{"id":34620,"date":"2025-11-07T13:10:08","date_gmt":"2025-11-07T10:10:08","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=34620"},"modified":"2025-11-07T13:10:12","modified_gmt":"2025-11-07T10:10:12","slug":"kui-saaks-naha-celine-dioni-pahe","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/kui-saaks-naha-celine-dioni-pahe\/","title":{"rendered":"Kui saaks n\u00e4ha C\u00e9line Dioni p\u00e4he \u2026"},"content":{"rendered":"\n

Karin Allik, Sirp, 06.12.2024<\/p>\n\n\n\n

\"\"
Richard Ester m\u00e4ngib Jacobi v\u00e4liselt karakteerseks, r\u00f5hudes Dioni elegantsile, n\u00f5tkusele ja \u00f5rnusele. Foto: Sille Riin Rand<\/figcaption><\/figure>\n\n\n\n

Kas end C\u00e9line Dioniks pidava noormehe puhul on tegu haigusjuhtumiga, mis vajab ravi, kordategemist, v\u00f5i erilise identiteediga, mida tuleks \u00f5ppida aktsepteerima?<\/em><\/p>\n\n\n\n

Kuidas suhtuda, kui noor inimene v\u00f5tab p\u00e4he, et ta on C\u00e9line Dion, ega kavatse \u201erollist\u201c enam v\u00e4lja tulla? V\u00f5i t\u00e4psemini: temast saab korraga nii Kanada lauljanna C\u00e9line Dion kui ka sellesama C\u00e9line Dioni megaf\u00e4nn. Kas tegu on haigusjuhtumiga, mis vajab ravi, kordategemist, v\u00f5i erilise identiteediga, mida tuleks \u00f5ppida aktsepteerima?<\/p>\n\n\n\n

Just sellist olukorda tutvustab publikule Yasmina Reza kirjutatud ja Mart Piirimehe Eesti Draamateatris lavastatud \u201eJames Brown kandis lokirulle\u201c. Piirimehele on lavastus \u00fchtaegu nii EMTA lavakunstikooli magistri\u00f5ppe l\u00f5put\u00f6\u00f6 kui ka deb\u00fc\u00fct professionaalsel teatriv\u00e4ljal, mida paistis publikumenu saatvat juba enne esietendust \u2013 piletid on neljaks kuuks v\u00e4lja m\u00fc\u00fcdud. Oma osa selles menus on kahtlemata Eesti Draamateatri \u00fcle\u00fcldisel edul, nimekal n\u00e4itekirjanikul ja trupil, kus v\u00e4rsked koolil\u00f5petajad saavad kokku kogenud tegijatega, ent k\u00fcllap k\u00fctab kirgi ka lavastuse teema, mis t\u00f5otab esialgu haakuda nii m\u00f5negi XXI sajandi identiteedipoliitilise konfliktiga.<\/p>\n\n\n\n

Ei saa ometi v\u00e4ita, nagu oleks Reza kirjutanud selle n\u00e4idendi, et v\u00f5idelda \u00fchiskonna diskussioonis millegi poolt v\u00f5i vastu. \u201eN\u00e4idendi \u201eJames Brown kandis lokirulle\u201c puhul on suurt osa publikust h\u00e4irinud see, et see n\u00e4idend ei anna vastuseid, nagu peaks kunstis valima \u00f5ige poole. Mind aga huvitas selle teema metaf\u00fc\u00fcsiline ja eksistentsiaalne aspekt, mitte sotsioloogiline k\u00fclg. [\u2014] Mitte \u00fckski selle n\u00e4idendi tegelane ei aja ideoloogiat,\u201c \u00fctleb n\u00e4itekirjanik intervjuu\u00adkatkes, mille leiab kavalehelt t\u00f5lkija Margus Alveri vahendatuna. N\u00f5nda nendib ka Piirimees paar lehek\u00fclge hiljem: \u201eMulle paistab, et Reza pilkab elu rollim\u00e4nge, kuigi ta ise meid seda \u00fchiskondlikku telge puudutama ei julgusta.\u201c<\/p>\n\n\n\n

Jah, ehkki pealtn\u00e4ha v\u00f5iks lavastuse keskset konflikti v\u00f5rrelda olukorraga, kus vanemad \u00fcritavad hakkama saada oma lapse uue soolise v\u00f5i seksuaalse identiteediga, siis ei v\u00f5imalda \u00fcks olemuslik erinevus seda paralleeli ikkagi t\u00f5mmata. Reza n\u00e4idendi keskmes on raviasutuse patsient, kelle eneseteadvus paistab olevat s\u00fcgavalt h\u00e4iritud, seega patoloogiline juhtum, seevastu soo- ja seksuaalv\u00e4hemuste hulka kuulumist \u00f5nneks enam patoloogiliseks ei peeta (kinnituseks kas v\u00f5i Maailma Terviseorganisatsiooni vastav otsus aastast 2019). On tegu ju inimestega, kes erinevalt C\u00e9line Dioniks hakanud Jacob Hutnerist on endast v\u00e4gagi teadlikud ega kaaperda m\u00f5nd juba olemasolevat \u201erolli\u201c, vaid loovad end ise.<\/p>\n\n\n\n

