{"id":35786,"date":"2026-04-03T11:31:46","date_gmt":"2026-04-03T08:31:46","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=35786"},"modified":"2026-04-03T11:31:47","modified_gmt":"2026-04-03T08:31:47","slug":"vaesus-vagivald-ja-vabanemine-hilje-murel-teeb-tavalise-naisena-erakordse-rolli","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/vaesus-vagivald-ja-vabanemine-hilje-murel-teeb-tavalise-naisena-erakordse-rolli\/","title":{"rendered":"Vaesus, v\u00e4givald ja vabanemine: Hilje Murel teeb tavalise naisena erakordse rolli"},"content":{"rendered":"\n

Heili Sibrits, Postimees, 11.03.2026<\/p>\n\n\n\n

\"\"
\u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb. Hilje Murel ja\u00a0Erling Eding.\u00a0Foto:\u00a0Kadri Hallik<\/figcaption><\/figure>\n\n\n\n

\u2192 Eesti Draamateatris esietendus \u00c9douard Louisi romaanil p\u00f5hinev lavastus vaesuses elavast emast.
\u2192 Hilje Murel teeb erakordselt eheda rolli Monique\u2019ina, teda toetab tugeva lavastajat\u00f6\u00f6.
\u2192 T\u00fckk avab valusalt vaesuse, v\u00e4givalla ja naiste n\u00e4htamatuse teemat ning julgustab muutuma.<\/em><\/p>\n\n\n\n

Hilje Murel n\u00e4gi nii r\u00e4bal v\u00e4lja, ta julges olla kole. Nii \u00fctles hea kolleeg, kui k\u00fcsisin, mis ta lavastusest arvab. Ka minu esimene m\u00f5te Eesti Draamateatri saalis oli: v\u00e4gev \u2013 nii ilus naine ei h\u00e4bene olla kui narts, pusserdis.<\/em><\/strong><\/p>\n\n\n\n

Hilje Murel on Eesti Draamateatri lavale ehitatud k\u00f6\u00f6gis t\u00e4pselt selline Monique, nagu \u00c9douard Louisi ema, raamatu \u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb peategelane sel eluperioodil oli \u2013 elule alla j\u00e4\u00e4nud viie lapse ema, kes perekonna eest hoolitsemiseks toob mehe eest varjatuna toidupangast s\u00fc\u00fca, muidu mees \u00e4gestub ja siis j\u00e4rgneb alandus.<\/p>\n\n\n\n

Murel teeb vapustava rolli, tema iga liigutus, iga tema keharakk kiirgab saatusega leppimist, ta ei v\u00f5itle, ta ei unista, ta ei ela. Ta hoolib, ta teeb k\u00f5ike, mida talt oodatakse \u2013 teeb s\u00fc\u00fca, koristab, asjatab lastega, p\u00fc\u00fcab neid hoida \u00f5igel teel, vaatab, et v\u00e4givaldne mees millegi peale ei \u00e4rrituks, et k\u00f5ik k\u00e4iks mehe reeglite j\u00e4rgi, ehk ta hoiab perekonna elu toimimas. Aga mis elu see on? Kahjuks \u00fcsna tavaline. Ka Eestis.<\/p>\n\n\n\n

Lavastuse \u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb kavalehelt v\u00f5ib lugeda karmi statistikat: 2024. aastal elas suhtelises vaesuses 42 300 ning absoluutses vaesuses 11 800 last. \u00abPere majanduslik olukord m\u00f5jutab aga m\u00e4rkimisv\u00e4\u00e4rselt laste tulevikku,\u00bb kirjutab Isabel Mari Jezierska, m\u00f5ttekoja Praxis soolise v\u00f5rdsuse ja v\u00f5rdsete v\u00f5imaluste anal\u00fc\u00fctik.<\/p>\n\n\n\n

Samast tekstist leiab laused: \u00ab2024. aastal elas suhtelises vaesuses ligi 263 200 inimest. Seega pea iga viies Eesti inimene (19%) elas suhtelises vaesuses! Suhtelise vaesuse piiriks oli 2024. aastal 858 eurot kuus. \/—\/ 2024. aastal elas 44 000 inimest alla toimetulekupiiri \u2013 see t\u00e4hendab, et absoluutses vaesuses elas kolm protsenti Eesti elanikest. Absoluutse vaesuse piiriks oli \u00fclem\u00f6\u00f6dunud aastal k\u00f5igest 345 eurot kuus. Absoluutses vaesuses elas 11 protsenti \u00fcksikvanemaga leibkondadest ning 9 protsenti inimestest, kes elasid \u00fc\u00fcrikodus.\u00bb<\/p>\n\n\n\n

