{"id":34924,"date":"2025-12-12T15:59:09","date_gmt":"2025-12-12T12:59:09","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=34924"},"modified":"2025-12-12T15:59:15","modified_gmt":"2025-12-12T12:59:15","slug":"tonis-niinemets-on-parem-kui-varem-ja-see-ei-tee-uldse-roomu","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/tonis-niinemets-on-parem-kui-varem-ja-see-ei-tee-uldse-roomu\/","title":{"rendered":"T\u00f5nis Niinemets on parem kui varem \u2013 ja see ei tee \u00fcldse r\u00f5\u00f5mu"},"content":{"rendered":"\n

Heili Sibrits, Postimees, 28.11.2025<\/p>\n\n\n\n

\"\"
\u00abCaligula\u00bb Draamateatris. T\u00f5nis Niinemets ja Karmo Nigula. Foto: Linda Maria Saar<\/figcaption><\/figure>\n\n\n\n

\u2192 Hanna Jaanovits teeb suurep\u00e4rase (kehakeelse) rolli
\u2192 Karmo Nigula on laval v\u00e4ga tugev ja veenev
\u2192 Merle Palmiste m\u00e4ngib usutavaks suurima muutuse<\/p>\n\n\n\n

T\u00f5nis Niinemets on geniaalne n\u00e4itleja, paduandekas, aga mitte ainult. Ta ei tule lavale sisemise pingeta, kuigi saaks ja v\u00f5iks, sest selle andega teeks iga rolli l\u00f5dva randmega \u00e4ra.<\/em><\/p>\n\n\n\n

On n\u00e4itlejaid, kes vallutavad lava energiaga, ja neid, kes teevad seda vaikusega. T\u00f5nis Niinemets suudab teha m\u00f5lemat \u2013 ja n\u00fc\u00fcd viib ta vaataja paika, kus naljad enam ei p\u00e4\u00e4sta. Seal ei ole mugav. Seal tuleb vaadata otsa millelegi, mida me enda sees hoolega v\u00e4ldime.<\/p>\n\n\n\n

Aga Niinemets pole ainus p\u00f5hjus, miks tasub minna vaatama Eesti Draamateatri uuslavastust \u00abCaligula\u00bb. See lavastus ei paku mitte ainult suurt rolli, vaid ka suurt peeglit. Ja mitte kellelgi ei j\u00e4\u00e4 oma n\u00e4gu n\u00e4gemata.<\/p>\n\n\n\n

Hirm muudab<\/strong><\/p>\n\n\n\n

Caligulal on piiramatu v\u00f5im. Mis aga on piiramatu v\u00f5im? See, et mitte miski \u2013 ei seadused-reeglid, inimeste kokku lepitud, eetika v\u00f5i s\u00fcdamega seotud piirangud \u2013 teda ei takista. Caligula teeb, mis tahab: tapab, v\u00e4gistab, alandab, piinab.<\/p>\n\n\n\n

Toompere lavastuses vaatajale neid j\u00f5ledusi ei n\u00e4idata, aga me n\u00e4eme, kuidas muutuvad Caligula kaaslased, kuidas hirm r\u00f6\u00f6vib enesekindluse, julguse vastu vaielda, tekitab soovi end ruumis n\u00e4htamatuks v\u00f5luda, kuidas nad s\u00f5natult taluvad v\u00e4givalda. Ainult siis j\u00e4tkub neil s\u00fcdikust natukenegi vastu hakata, kui ohus on konkreetselt nende elu, aga ka siis vaid alandlikult paludes v\u00f5i paanikas kisades. Nad ei astu teiste eest v\u00e4lja.<\/p>\n\n\n\n

Seega on nad samasugused m\u00f6lakad kui Caligula. Lavastuse l\u00f5pus kuvatakse lavale videopilt, kus k\u00f5ikide tegelaste n\u00e4od \u00fchte sulanduvad, muunduvad \u00fchest teiseks. Toompere lavastus ei r\u00e4\u00e4gi Putinist ega Trumpist, see on etteheide meile k\u00f5igile. Toompere n\u00e4itab, kui ohtlik on selline vabadus, karistamatus, nagu Caligula on endale v\u00f5tnud ja mida tema \u00fcmber olevad inimesed aitavad tal ellu viia.<\/p>\n\n\n\n

