{"id":8766,"date":"2020-10-01T15:40:08","date_gmt":"2020-10-01T12:40:08","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=8766"},"modified":"2020-10-01T15:40:09","modified_gmt":"2020-10-01T12:40:09","slug":"stalini-mangu-lust-mis-on-karusoo-taotlus","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/stalini-mangu-lust-mis-on-karusoo-taotlus\/","title":{"rendered":"Stalini-m\u00e4ngu lust. Mis on Karusoo taotlus?"},"content":{"rendered":"\n

J\u00fcrgen Rooste, Sirp, 21.02.2014<\/em><\/p>\n\n\n\n

Merle Karusoo pole kunagi \u00fchtki lavastust ega s\u00f5nav\u00f5ttu niisama moe p\u00e4rast \u00f5hku poetanud.<\/strong><\/p>\n\n\n\n

John Hodge\u2019i \u201eKollaborandid\u201d on Eesti Draamateatril ja Merle Karusool muidugi \u00f5ige valik: kom\u00f6\u00f6diana parimal juhul s\u00fcsimust, teemalt s\u00e4\u00e4rane, mis Eesti ajaloohuvilist vaatajat t\u00f5mbab k\u00fcll. Kuigi, jah, m\u00f5ne siinse autori k\u00e4e alt libiseks ehk kuratlikum Stalin \u2013 eks tegelikult osaliselt sama trupiga lavastas ju ka Kasterpalu Unduski \u201eBoulgakoffi\u201d, mida ma k\u00fcll pole laval n\u00e4inud, see-eest kunagi lugenud.
Minu teatri-Stalini kogemus on \u2013 kahjuks teleteatrist \u2013 \u201eMeistriklass\u201d T\u00f5nu Kargiga, sarnases situatsioonis Hendrik Toompere jr m\u00e4ngitud Bulgakoviga olid seal ju \u0160ostakovit\u0161 ja Prokofjev (Aarma ja Spriit). Eks ma ootasin nonde kahe Stalini v\u00f5rdlusmomenti, v\u00f5istlust. R\u00f5\u00f5muga saan \u00f6elda, et seda ei tulnud: Kargi \u00fcsna j\u00e4ledaks m\u00e4ngitud, hirmutavam macho-Stalin ja Kanguri pehmem, nagu deemonite k\u00fc\u00fcsis vaevlev, aga sihiteadlik kurjakuju on nii erisugused. Aga hea, et meil on teatriloos see traditsioon olemas, sest ma ikkagi usun, et kurjust, k\u00f5ike saatanlikku ei tohi kunagi unustada. Selle meelespidamine, vaatlemine aitab meil seda eri vormides uuesti \u00e4ra tunda.
\u201eSee on mul n\u00e4rvidest, lihtsalt \u00e4revusest,\u201d vabandab Bulgakov-Toompere oma haiglast olekut juba \u00fcsna lavastuse alguses. Mul oli korraks tunne, et ta enda n\u00e4rvikava ei olnud sellel hetkel Bulgakovis kohal, v\u00f5beles kuskil mujal. Eba\u00f5iglane on muidugi n\u00e4itlejat niiviisi arvustada. Igatsen vahel toda v\u00f5imalust, et kriitik k\u00e4ib prooviperioodil vaatamas ja siis mitmel \u00f5htul takkaj\u00e4rele etendusel ja siis alles kirjutab (kes selle eest talle maksaks?). Ma muidugi m\u00f5istan, et kokkukasvamine mingi asjaga tekitaks ka probleeme. Oleks see siis enam \u00f5iglane, distantsilt kirjutet kriitika? Aga \u00fche \u00f5htu p\u00f5hjal?
Noh, Toompere ei l\u00e4inud kohe k\u00e4ima, tal v\u00f5ttis nii-\u00f6elda tulev\u00f5tmine aega, mul oli isegi tunne, et ehk pani Kanguri Stalini-m\u00e4ngu lust (aga eks pahalast olegi alati \u00e4gedam m\u00e4ngida!) ta paremini k\u00e4ima. Seejuures, edasi, kuni l\u00f5puni, oli Bulgakov selles \u00f5htus kohal.
