{"id":8231,"date":"2020-09-09T14:10:54","date_gmt":"2020-09-09T11:10:54","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=8231"},"modified":"2020-09-09T14:10:55","modified_gmt":"2020-09-09T11:10:55","slug":"barnaby-ja-morseiga-valitoodel","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/barnaby-ja-morseiga-valitoodel\/","title":{"rendered":"Barnaby ja Morse\u2019iga v\u00e4lit\u00f6\u00f6del"},"content":{"rendered":"\n

Ott Karulin, Sirp, 24.04.2015<\/em><\/p>\n\n\n\n

Kriminull (motiiv, v\u00f5imalus, relv) on kriitiku otsitud konks ja lavastaja harpuun Dostojevski p\u00fc\u00fcdmiseks.<\/strong><\/p>\n\n\n\n

\u201eVendade Karamazovite\u201c etendusel tabab mind d\u00e9j\u00e0-vu tunne \u2013 ja seda k\u00f5hedat kordumist ei kutsu sugugi esile (ainult) parf\u00fc\u00fcmigalerii, mis just selles punasametises saalis nii koduselt mu haistmismeelt tantsitab \u2013, sest laval on ilmselgelt Hendrik Toompere klassikalavastus. T\u0161ehhov, Gorki v\u00f5i n\u00fc\u00fcd Dostojevski (Shakespeare\u2019ist r\u00e4\u00e4kimata) \u2013 Toompere viimase viisaastaku muusad \u2013 on k\u00fcll s\u00f5nas ja teos (just eriti teos) laval, aga klassikat\u00f5lgendused pole need ometigi. Ei taha siiski j\u00e4\u00e4da bassimeheks nende kriitikute b\u00e4ndis, mis noist lavastusist naiivse j\u00e4rjekindlusega \u201et\u00f5elist vene hinge\u201c otsib, sest mis pole eesm\u00e4rk, ei peaks olema ka m\u00f5\u00f5dupuu.<\/p>\n\n\n\n

Aga mis siis on see eesm\u00e4rk? Eeskujulik lavastaja portfoolio, seda niikuinii, aga mis veel (ja enamat ju peab leiduma)? Ehk t\u00f5esti klassika ootamatu p\u00e4evakajalisus \u2026 \u201eKes endale valetab, on ka esimene solvuma,\u201c \u00fctleb p\u00fcha mees Zossima. N\u00e4taki, h\u00e4rrased \u201esolvumiskulturnikud\u201c Ossinovski ja Ligi \u2013 eks ole? Smerdjakov j\u00e4llegi arutab: \u201eKui sa langed musulmanide k\u00e4tte vangi ja nad n\u00f5uavad sult piinarikka surma \u00e4hvardusel ristiusust taganemist ja islami usku p\u00f6\u00f6rdumist \u2013 siis on t\u00e4iesti m\u00f5istlik usk maha salata.\u201c Suu suurustab \u201eJe suis<\/em> Charlie\u201c, aga k\u00e4ega \u2026 Selge viide ju, kas pole? Anna aega atra seada, noomib raha- ja naisten\u00e4ljas Dmitrit proua Hohlakova. \u201eSelleks ajaks on praegu \u00fcles kerkinud naisk\u00fcsimus juba k\u00fcps, on esile astunud juba uus naine,\u201c lisab ta ja heidab m\u00f5ttelise pilgu kellaseieritele, et ega viimased rohkem kui 14.36 n\u00e4ita. See on ju nii n\u00fc\u00fcd!<\/p>\n\n\n\n

Ja ikkagi on mu m\u00f5\u00f5dupuu lavastusest v\u00f5\u00f5rdunum kui eurodirektiiv p\u00f5llumehe igap\u00e4evast, sest need m\u00f5tted k\u00fcll saavad laval lausutud, aga vaid paukpadrunitena s\u00f5nade kuulirahes \u2013 v\u00f5i mis rahes, pigem m\u00f5\u00f5dukalt s\u00fcndmustikku edasi kandvas voolus. Just! S\u00fcndmused, kriminull (motiiv, v\u00f5imalus, relv) on mu otsitud konks ja lavastaja harpuun Dostojevski p\u00fc\u00fcdmiseks.<\/p>\n\n\n\n