Olin \u0161okeeritud, kui m\u00f5ned n\u00e4dalad tagasi tuli uudis, et Bosnia s\u00f5jas m\u00fc\u00fcdi Itaalias j\u00f5ukatele inimestele v\u00f5imalust snaiperina tsiviilisikuid tulistada. Sest see ei juhtunud 2000 aastat tagasi, vaid aastatel 1992\u20131996, ja seega pole v\u00e4listatud, et praegugi m\u00fc\u00fcakse kusagil samasuguseid p\u00e4\u00e4smeid, arvatavasti on lihtsalt hind t\u00f5usnud. V\u00e4idetavalt maksis \u00fche inimese tulistamine praeguses v\u00e4\u00e4ringus kuni 100 000 eurot, laste tulistamise eest n\u00f5uti rohkem raha.<\/p>\n\n\n\n

Miks peaks arvama, et Charea, Mucius, Senectus, Metellus, Lepidus, Patricia, Scipio v\u00f5i ka Helicon ei teeks k\u00f5ike sedasama, mida teeb Caligula? Hirmust vahele j\u00e4\u00e4da, karistuse hirmust?<\/p>\n\n\n\n

Sama palju kui \u00abCaligula\u00bb r\u00e4\u00e4gib v\u00f5imust, r\u00e4\u00e4gib ta ka hirmust. Kuidas hirm muudab inimest.<\/p>\n\n\n\n

V\u00f5imalik, et praegusel raskel ajal on keeruline peeglisse vaadata ja pigem tahaks Eesti Draamateatri laval n\u00e4ha \u00fchte kerget ja r\u00f5\u00f5msameelset kom\u00f6\u00f6diat. Olen veendunud, et T\u00f5nis Niinemets oleks ka seal geniaalne, ent nalja asemel tuleb praegu maailmaga t\u00f5tt vaadata.<\/p>\n\n\n\n

Tagumiku roll<\/strong><\/p>\n\n\n\n

Kui T\u00f5nis Niinemets on laval, on laval ka Hanna Jaanovits, kes m\u00e4ngib Caligula \u00f5de Drusillat. Nende vahel polnud vaid \u00f5e-venna armastus, vaid ka keelatud seksuaalsuhe, v\u00e4idetavalt armastus. Lavastuse alguses saame teada, et Drusilla on surnud ning valust hullunud Caligula paleest p\u00f5genenud, keegi ei leia teda \u00fcles.<\/p>\n\n\n\n

Hanna Jaanovitsi roll on ses lavastuses k\u00f5ige keerulisem, sest see on \u00fclimalt f\u00fc\u00fcsiline, enamiku ajast on ta publiku poole seljaga, tema uhke parukaga kukalt katab mask, kiretu valgeks v\u00f5\u00f5batud pale, millel liikumatud huuled ja silmad. Ent Drusilla pole liikumatu, vaimule omaselt on ta igal pool. See, kuidas Hanna Jaanovits suudab selja ja \u00f5lgade abil kohalolekut tekitada, on imetlusv\u00e4\u00e4rne. Niinemets valitseb lava, aga Jaanovits on tema vari, samas on nad v\u00f5rdsed, nad on sama tugevad, kui kuuvalguses seisev inimene ja tema vari olla saab.<\/p>\n\n\n\n

Jaanovitsi rollist r\u00e4\u00e4kides ei saa m\u00f6\u00f6da minna tagumikust, sest tema seda kehaosa eksponeeritakse kui t\u00e4iuslikku kunstiteost, suure meistri marmorskulptuuri. V\u00f5i on hoopis tegemist naisn\u00e4itleja kehalise omap\u00e4ra \u00e4rakasutamisega, et r\u00f5hutada Caligula ahvatlust? V\u00e4idetavalt oli Caligula seksihull, keppis k\u00f5ike ja kogu aeg. Niinemetsa tegelane pole tiirane, vaid k\u00fclmalt kalkuleeriv ja seksi oma \u00fcleoleku n\u00e4itamiseks kasutav t\u00fc\u00fcp. Tiirasust kujutavad ennek\u00f5ike Jaanovitsi Drusilla v\u00e4gagi k\u00f5nekad poosid. Jaanovits teeb superrolli.<\/p>\n\n\n\n

