{"id":35973,"date":"2026-04-24T14:34:24","date_gmt":"2026-04-24T11:34:24","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=35973"},"modified":"2026-04-24T14:34:24","modified_gmt":"2026-04-24T11:34:24","slug":"lopp-on-vaikus","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/lopp-on-vaikus\/","title":{"rendered":"L\u00f5pp\u2026 \u2026on vaikus"},"content":{"rendered":"\n

Mehis Pihla, Draamateatri ajaleht, kevad 2026<\/p>\n\n\n\n

\"\"
Foto: Gabriela J\u00e4rvet.<\/figcaption><\/figure>\n\n\n\n

Oma vahetuid kogemusi peale \u201eHamleti\u201d vaatamist jagab Mart Taniel \u2013 filmioperaator, kellega Rainer Sarnet on teinud k\u00f5ik oma suured filmid, viimatine neist muidugi \u201eN\u00e4htamatu v\u00f5itlus\u201d.<\/em><\/p>\n\n\n\n

Mida sa n\u00e4gid?<\/strong><\/p>\n\n\n\n

Mu ees rullus lahti m\u00f5\u00f5tmeteks laiali kistud aegruum. Ma n\u00e4gin s\u00fcgavust, horisontaali, vertikaali, vaiguks muudetud aega. N\u00e4gin suuri plaane ja n\u00e4gin k\u00f5ike korraga. Uskumatu, mida p\u00f6\u00f6rleva risti, kuu ja kuue pilvega v\u00f5ib korda saata. Kuulsin, kuidas vaikus kutsus. Tundub nagu valgustunud monarh oleks asja kallal k\u00e4inud.<\/p>\n\n\n\n

\u201eN\u00e4htamatus v\u00f5itluses\u201d \u00fchendasite kung-fu ja \u00f5igeusu, \u201eHamletis\u201d \u00fchendab Sarnet kabuki ja Shakespeare\u2019i<\/strong>.<\/p>\n\n\n\n

Teda huvitab, kuidas m\u00f5tete ja tunnete edasi andmine v\u00f5iks toimuda mingil unikaalsel moel. Ta heameelega k\u00f5igutab paati. Mis siis ikka kaotada on? K\u00f5ige hullem ongi igavuse k\u00e4tte surra.<\/p>\n\n\n\n

Juhtus nii, et sattusime \u201eN\u00e4htamatu v\u00f5itlusega\u201d Jaapanisse ja k\u00e4isime Tokyos koos kabuki teatris. Mulle, lihtsurelikule, oli see lihtsalt vinge teatrikogemus, aga Rainer v\u00f5ttis sealt inspiratsioonina lavat\u00e4ie m\u00f5tteid kaasa. See, kuidas ta kaks erinevates maailmajagudes 17. sajandil hiilgeaega pidanud voolu 2026. aastal Draamateatri p\u00f6\u00f6rdlaval kokku keerutas, j\u00e4ttis mulje, mis on mu ajusahtlitesse p\u00fcsiinstallatsiooni p\u00fcsti pannud.<\/p>\n\n\n\n

Selles lavastuses oli palju, millel oleks p\u00f5hjust pikemalt peatuda, aga \u00fcks aspekt, mis on \u00fchendav ja oluline, on see, et silmailu, moraali\u00f5pik ja lootuse\u00f5is on kokku saanud t\u00e4iuslikus tasakaalus, mis julgustab ikka ja j\u00e4lle ununema kippuvaid inimlikke v\u00e4\u00e4rtusi m\u00e4rkama; paneb enda sees m\u00f5tlema lineaarsest k\u00e4ttemaksuhimust kaugemale. See t\u00f5stab su oma s\u00e4risevate karakterite ja lummava atmosf\u00e4\u00e4riga inimlike pahede pudrukausi kohale ja tahes tahtmata sunnib seda vaatlema. Aga mitte dotseerivalt, vaid terve eneseirooniaga, nii et isegi hobuseperse roll muutub v\u00e4\u00e4rikaks.<\/p>\n\n\n\n

Milline lavastaja on Rainer Sarnet?<\/strong><\/p>\n\n\n\n

V\u00f5iks aimata, et kusagil s\u00fcgavas Raineri isiklikus kaevus on miski v\u00e4gagi valmis. Ta on ennek\u00f5ike mees ideega. Aga t\u00e4pne juhend, millise kuju v\u00f5i vormi see sealt kaevust v\u00e4lja \u00f5ngitsedes v\u00f5tab, tekib tegelikult tegemise k\u00e4igus. Tema plaanides on suur hulk eksperimenteerimisaldist vaimsust, mis annab igale osalejale isikliku vastutuse. See tekitab olukorra, kus ettevalmistus, olgu see kuitahes p\u00f5hjalik, ei lase t\u00e4htsal hetkel laisaks muutuda. Kui asi toimib, olgu nii. Kui ei, siis l\u00f5hume maha ja teeme uue.<\/p>\n\n\n\n

