{"id":8702,"date":"2020-09-28T17:07:56","date_gmt":"2020-09-28T14:07:56","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=8702"},"modified":"2020-09-28T17:07:57","modified_gmt":"2020-09-28T14:07:57","slug":"maailma-hukk","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/maailma-hukk\/","title":{"rendered":"Maailma hukk"},"content":{"rendered":"\n

Heili Sibrits, Postimees, 22.03.2013<\/em><\/p>\n\n\n\n

\u00d5NNESTUMINE: \u201eLaevahukk\u201c pakub Eesti Draamateatri ja Tallinna Linnateatri n\u00e4itlejatele n\u00fcansipeent ansamblim\u00e4ngu.<\/strong><\/p>\n\n\n\n

Sellist v\u00f5imsat ansamblim\u00e4ngu nagu Elmo N\u00fcganeni lavastatud Tom Stoppardi triloogia teise osa \u201eUtoopia rannik. Laevahukk\u201c esietendusel v\u00f5is j\u00e4lgida, n\u00e4gin Eesti Draamateatri suurel laval viimati Ita Everi juubelietendusel \u201eAugustikuu\u201c. Selline kokkum\u00e4ng on haruldane. Sest Eesti teatris domineerivad dialoogid ehk on tavaline, et laval suhtleb omavahel kaks tegelast, kolmas ja neljas (jne) laval viibiv n\u00e4itleja lihtsalt ootab oma j\u00e4rge repliigi \u00fctlemiseks.
\u201eLaevahukus\u201c aga ei kadunud n\u00e4itlejate omavaheline s\u00e4rin k\u00f5ige rahvarohkemates stseenides. N\u00fcganen paneb laval korraga omavahel suhtlema kuus, kaheksa, \u00fcksteist n\u00e4itlejat, kaotamata sealjuures loomulikkust, tempot ega ka peateema j\u00e4lgitavust.<\/p>\n\n\n\n

Kirg!
Elmo N\u00fcganeni lavastus on sinihallides toonides. See on maailm, kus kroonl\u00fchtrivalguses otsitakse kirglikult t\u00f5de, kuid akna taga k\u00f5miseb \u00e4hvardav \u00e4ike ning p\u00e4ikesepaistet v\u00f5ib aimata pilvede vahelt. Vaid Moskva l\u00e4histel asuvas h\u00e4rrastemaja aias paneb p\u00e4ike \u00fchel hetkel lava s\u00e4rama \u2013 perekond Herzen saab loa lahkuda Venemaalt.
On 19. sajandi keskpaik, ees ootab revolutsioon Prantsusmaal, Karl Marxi \u201eKommunistliku partei manifesti\u201c ilmumine\u2026 Laval on emotsioonid ja ideed, kirglikke plahvatusi. \u201eLaevahuku\u201c fookuses on vene intelligendid ja radikaalid\/ revolutsion\u00e4\u00e4rid Pariisis, Salzbrannis, Dresdenis ja Nice’is. Ent N\u00fcganenile omaselt t\u00f5useb peamiseks armastus, eelk\u00f5ige Natalie Herzeni suure armastuse ideaal, tema meeletu armumine, mida publikule n\u00e4idakse k\u00fcll l\u00e4bi praotatud ukse, kuid mis purustab k\u00f5ik.
Elisabet Reinsalu m\u00e4ngib Natalie naiseks, kes pole k\u00fcll femme fatale, kuid kelle kohalolek on alati m\u00e4rgatav. Natalied v\u00f5ib s\u00fc\u00fcdistada naiivsuses, aga ta on siiras. Ta on \u00fchtaegu madonnalikult emalik, alluv ja alandlik, kuid ka kirglik armuke.
Natalie roll on mitmetahuline ja s\u00fcgav. Elisabet Reinsalu n\u00e4itlejav\u00f5imed p\u00e4\u00e4sevad t\u00f5eliselt valla poja kaotamise stseenis, see pole lihtsalt kriiskav hullumeelne kisa, vaid s\u00fcdantl\u00f5hestav karje, kukkumine, maailma purunemine.
Kui mehed elus (st laval) targutavad, siis tema elab! Teine lavastuse elav naine on Merle Palmiste Maria, Nikolai Ogarjovi abikaasa, kes elab k\u00fcll kokku maalikunstnikust armastatuga, kuid keeldub lahutusest. Maria on iseseisev ja kainelt kalkuleeriv naine, keda v\u00f5ime kohata t\u00e4na t\u00e4navatel. Suurep\u00e4rane kontrast Nataliele, keda iseseisvus ja abikaasa lahkumine tapaks.
\u201eLaevahukus\u201c n\u00e4eb mitmeid meeldej\u00e4\u00e4vaid rolle. \u00d5igemini tahaks k\u00f5iki n\u00e4itlejaid kiita, nauditav on nii Anne Reemanni episoodiline itaallasest teener Rocca, Argo Aadli slavofiili ja Bakunini advokaadina, r\u00e4\u00e4kimata kandvatest tegelastest: Mait Malmsteni Aleksandr Herzen, Andrus Vaariku Nikolai Ketser, Rain Simmuli Vissarion Belinski, Tiit Suka Mihhail Bakunin, Anu Lambi Herzeni ema, Ivo Uukkivi Nikolai Ogarjov, Henrik Kalmeti Ivan Turgenev, Aleksander Eelmaa Venemaa konsul Nice’is, Mari-Liis Lille Natalie s\u00f5branna, Indrek Sammuli Timofei Granovski ja v\u00f5rratu-v\u00f5rratu Priit V\u00f5igemasti Georg Herwegh!<\/p>\n\n\n\n