Niisiis tuleb lavastuse \u201eJames Brown kandis lokirulle\u201c m\u00f5testamisel astuda samm abstraktsemale tasandile. Kaugemalt vaadates k\u00f5neleb teos t\u00f5epoolest eelk\u00f5ige rollim\u00e4ngudest, aga seda mitte tingimata rollide kaudu, mida endale v\u00f5tame, vaid ka rollide kaudu, mida meile omistatakse. N\u00f5nda sugeneb loosse k\u00fcsimus t\u00f5elise inimkontakti v\u00f5imalikkusest: kuhumaani on \u00fcks inimene v\u00f5imeline m\u00f5istma teise komplekssust? Kui palju me igap\u00e4evasuhtluses teist inimest lihtsustame, teda oma kategooriatesse surume, selmet luua uusi (v\u00f5i loobuda neist sootuks)? V\u00f5i \u00fcle\u00fcldse: kas me kuulame teise inimese \u00e4ra?<\/p>\n\n\n\n

V\u00f5tme selliseks t\u00f5lgenduseks annab \u00fcks l\u00fchike interaktsioon lavastuse algusosas. C\u00e9line Dioni ehk Jacobi vanemad Lionel (Ivo Uukkivi) ja Pauline Hutner (Hilje Murel) vestlevad ps\u00fchhiaatriga (Emili Rohumaa), jutustavad talle poja lapsep\u00f5lvest ja tolle suhtest Kanada lauljannasse, kuni ps\u00fchhiaater k\u00fcsib: \u201eKes Lionel ja Pauline on?\u201c \u2013 \u201eMeie ise. Need on meie nimed,\u201c vastavad vanemad. \u2013 \u201eMa m\u00f5tlen C\u00e9line\u2019ile.\u201c \u2013 \u201eSeda me k\u00fcll ei tea,\u201c \u00fctleb Lionel. \u2013 Pauline lisab: \u201eEi.\u201c<\/p>\n\n\n\n

Selgub, et vanemad pole oma last \u00e4ra kuulanudki ega \u00fcritanud m\u00f5ista, mis temaga toimub. Nad on lasknud murel, hirmul, pahameelel varjutada oma empaatiat, mist\u00f5ttu on iga katse pojaga kontakt saavutada m\u00e4\u00e4ratud luhtuma. Ent arvestades, et Jacobi (Richard Ester) kuju avaneb teoses eesk\u00e4tt vanemate vaatevinklist, j\u00e4\u00e4b identiteedikaaperdajast noormees ka publikule pigem suletud tegelaseks.<\/p>\n\n\n\n

Ester m\u00e4ngib Jacobi v\u00e4liselt karakteerseks, r\u00f5hudes Dioni elegantsile, n\u00f5tkusele ja \u00f5rnusele. Ta hoiab oma kaela sihvakana, istub alati jalg \u00fcle p\u00f5lve, p\u00f6id sirutatud ja k\u00e4ed elegantselt ristatud, peopesad p\u00f5lvele toetatud. Ta ei parodeeri lauljannat, vaid suhtub karakterisse t\u00e4ie t\u00f5sidusega ning otsib Dionilt laenatud kehakeeles loomulikkust. Tegelase sisemaailm ometi ei avane, vastust k\u00fcsimusele, kuidas Jacob\/C\u00e9line endasse suhtub, tema suu l\u00e4bi ei selgu.<\/p>\n\n\n\n

Diagnoosi, et noormees k\u00e4sitleb end \u00fchtaegu nii lauljanna kui ka lauljanna megaf\u00e4nnina, pakub v\u00e4lja ps\u00fchhiaater. Emili Rohumaa kehastatud ps\u00fchhiaater on vastuokslik tegelane, kes tuhiseb vahepeal l\u00e4bi ruumi nagu purilennuk, vahepeal surub kannad maasse ja peab sisendusj\u00f5ulist loengut, kuulutades tulevikku, mis kuulub emantsipeerunud, normidest ja ettem\u00e4\u00e4ratud rollidest lahti \u00f6elnud \u00fchiskonnale. Just siin sugeneb teosesse v\u00f5imalus, et Jacobi juhtumit saab vaadata ka teisiti kui patoloogiat, ent selle idee arendamisel l\u00f5puni ei minda. Pigem p\u00f6\u00f6rdub lugu tagasi patoloogilise k\u00e4sitluse poole, kui Jacobiga koos raviasutuses viibiv ja samuti identiteedisegadust kogev Philippe (Ursel Tilk) saab oma tembutamise eest ps\u00fchhiaatrilt pragada. Paistab, et p\u00e4ris k\u00fcpseteks \u00fchiskonnaliikmeteks neid \u201enormist\u201c loobujaid pidada ei saa.<\/p>\n\n\n\n

