ja ekvatoriaalse kuumuse vahele j\u00e4\u00e4vat Maa piirkonda, kus on neli aastaaega koos m\u00f5\u00f5dukate ilmastikutingimustega. Inimese usku olev lavastaja uurib inimese sisemist parasv\u00f6\u00f6d: milline on paras sisemine temperatuur, kus on meie sisemine kompass, millal on k\u00fcllalt. “Tundus, et praeguses \u00fchiskondlikus plaanis ja ka isiklikus on \u00fclek\u00fcllastumise teema v\u00e4gagi \u00f5hus. Selline v\u00f5idujooks iseendaga, inimeste vaheline v\u00f5idujooks, v\u00f5idujooks ajaga,” kommenteeris Keerd.<\/p>\n\n\n\n

Renate Keerdi lavalisi kujundeid loovate m\u00e4nguvahendite hulk on traditsiooniliselt lai. V\u00e4ljendusvahenditeks on inimkehad, visuaalne poeetika, absurdih\u00f5ng, inimps\u00fc\u00fchika s\u00fcvatasandite uurimine, s\u00f5na napp kasutus, pidevalt muutuv vorm ning k\u00f5ike seda saatev elujaatav ja l\u00fc\u00fcriline tonaalsus. K\u00f5ik mainitud elemendid on leidnud omavahel uuel ja p\u00f5neval kombel suhtestudes koha ka “Parasv\u00f6\u00f6s”.<\/p>\n\n\n\n

Paraja temperatuuri otsingul on lavastuse keskseks kujundiks saanud midagi v\u00e4ga argist: t\u00f6\u00f6mees. T\u00f6\u00f6mehe vormir\u00f5ivastust ehk lohvakaid trakside ja taskutega p\u00fckse kandes kannavad k\u00f5ik seitse n\u00e4itlejat (T\u00f5nis Niinemets, M\u00e4rten Metsaviir, Christopher Rajaveer, Richard Ester, Britta Soll, Marian Eplik, Inga Salurand).<\/p>\n\n\n\n

\u00dchelt poolt v\u00f5ib t\u00f6\u00f6mees olla satiiriline kommentaar (eestlaslikule!) t\u00f6\u00f6kultusele ja isiklikule l\u00e4bip\u00f5lemisele, viide kaasaegsele inimesele, kes ei oska puhata. T\u00f6\u00f6st on saanud tema elu m\u00f5te, eneseteostus ja enesedefineerimise viis, seda lausub ka tegelane Mai oma monoloogis: t\u00f6\u00f6 algab siis, kui olen silmad lahti teinud. Selle valguses on t\u00f6\u00f6mees isik, kes ehitab parajuse asemel \u00fclek\u00fcllust, kadunud on piir paraja ja liigse vahel. Samas v\u00f5ib tehtav t\u00f6\u00f6 olla m\u00f5ttetu, muutes selle tegija justkui narriks ja luues sellega absurdi- v\u00f5i s\u00fcrreaalsuse tunde. Ehitatakse, aga keegi ei tea, mida v\u00f5i miks.<\/p>\n\n\n\n

T\u00f6\u00f6mees v\u00f5ib s\u00fcmboliseerida ka inimlikku p\u00fc\u00fcdu end “\u00fcles ehitada”, luua korda oma seesmises ruumis. Lisaks on n\u00e4itlejad ise laval otseses m\u00f5ttes t\u00f6\u00f6mehed, kes rassivad redelitega, rullivad kilesid “kokku ja lahku” ja rallivad k\u00e4rudega. K\u00f5iki neid t\u00e4hendusi v\u00f5ib risti-r\u00e4sti leida lavastuse mitmekihilise ideestiku nii all- kui ka pealhoovustes.<\/p>\n\n\n\n

T\u00f6\u00f6meeste “t\u00f6\u00f6riistadeks” on saanud redelid ja muusikainstrumendid. Redelid on leidnud kasutuse n\u00e4iteks statiividena, mis hoiavad p\u00fcsti lavastuse algul efektselt m\u00f5juvat “kile-ehitist” v\u00f5i pakuvad istepinki absurdimaigulises kolme linnu stseenis, kus vares, hakk ja ronk arutavad elu m\u00f5tte \u00fcle. Lindude omavahelises m\u00f5ttevahetuses pakutakse v\u00e4lja, et elu m\u00f5te on liikumises ja tegudes v\u00f5i selles, et oleks palju hakke. Omamoodi l\u00fc\u00fcriliselt m\u00f5jub tagurpidi redelite paarides kiigutamine, mis viib m\u00f5tted tasakaalule ja selle leidmisele.<\/p>\n\n\n\n

Olemuselt k\u00f5ige katartilisem on lavastuses episood trummikomplektiga. Trummari rollis on \u00fchest seinast teise liugleval alusel musitseeriv T\u00f5nis Niinemets, kelle soolot saadab ahastav h\u00fc\u00fcd “sa v\u00f5id endalt k\u00fcsida… sa v\u00f5id leida ennast..” Katsed tabada trummipulgaga pea k\u00e4ttesaamatustesse k\u00f5rgustesse t\u00f5stetud trummitaldrikuid panevad Niinemetsa f\u00fc\u00fcsilise v\u00f5imekuse proovile. Stseeni vaadates tekkis k\u00fcsimus, kas sellised meeleheitlikud normaalsuse piire \u00fcletavad p\u00fc\u00fcdlused elus on ikka m\u00f5ttekad<\/p>\n\n\n\n