Kestev meelekindlus on v\u00f5ib-olla korduv motiiv, aga v\u00f5ib p\u00e4ris kindel olla, et see ei vii korduste, vaid uute avastusteni.<\/p>\n\n\n\n

Rainer on liikunud sellel teel suht s\u00f5ltumatult ja vankumatult ja tema jonn ei ole teda petnud. Ega ka neid, kel \u00f5nnestub \u201eHamletile” pilet saada. Kui sead midagi suurele lavale, v\u00f5tad vastutuse publiku ees. Rainer on selle alati r\u00f5\u00f5muga oma \u00f5lule v\u00f5tnud ja meeldiv on tema seljas ratsutada. V\u00f5id kindel olla, et ta n\u00e4itab sulle midagi, mida sa pole varem t\u00e4hele pannud.<\/p>\n\n\n\n

\u201eHamletil\u201d ja \u201eN\u00e4htamatul v\u00f5itlusel\u201d on veel \u00fcks ilmselge \u00fchine joon \u2013 nimelt peaosaline. Ka Urseli kahes tegelases kumab l\u00e4bi \u00fchisosa.<\/strong><\/p>\n\n\n\n

Ursel on praegu mu meelest the man of the hour<\/em>. L\u00e4bi tema on r\u00f5\u00f5m otsinguid pidada. \u00dchelt poolt saab v\u00e4ita, et ta on Rainerile vahend r\u00e4\u00e4kimaks sellest, mis s\u00fcdamel, aga oma andega t\u00f5stab ta olulised asjad k\u00f5igile silme ette. Kaasaarvatud Rainerile endale. Kusagilt see inspiratsiooni lumepall alguse saab ja veerema hakkab. Ma arvan, et julgus usaldada on m\u00e4ngus. Teema m\u00f5ttes pole ju paradoksaalne, et tegelased erinevates t\u00fckkides otsivad vastuseid sisep\u00f5letavatele k\u00fcsimustele. Seda on ikka tehtud ja sellel suuresti t\u00f6lplusevastane vaktsiin baseerubki. Aga jah, v\u00e4ga huvitav on vaadata, kui re\u017eiss\u00f6\u00f6r\/lavastaja leiab n-\u00f6 omad joped, kellega koos muutuvad laused selgemaks ja m\u00f5te t\u00e4psemaks. Mille eest v\u00f5itled, kus su fight, fight, fight<\/em> asub?<\/p>\n\n\n\n

Milline on su enda suhe teatrisse?<\/strong><\/p>\n\n\n\n

K\u00e4in hea meelega. Teatris on suur v\u00e4\u00e4rtus sellel hetkel, kui inimesed siin- ja sealpool lavapiiri kokku saavad ja piiri etenduse l\u00f5puks teineteise vahelt l\u00f5plikult kaotavad. Parem kui arvamusfestival.<\/p>\n\n\n\n

\u00dchel \u201eHamleti\u201d etendusel, millel k\u00e4isin, oli publik nii valmis ja osav\u00f5tlik, et kui Ursel alustas oma l\u00f5pulauset: \u201eL\u00f5pp…\u201d, algas saalis aplaus. Ursel naeratas ja l\u00f5petas lause \u201e…on vaikus.\u201d Saalis tekkis vaikus.<\/p>\n\n\n\n

Lavastuse lehele \u2192<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Mehis Pihla, Draamateatri ajaleht, kevad 2026 Oma vahetuid kogemusi peale \u201eHamleti\u201d vaatamist jagab Mart Taniel \u2013 filmioperaator, kellega Rainer Sarnet on teinud k\u00f5ik oma suured filmid, viimatine neist muidugi \u201eN\u00e4htamatu v\u00f5itlus\u201d. Mida sa n\u00e4gid? Mu ees rullus lahti m\u00f5\u00f5tmeteks laiali kistud aegruum. Ma n\u00e4gin s\u00fcgavust, horisontaali, vertikaali, vaiguks muudetud aega. N\u00e4gin suuri plaane ja n\u00e4gin […]<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[281,1888,280,1936,93,1889,319],"class_list":["post-35973","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateatri-ajaleht","tag-hamlet","tag-intervjuu","tag-mart-taniel","tag-mehis-pihla","tag-rainer-sarnet","tag-ursel-tilk"],"acf":[],"yoast_head":"\nL\u00f5pp\u2026 \u2026on vaikus - Draamateater<\/title>\n<meta name=\"description\" content=\"Mehis Pihla intervjuu Mart Tanieliga Draamateatri ajalehes "Hamleti" lavastuse saateks.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/lopp-on-vaikus\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u00f5pp\u2026 \u2026on vaikus - 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