P\u00f5nevat partnerlust Niinemetsaga pakub ka Scipio roll Karmo Nigulale. Scipio ei l\u00f6mita Caligula ees, tema hirm on teistsugune, tema heitlused hea ja kurja vahel on n\u00e4htavad, seega teeb Nigula v\u00e4ga tugeva ja veenva rolli.<\/p>\n\n\n\n

Truudusest j\u00f5udu ammutav enesekindlus saadab ka orjast vabameheks saanud Heliconi, keda kehastab Andres Puustusmaa, ning Britta Solli m\u00e4ngitud Caligula armukest Caesoniat.<\/p>\n\n\n\n

Need kolm armastavad ja m\u00f5istavad Caligulat, ent kas see armastus pole samuti hirm? Seega on l\u00f5puks ikkagi k\u00f5ik \u00fcks, k\u00f5ik Caligula \u00fcmber olevad inimesed aitavad tema tegudele vaikimisega kaasa, \u00fcksk\u00f5ik, mis motiividel nad ka vaikiks.<\/p>\n\n\n\n

Ajalugu t\u00e4nap\u00e4evas<\/strong><\/p>\n\n\n\n

\u00abCaligulas\u00bb on laval raskekahurv\u00e4gi, eelnimetatud n\u00e4itlejate k\u00f5rval teeb \u00fcle pika aja uue rolli T\u00f5nu Kark (tuntud headuses, pakkudes \u00e4ratundmist, samas \u00fcllatades), Gert Raudsep (tugev roll, n\u00e4ha, et sisemiselt l\u00e4bi m\u00f5eldud ja p\u00f5hjendatud, huvitavad n\u00fcansid), Christopher Rajaveer (r\u00f5hub koomikale, suurep\u00e4rane t\u00e4iendus ansamblisse), Merle Palmiste (teeb l\u00e4bi k\u00f5ige suurema muutuse, uhkelt naiselt r\u00f6\u00f6vitakse k\u00f5ik. Kui esimestel minutitel ma tema murdumist ei uskunud, siis lavastuse l\u00f5puks oli ta mind v\u00e4gagi veennud. \u00d5nnestumine.).<\/p>\n\n\n\n

Raimo Pass ja Markus Luik j\u00e4\u00e4vad t\u00f5en\u00e4oliselt algmaterjali t\u00f5ttu k\u00f5ige kahvatumaks, aga olen kaugel sellest, et nende kallal norida. Norida selle lavastuse kallal ei taha tegelikult \u00fcldse, pigem veel kiita, sest lavastaja ja seekord ka valguskujundaja rollis olnud Toompere k\u00f5rval oli kunstnik Elisa Sinisalu, kelle loodud ruum on nutikas ja k\u00f5nekas.<\/p>\n\n\n\n

V\u00e4ga tabav on taas Lauri Kaldoja helikujundus.<\/p>\n\n\n\n

Videokujundajaks on m\u00e4rgitud tagasihoidlikult Ura Sihet ja see ongi v\u00f5ib-olla \u00fcks k\u00f5ige k\u00fcsitavam element ses lavastuses. Kas lavastus oleks midagi kaotanud, kui tagaseinale projitseeritud videot poleks olnud? V\u00f5imalik. Samas on l\u00f5puvideo m\u00f5juv, r\u00f5hutades lavastaja s\u00f5numit, mida Scipio oli Caligulale \u00f6elnud: me k\u00f5ik oleme \u00fcks.<\/p>\n\n\n\n

Aga mis eriti uhke \u2013 kost\u00fc\u00fcmid.<\/p>\n\n\n\n

Ei, see pole ajalooline lavastus, Toompere on toonud Caligula t\u00e4nap\u00e4eva, see on ainu\u00f5ige.<\/p>\n\n\n\n

Kas ma soovitan vaatama minna? Nii ja naa. Esiteks on piletid niikuinii praegu v\u00e4lja m\u00fc\u00fcdud. Kui uued m\u00fc\u00fcgile tulevad, siis ikka, kuigi tuleb arvestada, et see on t\u00f5sine ja raske vaatamine. Kuid vajalik.<\/p>\n\n\n\n