See on vist juba selge, et \u201eVendade Karamazovite\u201c vaataja ei pea Jack Baueri kombel pidevalt ajaga v\u00f5idu jooksma, sest viimast on laval v\u00f5etud m\u00f5nuga. Seega tuleb pigem kasuks Tom Barnaby vankumatu ratsionaalsus. Too tegutseb Midsomeris, kus ilmselt enim m\u00f5rvuper capita maailmas. Eeskujuks v\u00f5iks olla ka rahumeelne Endeavour Morse, kuigi pigem just inimp\u00f5lglik alkoholilemb Morse ja mitte raamatutark ning lootusrikas Endeavour. Miks ka mitte miss Marple.<\/p>\n\n\n\n

Ohvrilooma \u00e4ratundmiseks pole aga detektiiviv\u00f5imeid vajagi \u2013 Mait Malmsten m\u00e4ngib kohe esimeses stseenis isa Fjodor Karamazovi \u00fchtaegu armastusv\u00e4\u00e4rselt halenaljakaks ja vihastavalt hoolimatuks. Lausa nii, et edaspidi, s\u00fcvenevas armuhulluses ja joobes, polegi justkui rolliga enam kuhugi edasi minna, kaob vaid armastusv\u00e4\u00e4rsus ning viha asendub \u00fcksk\u00f5iksusega.<\/p>\n\n\n\n

Seevastu vennakeste-kahtlusaluste avanemine v\u00f5tab \u00fcksjagu aega ja m\u00f5ne motiiv ei j\u00f5uagi saali. Aljo\u0161a (P\u00e4\u00e4ru Oja) on muidugi puhas poiss \u2013 ikkagi usumees, karske nii liigutustes kui ka eluviisides. Kohe sellisel m\u00e4\u00e4ral, et Fjodor Karamazovi veiderdamine vanake Zossima ees paneb tal l\u00f5ualuud v\u00e4risema \u2013 ja see paistab ilmselt r\u00f5dudelegi (parterisse liigagi h\u00e4sti). Aljo\u0161a relapse pahelisse tavaellu, kust ei puudu vorst, viin ega isegi naine s\u00fcles, tabab aga teda (ja m\u00f5ista p\u00fc\u00fcdvat publikut) ootamatult, p\u00f5hjendamatultki. Eks see levinud krimkav\u00f5te ole: n\u00e4ita, et mitmel tegelasel on motiiv roima sooritada ja sega vett k\u00f5rvallugudega, mis on m\u00f5rva uurimise kontekstis tegelikult ebaolulised.<\/p>\n\n\n\n

Dmitri (Hendrik Toompere noorem) on aga selgelt oluline \u2013 tema on s\u00fcndmuste p\u00e4\u00e4stik (Dmitri vaidlus isaga raha \u00fcle selle perekonna Zossima juurde toobki) ja p\u00fcssirohi. Toompere noorema m\u00e4ngus on uljast armu\u00e4ngi ja lapsikut jonnimist kamaluga. Etenduste edenedes saab ehk ka tekst nii omaseks, et enamik energiast laval selle meenutamisele ei kulu ja j\u00e4\u00e4b rohkem aega rollijoonise kallal nokitseda, sest \u00fclekuulamisstseeni m\u00f5rkjalt l\u00f5bus ja samal ajal mehiselt saatust aktsepteeriv Dmitri on Toompere noorema rollipaletil v\u00e4rske toon.<\/p>\n\n\n\n

Viimast v\u00f5ib v\u00e4ita ka J\u00fcri Tiiduse kohta, kelle Smerdjakovi \u2013 vennakestest see sohilaps \u2013 kalkuleeritud narrim\u00e4ng ei aja juhet kokku ainu\u00fcksi vend Ivanil, vaid viib ka vaataja kahtlustuste, kaasatundmise ja s\u00fc\u00fcdistuste k\u00e4\u00e4nulisele teele. Just sellisel teel tahabki iga kriminullihuviline lahenduse suunas r\u00e4nnata. Relativist Ivan (Mait Joorist) vist krimkadest eriliselt lugu ei pea, sest tema motiivide sasipundar j\u00e4\u00e4bki n\u00e4itlejal lahti m\u00e4ngimata \u2013 justkui \u00f5nnetu armastaja, aga v\u00e4idetavalt teadlik oma positsioonist, pealtn\u00e4ha eemalehoidev, aga s\u00f5nas emotsionaalsem vend Dmitristki. T\u00f5de isatapu kohta peaks selguma just kahest Ivani ja Smerdjakovi vestlusest, kuid Tiiduse ja Jooritsa m\u00e4ng ei haaku ning halle ajurakukesi inspireeriva m\u00f5istuk\u00f5nena plaanitud dialoog k\u00f5mab t\u00fchjalt. Seda enam, et lavastuses suurelt motiiviks m\u00e4ngitud Gru\u0161enka (Kersti Heinloo) ei kuulu kummagi poisikese huviv\u00e4lja.<\/p>\n\n\n\n