Need arvud on kohutavalt suured \u2013 ma ei pea silmas \u00fches kuus toimetulekuks m\u00f5eldud eurode hulka, vaid Eestis vaesuses elavaid inimesi. Naistel on suurem risk vaesusesse langeda. Isabel Mari Jezierska m\u00e4rgib, et \u00fcksikemadega peredest elas \u00fclem\u00f6\u00f6dunud aastal suhtelises vaesuses 38 protsenti, \u00fcle 65 aasta vanustest naistest koges suhtelist vaesust 39, meestest 24 protsenti.<\/p>\n\n\n\n

Eesti Draamateatri lavastus \u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb ongi fookusesse t\u00f5stnud vaesuse ja selles vaesuses ema \u2013 mitte k\u00fcll \u00fcksikema (kuigi ka see periood on Monique\u2019i elus olnud), aga naise, kellel pole raha, teadmisi ega j\u00f5udu tulla v\u00e4lja m\u00fclkast, kuhu ta v\u00e4givaldsete meeste, oskamatuse ja laste t\u00f5ttu sattunud on. Jah, ka lapsed, \u00fcksk\u00f5ik kui palju ema neid armastab, v\u00e4hendavad naise v\u00f5imalusi oma elu muuta: kolida \u00e4ra, otsida parem t\u00f6\u00f6, leida \u00f5igem elukaaslane.<\/p>\n\n\n\n

(Eelnevas l\u00f5igus v\u00f5iks \u00abnaise\u00bb asemel kirjutada \u00abinimene\u00bb, aga reaalsus on see, et mehed v\u00f5ivad \u00fcle ilma lapsi teha ja alimendid maksmata j\u00e4tta \u2013 k\u00fcll naised lapsed suureks kasvatavad. Kasvatavadki, aga enda ja laste vaesuse hinnaga!)<\/p>\n\n\n\n

Prantsuse menukirjanik, v\u00f5rratu raamatu \u00abMuutuda: meetod\u00bb autor \u00c9douard Louis on draamateatris lavastatud loo kirjutanud oma emast. Ta on soovinud anda emale h\u00e4\u00e4le, muuta ta n\u00e4htamatust n\u00e4htavaks. Oliver Reimann on raamatust teinud dramatiseeringu \u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb ning toonud materjali lavakunstikooli diplomit\u00f6\u00f6na Eesti Draamateatri lavale. See on suurep\u00e4rane ja terviklik lavastus, tugev ps\u00fchholoogiline teater, nii et j\u00e4tkem Oliver Reimanni nimi meelde. Ta on juba praegu tegija, kellele terendab v\u00f5imas tulevik.<\/p>\n\n\n\n

T\u00e4helepanuv\u00e4\u00e4rne on ka koost\u00f6\u00f6 kunstnik Kristjan Suitsuga. Draamateatri v\u00e4iksesse saali on \u00fcles seatud v\u00f5idunud k\u00f6\u00f6ginurk, mis muudab kitsukese ruumi ootamatult m\u00e4nguk\u00fcllaseks, samas r\u00f5hutades peategelase surutust kasti, kus k\u00f6\u00f6gi aknast paistab avar ja tundmatult tume maailm. Omas k\u00f6\u00f6gis on k\u00fcll k\u00f5ik p\u00e4evin\u00e4inult m\u00e4\u00e4rdunud, aga see on Monique\u2019i maailm, kus kohtuvad kohustused ja napid r\u00f5\u00f5mud (suits, muusika, telekas).<\/p>\n\n\n\n

Ent ka siin pole naine ainuvalitseja, sest domineeriv mees dikteerib, millal ja kes tohib k\u00f6\u00f6gis kasutada tema poolt ostetud\/perele kingitud k\u00f6\u00f6gimasinaid. Aga siiski see k\u00f6\u00f6k on koht, kus naisel on rohkem v\u00f5imu ja v\u00f5imalusi kui mujal: siin saab ta n\u00e4idata lastele oma armastust, kutsudes neid s\u00f6\u00f6ma \u2013 mis siis, et toidupalad on napid. Ta ju teeb endast k\u00f5ik, et lastel oleks hea, et k\u00f5ht oleks t\u00e4is ning nad isa raevu alla ei satuks.<\/p>\n\n\n\n