No ja T\u00f5nis Niinemets on parem kui varem, ta l\u00e4heb iga rolliga, iga lavastusega aina n\u00fcansirikkamaks, aina s\u00fcgavamaks, aina v\u00f5imsamaks. Toompere oli Camus\u2019 n\u00e4idendit kaua m\u00f5ttes kandnud; v\u00e4ga hea, et ta seda varem ei teinud, sest praegu on Niinemets sellesse rolli just nii \u00f5ige, et raske on ette kujutada kedagi teist. See roll j\u00e4\u00e4b kindlasti Niinemetsa tugevaimate sekka, \u00abelu parim\u00bb ei taha \u00f6elda, sest neid parimaid on kindlasti tulemas veel ja veel.<\/p>\n\n\n\n

Maskid, maskid, maskid<\/strong><\/p>\n\n\n\n

Niinemetsa Caligula muudavad erakordseks tema sisemised heitlused. Caligula on ummikus, ta on kaotanud kompassi ja elu m\u00f5tet otsides valib ta tee, millel saab kasutada inimesi katsej\u00e4nestena. Kas ta on lihtsalt \u00f5el, kehastunud kurjus? Ei. Just see teebki Eesti Draamateatri \u00abCaligula\u00bb raskeks vaatamiseks, Niinemetsa Caligula on sellest kambast k\u00f5ige elusam, usutavam, teda on v\u00f5imalik m\u00f5ista. Niinemets n\u00e4itab Caligula k\u00f5hklusi, me n\u00e4eme, et ta m\u00f5tleb ja otsib. Ta pole l\u00f5bu p\u00e4rast p\u00f6\u00f6rane ja kuri.<\/p>\n\n\n\n

\u00dclej\u00e4\u00e4nud pole temast sugugi moraalsemad inimesed, nad on kamp tundeid ja m\u00f5tteid v\u00f5ltsnaeru ja k\u00f5igega n\u00f5ustuvasse argusesse varjavaid maskides orje \u2013 oma hea elu, h\u00fcvede orje. Privileegide s\u00e4ilitamise nimel l\u00e4hevad nad kaasa Caligula piirideta maailmaga, just nemad v\u00f5imaldavad Caligulal k\u00f5ike seda teha.<\/p>\n\n\n\n

P. S. Kuna Drusilla ja Patricia Camus\u2019 n\u00e4idendis t\u00e4ielikult puuduvad, oleks p\u00f5nev anal\u00fc\u00fcsida, miks on sedav\u00f5rd seksuaalselt laetud naiskarakterid 2025. aasta \u00abCaligulas\u00bb lavale toodud.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Heili Sibrits, Postimees, 28.11.2025 \u2192 Hanna Jaanovits teeb suurep\u00e4rase (kehakeelse) rolli\u2192 Karmo Nigula on laval v\u00e4ga tugev ja veenev\u2192 Merle Palmiste m\u00e4ngib usutavaks suurima muutuse T\u00f5nis Niinemets on geniaalne n\u00e4itleja, paduandekas, aga mitte ainult. Ta ei tule lavale sisemise pingeta, kuigi saaks ja v\u00f5iks, sest selle andega teeks iga rolli l\u00f5dva randmega \u00e4ra. On n\u00e4itlejaid, […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[927,84,402,146,1899,725,873,195,1897,162,649,118,113,111,724,682,115],"class_list":["post-34924","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-andres-puustusmaa","tag-arvustus","tag-britta-soll","tag-christopher-rajaveer","tag-elisa-sinisalu","tag-gert-raudsep","tag-hanna-jaanovits","tag-heili-sibrits","tag-hendrik-toompere-sen","tag-karmo-nigula","tag-lauri-kaldoja","tag-markus-luik","tag-merle-palmiste","tag-postimees","tag-raimo-pass","tag-tonis-niinemets","tag-tonu-kark"],"acf":[],"yoast_head":"\nT\u00f5nis Niinemets on parem kui varem \u2013 ja see ei tee \u00fcldse r\u00f5\u00f5mu - Draamateater<\/title>\n<meta name=\"description\" content=\"Heili Sibritsa arvustus Postimehes Hendrik Toompere sen-i lavastusele "Caligula", mis esietendus Draamateatris 22.11.2025\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/tonis-niinemets-on-parem-kui-varem-ja-see-ei-tee-uldse-roomu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00f5nis Niinemets on parem kui varem \u2013 ja see ei tee \u00fcldse r\u00f5\u00f5mu - 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