Heinloo saab Gru\u0161enkat m\u00e4ngides letti l\u00fc\u00fca oma \u00e4\u00e4rmused: t\u00fctarlapseliku peene- ja k\u00f5rgeh\u00e4\u00e4lse ohvritalle ning \u00fclekohtuselt enesekindla mahlase t\u00e4mbriga femme fatale\u2019i. Tema m\u00e4ngu kannap\u00f6\u00f6retest ei v\u00e4si, sest valitud v\u00f5tted toimivad: petta saab nii Katerina Ivanovna (Marta Laan) laval kui ka publik saalis. Ja oi kui magusad on need harvad hetked, mil veel teatris petta saab! Kahjuks surub Toompere instseneering Gru\u0161enka kristallgloobuse passiivsesse rolli, keskendudes karika p\u00e4rast v\u00f5itlevatele meestele ja v\u00f5ttes nii Heinloolt v\u00f5imaluse lisada Gru\u0161enka pealispindsele flirdile s\u00fcgavamaid, naise tegutsemismotiive avavaid noote. K\u00f5rvallugu poola ohvitseriga (T\u00f5nu Kark) m\u00f5jub seet\u00f5ttu lavastuses \u00fcleliigsena, sest viimane lahkub lavalt sama \u00fcheplaanilise ja taustaloota t\u00fc\u00fcbina, kui ta sinna astus. Nalja muidugi saab, kui vaataja huumoriandur punases olles h\u00e4iret ei anna.<\/p>\n\n\n\n

Barnaby ilmselt ka ei naeraks, Morse kindlasti mitte, sest nad on piisavalt kogenud, et m\u00f5rvauurimisel on oluline terad s\u00f5kaldest eraldada. Fjodor Karamazovi m\u00f5rvaloo lahendamine Eesti Draamateatris v\u00f5ib aga j\u00e4\u00e4da neilgi tulemuseta, sest instseneering pole kahjuks piisavalt julgelt, heas m\u00f5ttes \u00fclbelt, romaani kriminulliks \u00fcmber kirjutanud. V\u00f5inuks \u2013 v\u00f5i oli ikkagi mu valitud m\u00f5\u00f5dupuu vale \u2026 Ah! Mis lubatud lavastajale, olgu lubatud ka kriitikule.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ott Karulin, Sirp, 24.04.2015 Kriminull (motiiv, v\u00f5imalus, relv) on kriitiku otsitud konks ja lavastaja harpuun Dostojevski p\u00fc\u00fcdmiseks. \u201eVendade Karamazovite\u201c etendusel tabab mind d\u00e9j\u00e0-vu tunne \u2013 ja seda k\u00f5hedat kordumist ei kutsu sugugi esile (ainult) parf\u00fc\u00fcmigalerii, mis just selles punasametises saalis nii koduselt mu haistmismeelt tantsitab \u2013, sest laval on ilmselgelt Hendrik Toompere klassikalavastus. T\u0161ehhov, Gorki […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,94,186,185],"class_list":["post-8231","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-hendrik-toompere","tag-ott-karulin","tag-vennad-karamazovid"],"acf":[],"yoast_head":"\nBarnaby ja Morse\u2019iga v\u00e4lit\u00f6\u00f6del - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/barnaby-ja-morseiga-valitoodel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Barnaby ja Morse\u2019iga v\u00e4lit\u00f6\u00f6del - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Ott Karulin, Sirp, 24.04.2015 Kriminull (motiiv, v\u00f5imalus, relv) on kriitiku otsitud konks ja lavastaja harpuun Dostojevski p\u00fc\u00fcdmiseks. \u201eVendade Karamazovite\u201c etendusel tabab mind d\u00e9j\u00e0-vu tunne \u2013 ja seda k\u00f5hedat kordumist ei kutsu sugugi esile (ainult) parf\u00fc\u00fcmigalerii, mis just selles punasametises saalis nii koduselt mu haistmismeelt tantsitab \u2013, sest laval on ilmselgelt Hendrik Toompere klassikalavastus. 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