{"id":34920,"date":"2025-12-12T15:32:29","date_gmt":"2025-12-12T12:32:29","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=34920"},"modified":"2025-12-12T15:38:47","modified_gmt":"2025-12-12T12:38:47","slug":"valgel-hobusel-kuu-jarele-caligula-draamateatris","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/valgel-hobusel-kuu-jarele-caligula-draamateatris\/","title":{"rendered":"Valgel hobusel Kuu j\u00e4rele. \u201eCaligula\u201c Draamateatris"},"content":{"rendered":"\n

Jelena Skulskaja, Eesti P\u00e4evaleht, 26.11.2025<\/p>\n\n\n\n

\"\"
Caligula \u00f5e vaim Drusilla (Hanna Jaanovits) j\u00e4lgib, kuidas tema keisrist vend (T\u00f5nis Niinemets) on Chaerea (Gert Raudsep) k\u00f5ri kallal. Foto: Linda Maria Saar<\/figcaption><\/figure>\n\n\n\n

Ajalugu teeb lakkamatult tagasik\u00e4iku. R\u00f5ivad muutuvad, enam ei kirjutata stiilusega vahatahvlile, aga inimlik alatus, mugandumine ja j\u00f5u ees alistumine j\u00e4\u00e4vad samaks.<\/em>

T\u00fcranne s\u00e4ilitab meile mitte ainult Ajalugu, vaid ka Kirjandus. Kui Caligula poleks senatisse toonud oma hobust ja teatanud, et see on paljudest kohalolijatest t\u00e4hendusrikkam ja targem, siis t\u00f5en\u00e4oliselt oleksid tema verised kuriteod, v\u00e4givald, m\u00f5nitamine, meeletused j\u00e4tnud ta \u00fcsna keskp\u00e4rase kujuna teiste, oma lugematute ohvrite verre uppunud diktaatorite sekka.<\/p>\n\n\n\n

Et t\u00fcrann \u00e4rataks Kunsti t\u00e4helepanu, on vaja mingit \u201erosinat\u201c, \u00fcksk\u00f5ik kui kahtlaselt ja peaaegu k\u00fc\u00fcniliselt see ka ei k\u00f5la. Hitler maalis. Stalin kirjutas luulet. Kirjanikul on t\u00e4htis leida koletises mingid inimese tunnused, muidu on teda v\u00f5imatu uskuda. Albert Camus kirjutas \u00fcmber ja muutis palju kordi oma kuulsat n\u00e4idendit, millel t\u00e4na on uued p\u00f5hjused muutuda \u00fclimalt populaarseks. Ilma kujundliku s\u00fcsteemita, teravmeelsete repliikideta, originaalsete lavastusteta j\u00e4\u00e4ks arvamusavaldus maailma t\u00e4nase poliitilise olukorra kohta paljaks publitsistikaks.<\/p>\n\n\n\n

Suurep\u00e4rane valik<\/strong><\/p>\n\n\n\n

\u201eCaligula\u201c on n\u00e4idend v\u00e4ga ereda, karismaatilise, plastilise n\u00e4itleja jaoks ja tundub, et T\u00f5nis Niinemetsa valik peaossa on \u00fcli\u00f5nnestunud: ta ei kutsu esile ei \u00f5udu ega vastikust, ta on isegi m\u00f5nes m\u00f5ttes ligit\u00f5mbav ja heldimapanev, kui tahab oma valdusse saada Kuu. Ta tahab v\u00f5imatut ja senikogematut (filosoofilisest vaatenurgast), reaalsuses aga k\u00f5ikelubatavust ja kuritegude l\u00f5putust \u2013 ja Rooma aktsepteerib k\u00f5iki tema verise eksistentsi tingimusi. L\u00f5ppude l\u00f5puks j\u00e4\u00e4b ainult \u00fcks senitundmatu \u2013 Surm.<\/p>\n\n\n\n

