{"id":8694,"date":"2020-09-28T16:57:44","date_gmt":"2020-09-28T13:57:44","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=8694"},"modified":"2020-09-28T16:57:45","modified_gmt":"2020-09-28T13:57:45","slug":"freud-ja-tema-mustiline-kulaline","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/freud-ja-tema-mustiline-kulaline\/","title":{"rendered":"Freud ja tema m\u00fcstiline k\u00fclaline"},"content":{"rendered":"\n

Eike V\u00e4rk, Postimees, 25.03.2013<\/em><\/p>\n\n\n\n

V\u00c4\u00c4RT VAATAMINE. Intiimses tubateatris peavad n\u00e4itlejaduelli vennad Rein Oja ja T\u00f5nu Oja.<\/strong><\/p>\n\n\n\n

Prantsuse kirjaniku Eric-Emmanuel Schmitti n\u00e4idendites v\u00f5ib kohata reaalselt eksisteerinud isikuid v\u00f5i kirjandusklassikast tuttavaid tegelaskujusid (Hamlet, don Juan). Kui Schmitti \u201eVabam\u00f5tleja\u201c (Vene Teatris pealkirja all \u201eAlasti t\u00f5de\u201c 2003, Vanemuises 2006) keskseks tegelaseks on prantsuse filosoof Denis Diderot, siis autorile n\u00e4itekirjanikuna kuulsuse toonud, 1993. aastal Pariisis esmalavastatud \u201eK\u00fclalises\u201c kohtume maailma tuntuima ps\u00fchhoanal\u00fc\u00fctiku Sigmund Freudiga.
\u201eK\u00fclalise\u201c tegevusaeg ja -koht on konkreetselt m\u00e4\u00e4ratud: 22. aprillil 1938 doktor Freudi kabinetis, natside vallutatud Viinis. Juudi rahvusest Freud on viivitanud Viinist lahkumisega, kuni \u00fchel p\u00e4eval gestaapo tema t\u00fctre Anna \u00fclekuulamisele viib. Samal \u00f5htul k\u00fclastab \u00f5petlast Tundmatu.
Ingomar Vihmari lavastatud \u201eK\u00fclaline\u201c on klassikaline ps\u00fchholoogilis-realistlik lavastus nauditavate, n\u00fcansirikaste n\u00e4itlejat\u00f6\u00f6dega. V\u00e4lditud on visuaalseid efekte ja \u00fclepingutatud teatraalsust n\u00e4itlejate lavalises v\u00e4ljenduses. Publik draamateatri v\u00e4ikese saali kammerlikus tubateatris on paigutatud kahele poole \u00f5petlase kabinetiks kujundatud m\u00e4nguv\u00e4lja, osat\u00e4itjatele t\u00e4nuv\u00e4\u00e4rselt l\u00e4hedale.
Tegelaste enamasti rahuliku dialoogi j\u00e4lgimist katkestavad ootamatult (gestaapolase) \u00e4hvardavad, hirmutavad koputused kujuteldavale uksele. Kujunduse, helide, eelk\u00f5ige aga n\u00e4itlejate m\u00e4ngu l\u00e4bi loodav lummav, pingestatud atmosf\u00e4\u00e4r haarab vaataja oma v\u00f5imusesse, v\u00f5imaldades tal tunda end osalejana, koos Freudiga vastuseotsijana k\u00fcsimusele: kes on vargsi kardina varjust kabinetti sisenenud k\u00fclaline \u2013 varas, hullumeelne v\u00f5i Jumal? V\u00f5i on tegemist ettekujutusega, unen\u00e4oga?<\/p>\n\n\n\n