Teises muusikalises episoodis on kasutuses klaviatuur, millel p\u00fcsiva j\u00e4rjekindlusega \u00fchte ja sama viisijuppi m\u00e4ngides p\u00fc\u00fcab \u00f5igeid noote tabada Richard Ester. Keeruliseks teeb olukorra aga see, et klaviatuur asetseb ebakindlal pinnal \u2013 laval pidevalt asukohta muutvate n\u00e4itlejate seljas. L\u00f5puks on klaviatuuri lavalt lahkumine korraldatud v\u00e4gagi kunstip\u00e4raselt, kui mustvalget klaviatuuri hoiab oma k\u00e4tel samas v\u00e4rvigammas naisfiguur. Milline harmoonia!<\/p>\n\n\n\n

Aga mis oleks siis, kui l\u00f5petame ettetallatud rajal k\u00e4imise? Sellisele m\u00f5ttele viis nn k\u00f5ndimise episood, kus masinlikult V-kujulises kleeplindiga t\u00e4histatud trajektooris \u00fckshaaval \u00fcle lava sammutakse. L\u00f5puks heidetakse peast parukad ja asutakse iseendana uute kehakatetega kaetuna maailma ette.<\/p>\n\n\n\n

Oluline roll lavastuse ideestiku avamisel on seekord ka s\u00f5nal. N\u00e4item\u00e4ngu algul n\u00e4eme maskide alla oma mina varjavaid tegelasi midagi v\u00f5i kedagi ootamas. L\u00f5putu sihitu ootus p\u00e4\u00e4dib t\u00f5demusega, et see, mis tulema peab, see ka tuleb. Hiljem k\u00fcsitakse, kas sellel, mis tuleb, on \u00fcldse m\u00f5tet? Saadame p\u00e4evad hommikust \u00f5htusse \u00f5hukeste askeldustega \u2013 s\u00f6\u00f6k, jook, raha, l\u00f5bu. P\u00e4evad on t\u00e4idetud pinnapealsete askeldustega, millest ei j\u00e4\u00e4 mitte midagi meelde. Samas on k\u00e4tte j\u00f5udnud maailma paisumise piir.<\/p>\n\n\n\n

Visuaalset poeetikat lisab suur valge kile, millest lavastuse alguses on saanud kameeleonina v\u00e4rvi muutev “kilem\u00e4gi”. Lavastuse l\u00f5pupoole saab kilest \u00fcle terve saali h\u00f5ljuv vari, mis tahtmatult tekitas m\u00f5tte, et oleme k\u00f5ik oma parajuse otsingutega \u00fchise varju all. Teine kogu lava h\u00f5lmav kujunduslik element on v\u00e4relevad h\u00f5beribad. Sama h\u00f5bedased on ka ribade vahelt v\u00e4ljuvate tegelaste parukad.<\/p>\n\n\n\n

Ja l\u00f5puks v\u00f5tab laval v\u00f5imust inimene\u2026 kogu lava suuruses\u2026 \u00fchel p\u00f5lvel. Valge nagu puhas leht. Kas ta on alistunud alandlikkusesse, stardivalmis uueks alguseks v\u00f5i t\u00f6\u00f6 rabamisest v\u00e4sinud? No mine v\u00f5ta kinni!<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Heli Reimann, kultuur.err.ee, 13.05.2025 Renate Keerd pakub oma \u00e4sja Draamateatris etendunud uuslavastusega taaskord v\u00f5imalust heita k\u00f5rval(k\u00f5ver)pilk inimeseks olemisele \u2013 teemale, millest on saanud lavastaja p\u00fcsiv loominguline telg. Keerdi huvi keskmes on seekord s\u00f5na “parasv\u00f6\u00f6”. Loodusteaduslikus tausts\u00fcsteemis t\u00e4histab see arktilise k\u00fclma ja ekvatoriaalse kuumuse vahele j\u00e4\u00e4vat Maa piirkonda, kus on neli aastaaega koos m\u00f5\u00f5dukate ilmastikutingimustega. Inimese […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[84,402,146,1782,236,920,958,384,1830,1721,682],"class_list":["post-34385","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arvustus","tag-britta-soll","tag-christopher-rajaveer","tag-heli-reimann","tag-inga-salurand","tag-kultuur-err-ee","tag-marian-eplik","tag-marten-metsaviir","tag-renate-keerd","tag-richard-ester","tag-tonis-niinemets"],"acf":[],"yoast_head":"\nRenate Keerd paraja temperatuuri otsingul - Draamateater<\/title>\n<meta name=\"description\" content=\"Heli Reimanni arvustus portaalis kultuur.err.err Renate Keerdi lavastusele "Parasv\u00f6\u00f6", mis esietendus Draamateatris 10.05.2025.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/renate-keerd-paraja-temperatuuri-otsingul\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Renate Keerd paraja temperatuuri otsingul - 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