Kui aga Caligula truu kaaslane Helicon (Andres Puustusmaa) hiilib laval m\u00f6\u00f6da surnud keisrist, t\u00f5stab \u00fcles ja proovib tolle loorberip\u00e4rga, t\u00f5stab Caligula pea ja s\u00f5nab tuleviku jaoks saatusliku lause: \u201eMa ei ole veel surnud!\u201c. Ja me saame aru, et ta ei sure iialgi! Ja kunagi ei sure need, kes on valmis saama tema marionettideks, moodustama tema saatjaskonna, mis kutsub esile naeru, vastikust ja samal ajal ka \u00e4ratundmist.<\/p>\n\n\n\n

Lavastaja Hendrik Toompere sen ja kunstnik Elisa Sinisalu panid n\u00e4itlejad t\u00e4nap\u00e4evastesse ja \u00fchtaegu maskeraadiriietesse, r\u00f5hutades, et \u00fchelt poolt toimub tegevus siin ja praegu, teisalt aga v\u00f5ib see toimuda mis tahes ajaj\u00e4rgul. Varjamatuks meeletuseks muutuv must huumor, verise alltekstiga teravmeelsed repliigid, laste muinasjutulise varjundiga eksistentsiaalne avameelsus \u2013 k\u00f5ik on \u00e4ratuntav ja k\u00f5ik on uskumatu. Jaa-jaa, see v\u00f5ib olla ainult unen\u00e4o ebaloogilisuses, tsirkuseetenduse m\u00f5ttetuses, kus \u00fcks inimene v\u00f5ib riigile kaela langeda kui n\u00e4lg v\u00f5i katk.<\/p>\n\n\n\n

Senaatori asemele hobune<\/strong><\/p>\n\n\n\n

Ajaloolaste v\u00e4itel armastas Caligula oma \u00f5de ja oma hobust. N\u00e4idend algab sellest, et Caligula leinab \u00f5de Drusillat, kes \u00fchtlasi oli tema armuke. Lavastuses saadab \u00f5e kuju peategelase hullumeelsust. Drusilla (Hanna Jaanovits) kord p\u00f6\u00f6rab meie poole oma imeilusa n\u00e4o, kord muutub fantoomiks valges maskis, mis on kuklas \u2013 maskis, mida v\u00f5ib v\u00f5tta k\u00e4ttesaamatu Kuuna.<\/p>\n\n\n\n

Imeilus valge hobune ilmub ekraanile ja tema pilk on m\u00f5testatud ja s\u00fcgav. Milleski oli Caligulal \u00f5igus \u2013 mitte ainult kohutavas kurjuse impeeriumis, vaid ka mis tahes demokraatlikus riigis v\u00f5iks m\u00f5ned senaatorid ilma igasuguse kahjuta asendada hobusega, kes vajab ainult heina ja latrit.<\/p>\n\n\n\n

Caligula Toompere lahenduses (erinevalt enamusest t\u00fcrannidest) mitte ainult ei karda vanden\u00f5usid ja kippumist oma elu kallale, vaid ta ei hinda elu absoluutselt. Teda huvitab ainult h\u00e4vitamine \u2013 elu h\u00e4vitamine. Ta tapab vanemaid ja oma l\u00e4hedaste lapsi ja n\u00f5uab, et nood naeraksid, kui ta neist hukkamistest jutustab. Ning nood naeravad. Korraga teatab ta, et tema k\u00e4sul algab homme impeeriumis n\u00e4lg \u2013 ja n\u00e4lg tema k\u00e4sul algabki. Ta korraldab etenduse \u2013 \u201eriietub\u201c alasti Veenuseks ja esitab patriitsidele lihtsakoelise tantsu, n\u00f5udes, et need vaimustuksid tema kunstist. Ja nood satuvad vaimustusse.<\/p>\n\n\n\n