Vanemad Lionel ja Pauline on vastukaaluks liigagi normaalsed, isegi stereot\u00fc\u00fcpsed. Kas asi on teadlikus valikus, et tasakaalustada \u00fclej\u00e4\u00e4nud tegelaskonna ekstsentrilisust, v\u00f5i lavastuse noorusp\u00f5lve tooruses, mis leeveneb m\u00e4ngukordadega, ei tea kindla s\u00f5naga \u00f6elda, ent kuiv\u00f5rd teatavat arengut v\u00f5is m\u00e4rgata kahe j\u00e4rjestikusegi etenduse puhul, v\u00f5ib kahtlustada toorust. Kui esimesel n\u00e4htud etendusel iseloomustas Hilje Mureli m\u00e4ngu Pauline\u2019ina justkui allasurutud h\u00fcsteeria, mida naine p\u00fc\u00fcdis esialgu teeseldud kindlameelsusega maskeerida, siis teisel vaatamiskorral muutus see alguse kindlameelsus t\u00f5elisemaks, lubades muretundel ajapikku kasvada ning muutes tegelaskuju d\u00fcnaamilisemaks.<\/p>\n\n\n\n

Ivo Uukkivi m\u00e4ngitud Lioneli kirjeldab aga ebakindlust peitev pahurus, mis v\u00f5ib kasvada agressiivsuseks. Tusase isa stereot\u00fc\u00fcbist v\u00e4ljamurdmisel kujunebki v\u00f5tmehetkeks agressioonihoog lavastuse kulminatsioonis, mis v\u00f5imaldab keerata rollid tagurpidi ning n\u00e4idata meest, kes n\u00f5uab, et poeg v\u00f5taks m\u00f5istuse p\u00e4he, ise m\u00f5istust kaotamas, lapse kombel pusklemas. Mida v\u00f5imsama hoo saab too afekt, seda t\u00e4henduslikumaks stseen kujuneb.<\/p>\n\n\n\n

Kui tahes d\u00fcnaamilisteks Mureli ja Uukkivi rollid ka tulevikus ei areneks, ei p\u00e4\u00e4se publik Jacobile siiski p\u00e4he, sest m\u00f5istva kontakti puudumine lapse ja vanemate vahel on n\u00e4idendisse vankumatult sisse kirjutatud. Ja see j\u00e4\u00e4b kriipima. Kuidas saada ligi teema metaf\u00fc\u00fcsilisele ja eksistentsiaalsele aspektile, kui n\u00e4eme teema s\u00fcmbolkuju ainult v\u00e4ljast ja oleme n\u00f5nda sunnitud teda oma peas lihtsustama, paigutama ta olemasolevatesse kategooriatesse? V\u00f5i t\u00f5estabki see kriipiv lihtsustus, et n\u00e4idendi idee, komplekssema inimkontakti v\u00f5imatus, peab paika?<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Karin Allik, Sirp, 06.12.2024 Kas end C\u00e9line Dioniks pidava noormehe puhul on tegu haigusjuhtumiga, mis vajab ravi, kordategemist, v\u00f5i erilise identiteediga, mida tuleks \u00f5ppida aktsepteerima? Kuidas suhtuda, kui noor inimene v\u00f5tab p\u00e4he, et ta on C\u00e9line Dion, ega kavatse \u201erollist\u201c enam v\u00e4lja tulla? V\u00f5i t\u00e4psemini: temast saab korraga nii Kanada lauljanna C\u00e9line Dion kui ka sellesama […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[84,1720,320,362,1741,473,1791,1721,591,319,803],"class_list":["post-34620","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arvustus","tag-emili-rohumaa","tag-hilje-murel","tag-ivo-uukkivi","tag-karin-allik","tag-margus-alver","tag-mart-piirimees","tag-richard-ester","tag-sirp","tag-ursel-tilk","tag-yasmina-reza"],"acf":[],"yoast_head":"\nKui saaks n\u00e4ha C\u00e9line Dioni p\u00e4he \u2026 - Draamateater<\/title>\n<meta name=\"description\" content=\"Karin Alliku arvustus Sirbis Draamateatri lavastusele "James Brown kandis lokirulle", mis esietendus 02.11.2024 v\u00e4ikeses saalis.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/kui-saaks-naha-celine-dioni-pahe\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kui saaks n\u00e4ha C\u00e9line Dioni p\u00e4he \u2026 - 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