K\u00f5ik kaob
\u201eAja jooksul, mis p\u00e4rast isiklikku \u00f5nnetust m\u00f6\u00f6dunud on, elas laevahuku \u00fcle terve maailm.\u201c Sellised read pani 24 p\u00e4eva p\u00e4rast Prantsusmaal Teise Impeeriumi v\u00e4ljakuulutamist, poja ja ema hukkumist ning naise armukesest teadasaamist kirja Aleksandr Herzen.
Eesti Draamateatri laval purunebki suure armastuse ideaal, usk paremasse maailma. Aga samas ei v\u00f5ta N\u00fcganen-Stoppard meilt lootust, pilvede vahelt on alati n\u00e4ha natuke p\u00e4ikest.
Draamateatri ja linnateatri koost\u00f6\u00f6s valminud \u201eLaevahukku\u201c iseloomustavad t\u00e4helepanuv\u00e4\u00e4rsed rollid, suurep\u00e4rane ansamblim\u00e4ng ja loomulikult Elmo N\u00fcganeni k\u00e4ekiri, tema tundlikkus ja suurte teemade lummus.
N\u00fcganen kasutas lavastajana \u00e4ra pea k\u00f5ik suure lava v\u00f5imalused, ent m\u00f5juvaimaks s\u00fcmboliks t\u00f5usis \u00f5rnalt tuules lehviv \u00fcksik kardin \u2013 see kardin on kui 19. sajandi utoopiliste ideede ja karmi reaalsuse\/looduse kokkupuutepunkt, tuletades meile meede, et tuul lennutab k\u00f5ike ja k\u00f5iki.
\u201eUtoopia rannik. II osa. Laevahukk\u201c ei ole N\u00fcganeni lavastajakarj\u00e4\u00e4ri lavastus number \u00fcks, ent selle lavale j\u00f5udmine on s\u00fcndmus \u2013 Eesti Draamateatris kestis aplaus k\u00fcmme minutit.<\/p>\n","protected":false},"excerpt":{"rendered":"

Heili Sibrits, Postimees, 22.03.2013 \u00d5NNESTUMINE: \u201eLaevahukk\u201c pakub Eesti Draamateatri ja Tallinna Linnateatri n\u00e4itlejatele n\u00fcansipeent ansamblim\u00e4ngu. Sellist v\u00f5imsat ansamblim\u00e4ngu nagu Elmo N\u00fcganeni lavastatud Tom Stoppardi triloogia teise osa \u201eUtoopia rannik. Laevahukk\u201c esietendusel v\u00f5is j\u00e4lgida, n\u00e4gin Eesti Draamateatri suurel laval viimati Ita Everi juubelietendusel \u201eAugustikuu\u201c. Selline kokkum\u00e4ng on haruldane. Sest Eesti teatris domineerivad dialoogid ehk on tavaline, […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,232,195,233],"class_list":["post-8702","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-elmo-nuganen","tag-heili-sibrits","tag-utoopia-rannik-ii-osa-laevahukk"],"acf":[],"yoast_head":"\nMaailma hukk - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/maailma-hukk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maailma hukk - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Heili Sibrits, Postimees, 22.03.2013 \u00d5NNESTUMINE: \u201eLaevahukk\u201c pakub Eesti Draamateatri ja Tallinna Linnateatri n\u00e4itlejatele n\u00fcansipeent ansamblim\u00e4ngu. Sellist v\u00f5imsat ansamblim\u00e4ngu nagu Elmo N\u00fcganeni lavastatud Tom Stoppardi triloogia teise osa \u201eUtoopia rannik. Laevahukk\u201c esietendusel v\u00f5is j\u00e4lgida, n\u00e4gin Eesti Draamateatri suurel laval viimati Ita Everi juubelietendusel \u201eAugustikuu\u201c. Selline kokkum\u00e4ng on haruldane. 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