Vendade lavapartnerlus
Teatrilugu v\u00f5imaldab m\u00f5elda algul \u00fcht, siis teist\u2026 See, millist varianti \u00f5igeks pidada, j\u00e4\u00e4b vaataja otsustada.
lllimar Vihmari lavakujundus on realistlik. Hubase \u00f5hustiku m\u00e4nguruumis loovad p\u00f5randat ja diivanit katvad veidi kulunud vaibad ning suursugused punased sametkardinad, mille varjust paistavad riiulid raamatutega.
Lavastus pakub harukordse v\u00f5imaluse osa saada vendade Rein ja T\u00f5nu Oja partnerlusest. Ilmselt naudivad Rein Oja doktor Freudi ja T\u00f5nu Oja Tundmatu k\u00fcsimuste-vastuste m\u00e4ngu ka n\u00e4itlejad ise. N\u00e4itlejat\u00f6\u00f6de peen varjundilisus, sisendusj\u00f5uline kahek\u00f5ne ja oskus teineteist m\u00f5jusalt kuulata k\u00f6idavad vaatajat j\u00e4\u00e4gitult.
Kodusesse hommikukuube riietatud Rein Oja loob Freudi tegelaskuju vaoshoitult, v\u00e4liste liialdusteta. Ta ei p\u00fc\u00fca kehastada f\u00fc\u00fcsiliselt p\u00f5durat, peagi 82-aastast vanameest, n\u00e4itlejale on oluline anda edasi auv\u00e4\u00e4rse teadlase m\u00f5ttemaailma ja tundeelu eelk\u00f5ige autori teksti kaudu. Peategelase meeleolumuutused, k\u00f5hklused, hirm ja r\u00f5\u00f5m avalduvad kehahoiakus, n\u00e4oilmes, vaevum\u00e4rgatavas naeratuses.
Gestaapot esindava Natsiga suheldes s\u00e4ilitab Freud teadlasele omase v\u00e4\u00e4rikuse, vastast vaoshoitult sarkastilise huumoriga naeruv\u00e4\u00e4ristades. Ka p\u00e4rast seda, kui Anna \u00fclekuulamisele viiakse, j\u00e4\u00e4b \u00f5petlane v\u00e4liselt rahulikuks, ent tema pilgus ja h\u00e4\u00e4les peegeldub mure t\u00fctre saatuse p\u00e4rast.
\u00dcheks n\u00e4itleja m\u00e4ngu tipphetkeks on Rein Oja Freudi kirglik monoloog ateistlike veendumuste kaitseks. Seni veidi v\u00e4sinuna n\u00e4iva \u00f5petlase silmadesse ilmub s\u00e4ra, kogu tema olek v\u00e4ljendab soovi Tundmatut ning iseennast oma t\u00f5ekspidamiste \u00f5igsuses veenda. Emotsionaalselt m\u00f5jus on Freudi taaskohtumine gestaapo k\u00fc\u00fcsist p\u00e4\u00e4senud t\u00fctrega, tema r\u00f5\u00f5mujoovastusest s\u00fcndinud kaisutus.
Kardina varjust Freudi kabinetti hiiliv, elegantselt frakki kandev ja m\u00e4ngeldes jalutuskeppi hoidev T\u00f5nu Oja Tundmatu on v\u00e4liselt tavaline inimene. M\u00fcstilisus peitub eelk\u00f5ige tekstis, mitte tegelaskuju lavalises kehastuses. Tundmatu roll v\u00f5imaldab Freudiga v\u00f5rreldes enam m\u00e4ngulisust, intensiivsemat v\u00e4ljendust.<\/p>\n\n\n\n

Kurjus pole k\u00f5ikv\u00f5imas
Huvitav on j\u00e4lgida n\u00e4itleja plastilist liikumist ja miimikat. Tundmatu n\u00e4oilme on enamasti heatahtlik, kelmikas, aegajalt nukruse varjundiga. Tema kummalise t\u00e4mbriga, vaikne, nakatav naer kutsub vaatajat kaasa naer(ata)ma.
Peategelaste k\u00f5rval loovad meeldej\u00e4\u00e4vad tegelaskujud ka Kleer Maibaum-Vihmar Annana ja Roland Laos Natsina. Maibaumi Anna on enda ja oma isa v\u00e4\u00e4rikust gestaapolase ees kirglikult kaitsev naine, samas v\u00e4ljendub tema olekus naiselikku hellust ja muret isa p\u00e4rast. Laose Nats ei ole parandamatu j\u00f5hkard, vaid alav\u00e4\u00e4rsuskompleksi all kannatav inimene, keda hirmutab doktori veenmisj\u00f5uline jutt tema sarnasusest Freudi juudist onuga.
Lavastusest j\u00e4\u00e4b k\u00f5lama m\u00f5te: kui lootus on kadunud, kui ei ole kedagi k\u00f5rval, kellele toetuda, kellesse uskuda, siis tuleb ta lihtsalt v\u00e4lja m\u00f5elda. T\u00f5estuseks, et v\u00f5imu haaranud kurjus ei suuda maailmast h\u00e4vitada ilu ja armastust, k\u00f5lab teatrisaalis imekaunis aaria \u201eDove sono\u201c Wolfgang Amadeus Mozarti ooperist \u201eFigaro pulm\u201c. Nende helide saatel siseneb gestaapo k\u00fc\u00fcsist p\u00e4\u00e4senud Anna.<\/p>\n","protected":false},"excerpt":{"rendered":"

Eike V\u00e4rk, Postimees, 25.03.2013 V\u00c4\u00c4RT VAATAMINE. Intiimses tubateatris peavad n\u00e4itlejaduelli vennad Rein Oja ja T\u00f5nu Oja. Prantsuse kirjaniku Eric-Emmanuel Schmitti n\u00e4idendites v\u00f5ib kohata reaalselt eksisteerinud isikuid v\u00f5i kirjandusklassikast tuttavaid tegelaskujusid (Hamlet, don Juan). Kui Schmitti \u201eVabam\u00f5tleja\u201c (Vene Teatris pealkirja all \u201eAlasti t\u00f5de\u201c 2003, Vanemuises 2006) keskseks tegelaseks on prantsuse filosoof Denis Diderot, siis autorile n\u00e4itekirjanikuna […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,229,184,230],"class_list":["post-8694","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-eike-vark","tag-ingomar-vihmar","tag-kulaline"],"acf":[],"yoast_head":"\nFreud ja tema m\u00fcstiline k\u00fclaline - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/freud-ja-tema-mustiline-kulaline\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Freud ja tema m\u00fcstiline k\u00fclaline - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Eike V\u00e4rk, Postimees, 25.03.2013 V\u00c4\u00c4RT VAATAMINE. Intiimses tubateatris peavad n\u00e4itlejaduelli vennad Rein Oja ja T\u00f5nu Oja. Prantsuse kirjaniku Eric-Emmanuel Schmitti n\u00e4idendites v\u00f5ib kohata reaalselt eksisteerinud isikuid v\u00f5i kirjandusklassikast tuttavaid tegelaskujusid (Hamlet, don Juan). 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