Muidugi on igal marionetist senaatoril oma iseloom. T\u00f5nu Kargi tegelaskuju (minu meelest parim k\u00f5rvalosa) on n\u00e4iteks kogu aeg tobe, arg, hale ja naeruv\u00e4\u00e4rne ja mis on oivaline – ta ei karda nende k\u00f5ikide omadustega liialdada. Keegi p\u00fc\u00fcab v\u00e4\u00e4rikust s\u00e4ilitada, keegi on valmis t\u00fcranni ees ilma mingite tingimusteta siruli viskama. Saatjaskond, keda m\u00e4ngivad Britta Soll, Karmo Nigula, Gert Raudsep, J\u00fcri Tiidus, Raimo Pass, Markus Luik, Christopher Rajaveer, Merle Palmiste, on harjumusp\u00e4rane ja m\u00f5istetav mis tahes epohhi, mis tahes t\u00fcrannia jaoks. Asi ei ole isegi mitte tegelaste m\u00f5ningases erinevuses, vaid selles, mis teeb need tegelaskujud valusalt \u00e4ratuntavaks \u2013 kulunud, kuid \u00fcsna t\u00e4nap\u00e4evased portfellid dokumentidega, surutud vastu k\u00f5htu, nagu see on kombeks vastutavatel t\u00f6\u00f6tajatel, daamidel ranged, aga helklevad p\u00fckskost\u00fc\u00fcmid (neid n\u00e4ed mis tahes riigi parlamendis), viimase moe j\u00e4rgi \u00f5mmeldud pintsakud paljal ihul…<\/p>\n\n\n\n

Esimest korda ilmub Caligula lavale katkistes teksades, v\u00f5tab taskust peot\u00e4ie maskeraadis\u00e4delust ja puistab enda nendega \u00fcle \u2013 tavaline poisike, masuurikas, sihuke kodukootud nihilist. Etenduse k\u00e4igus riietub ta mitu korda \u00fcmber ja tema kost\u00fc\u00fcm sarnaneb \u00fcha rohkem imperaatori elu reaalsele ajale. Ehk \u2013 nagu \u00fctleb meile lavastaja \u2013 ajalugu teeb lakkamatult tagasik\u00e4iku, ta p\u00f6\u00f6rdub tagasi oma allikate juurde, muutuvad kost\u00fc\u00fcmid, enam ei kirjutata stiilusega vahatahvlile, aga inimlik alatus, mugandumine ja j\u00f5u ees alistumine j\u00e4\u00e4vad samaks.<\/p>\n\n\n\n

Hirm valitseb maailma.<\/p>\n\n\n\n

Vihaku, aga kartma on kohustatud.<\/p>\n\n\n\n

Need Caligula ideed ei ole mitte mingil juhul kaotanud oma aktuaalsust.<\/p>\n\n\n\n

Kunst on kohustatud liikuma m\u00f6\u00f6da parabooli, mitte otsima sirgjoonelisi v\u00e4iteid. Muidu muutub see loosungiks. R\u00e4\u00e4kida t\u00e4nap\u00e4evast Albert Camus\u2019 vahendusel on keeruline, kuid v\u00e4\u00e4rikas seisukohav\u00f5tt t\u00e4nase aja kohta.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jelena Skulskaja, Eesti P\u00e4evaleht, 26.11.2025 Ajalugu teeb lakkamatult tagasik\u00e4iku. R\u00f5ivad muutuvad, enam ei kirjutata stiilusega vahatahvlile, aga inimlik alatus, mugandumine ja j\u00f5u ees alistumine j\u00e4\u00e4vad samaks. T\u00fcranne s\u00e4ilitab meile mitte ainult Ajalugu, vaid ka Kirjandus. Kui Caligula poleks senatisse toonud oma hobust ja teatanud, et see on paljudest kohalolijatest t\u00e4hendusrikkam ja targem, siis t\u00f5en\u00e4oliselt oleksid […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[1882,927,84,402,1881,146,496,1899,725,873,1897,615,371,162,118,113,724,682],"class_list":["post-34920","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-albert-camus","tag-andres-puustusmaa","tag-arvustus","tag-britta-soll","tag-caligula","tag-christopher-rajaveer","tag-eesti-paevaleht","tag-elisa-sinisalu","tag-gert-raudsep","tag-hanna-jaanovits","tag-hendrik-toompere-sen","tag-jelena-skulskaja","tag-juri-tiidus","tag-karmo-nigula","tag-markus-luik","tag-merle-palmiste","tag-raimo-pass","tag-tonis-niinemets"],"acf":[],"yoast_head":"\nValgel hobusel Kuu j\u00e4rele. \u201eCaligula\u201c Draamateatris - 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