Hilje Murel on vapustav, ta teeb oma elu suurima rolli. Ja see roll on oluline mitte seep\u00e4rast, et ta julgeb olla kole \u2013 ka see on hea rolli \u00f5nnestumise eelduseks, pealegi ses v\u00e4simuses on ilu \u2013, vaid seep\u00e4rast, et tema Monique\u2019is tunnevad v\u00e4ga paljud naised enda elu (puutuvad ja puudutavad) valikud \u00e4ra. Ei pea olema nii s\u00fcgavasse auku kukkunud, et tunda samastumist, hirmu v\u00f5i seda kimbatust. Arvestades, et suurema osa teatripublikust moodustavad keskea \u00fcletanud naised, on see absoluutselt \u00f5ige, et l\u00f5puks, igasuguste v\u00f5imuga tegelevate lavastuste k\u00f5rval, on laval lugu, mille keskmes on tavaline naine. Jah, ka see lugu r\u00e4\u00e4gib v\u00f5imust. Aga ka muutumise v\u00f5imalikkusest, see lavastus annab usku ja ehk ka julgust, sest Monique murrab sest ringist v\u00e4lja ja l\u00f6\u00f6b s\u00e4rama.<\/p>\n\n\n\n

Monique\u2019i poja ehk Eddy rollis on Erling Eding, kes, nagu Oliver Reimanngi, l\u00f5petab sel aastal lavakunstikooli. Ta on tugev partner Hilje Murelile ning ka Britta Sollile. Viimane m\u00e4ngib lavastuses Eddy venna pruuti, naist, kellest saab m\u00f5neks ajaks Monique\u2019i s\u00f5branna ning kes paiskab oma elur\u00f5\u00f5mu ning pisut paremini eluga hakkama saamisega segi k\u00f5igi argirutiini. Britta Soll on kui suvine tuuleiil, kes sasib korraks juukseid ning j\u00e4tab meeldiva m\u00e4lestuse ja igatsuse hinge.<\/p>\n\n\n\n

Lavaloo fookus on aga Monique\u2019il ning Eddyl, kes t\u00e4iskasvanuna vaatab minevikku tagasi, ent ajah\u00fcppeid ei tehta vaid jutus. Erling Eding m\u00e4ngib esimestes klassides k\u00e4ivat p\u00e4rdikut, kes, pilk multikasse naelutatuna, keskendunult suppi s\u00f6\u00f6b, teismelisena oma elu p\u00fc\u00fcab \u00fcles ehitada ning juba kodust v\u00e4lja kolinuna emalt n\u00f5udlikult p\u00e4rib: miks sa meiega ja endaga nii teed? Eding on veenev, eriliselt m\u00e4ngulised on ta siirad poisikese-stseenid, aga sama tugevad on ka vanema Eddy portreed. V\u00e4ga tugev t\u00f6\u00f6 \u2013 ent lavastuse t\u00e4ht on eespool v\u00e4lja toodud p\u00f5hjustel Hilje Murel.<\/p>\n\n\n\n

\u00ab\u00dche naise v\u00f5itlused ja metamorfoosid\u00bb on v\u00e4ga tugev ja vajalik teater.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Heili Sibrits, Postimees, 11.03.2026 \u2192 Eesti Draamateatris esietendus \u00c9douard Louisi romaanil p\u00f5hinev lavastus vaesuses elavast emast.\u2192 Hilje Murel teeb erakordselt eheda rolli Monique\u2019ina, teda toetab tugeva lavastajat\u00f6\u00f6.\u2192 T\u00fckk avab valusalt vaesuse, v\u00e4givalla ja naiste n\u00e4htamatuse teemat ning julgustab muutuma. Hilje Murel n\u00e4gi nii r\u00e4bal v\u00e4lja, ta julges olla kole. Nii \u00fctles hea kolleeg, kui k\u00fcsisin, […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[84,402,1896,1927,195,320,670,1895,111],"class_list":["post-35786","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-arvustus","tag-britta-soll","tag-edouard-louis","tag-erling-eding","tag-heili-sibrits","tag-hilje-murel","tag-kristjan-suits","tag-oliver-reimann","tag-postimees"],"acf":[],"yoast_head":"\nVaesus, v\u00e4givald ja vabanemine: Hilje Murel teeb tavalise naisena erakordse rolli - Draamateater<\/title>\n<meta name=\"description\" content=\"Heili Sibritsa arvustus Postimehes lavastusele "\u00dche naise v\u00f5itlused ja metamorfoosid", mis esietendus Draamateatri v\u00e4ikeses saalis 07.03.2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/vaesus-vagivald-ja-vabanemine-hilje-murel-teeb-tavalise-naisena-erakordse-rolli\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vaesus, v\u00e4givald ja vabanemine: Hilje Murel teeb tavalise naisena erakordse rolli - 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