\u00dcldse, trupp on tugev, aga m\u00f5ned kujud paremini v\u00e4lja maalitud: Maria Avdju\u0161ko veidi karikeeritud vana ajaloo\u00f5petaja Praskovja Karpova hoidis l\u00f5a otsas, noor kirjanik Grigori (Robert Annus) oli ehedalt palavikuline-haiglane, Jaan Rekkori NKVD-ohvitser \u201emitte paha inimene, aga noh, teeb oma t\u00f6\u00f6d\u201d t\u00fc\u00fcpi tegelane.
Tegelikult seisab k\u00f5ik koos, m\u00f5negi stseeni juures olin lausa elevil selle kauge kaja ja maailma ehedusest. Siiski tekkis vahepeal tunne, et materjal ise ja talentide summa laval\/lavalise m\u00f5tlemise taga on suurem kui see, mis end me silme all kaduvaks ajahetkeks etenduseks punub.
Merle Karusoo ei tee kunagi midagi niisama. Pole \u00fchtki lavastust ega s\u00f5nav\u00f5ttu, mille ta oleks moe p\u00e4rast \u00f5hku poetanud, nii et mu loomuomane paranoia hakkas selle sirgjoonelise \u2013 aga siiski v\u00e4ga tiheda \u2013 lavastuse tagant otsima toda p\u00f5hjust. Kui N\u00fcganen n\u00e4itab meile Tammsaaret, siis ta teab v\u00e4ga h\u00e4sti, mis on see lugu, millel tuleb lasta meid k\u00f6ita. Mulle on tema l\u00e4henemine Tammsaarele ikka meeldinud, see on \u00fcks v\u00f5imalik teatrikeel \u2013 ja v\u00e4ga oluline: tead, mis lugu on vaja r\u00e4\u00e4kida, ning lased seda teha v\u00e4ga tugevatel n\u00e4itlejatel.
K\u00f5lab lihtsalt, noh, katla k\u00f5rval piilumata on kerge nii arvata, aga usun, et see kokakunst on ikka palju v\u00e4gevam ja suurem n\u00f5idus, kui lubab aimata pealtn\u00e4ha sujuvalt-lihtsalt kulgev lavapilt. Lavastuse l\u00f5puosas olin ma juba kindel, et Karusoo on ehk tagasihoidlikum, rohkem vaos v\u00f5i peidus kindla eesm\u00e4rgiga. Ja siis see urises minus tasakesi. \u00dcha valjemalt.
Muidugi, kuskil on kriitik(ud) juba maininud, et meie kuri pole ligil\u00e4hedaseltki v\u00f5rreldav toonase Stalini-kujuga. Jah, mis suurt reaalset v\u00f5imu me Ansipitel-Savisaartel ongi. V\u00f5ib-olla t\u00f5esti saavad m\u00f5nele kultuuriinimesele v\u00f5i loovikule kuidagi t\u00f6\u00f6koha lubada (nagu Bulgakovile Stalin) \u2013 selles osas on Savisaar ehk heldem olnud, tal on kombeks (kindlasti mitte t\u00e4iesti omakasup\u00fc\u00fcdmatult) \u2013 s\u00e4\u00e4raseid veidi haige tiivaga linde oma h\u00f5lma alla v\u00f5tta. \u201eMinu tihased ja leevikesed,\u201d \u00fctles ta kord, m\u00f5eldes just linnukesi, aga mina m\u00f5tlesin toona selle \u201eminu\u201d peale.
Aga millele v\u00f5is m\u00f5elda Karusoo? Vaevalt et nondele linnukestele. Muide, \u201eKollaborantidega\u201d samasse s\u00fcgisesse j\u00e4\u00e4b ju \u00fcks kultuuripoliitiline v\u00f5imutruuduse akt ja silmadest soovide lugemise p\u00fc\u00fcd, mis siinse lehe lugejaile kahjuks k\u00fcll l\u00e4hemalt tuttav peaks olema. Nii et midagi siiski! Stalin \u00fctleb Bulgakovile: \u201eT\u00e4nu sinu s\u00fcsteemile r\u00e4\u00e4gime me ainult numbritest, \u00fcksikisikul pole t\u00e4htsust! \u201d \u00dcksikisikul pole t\u00e4htsust. Vaatamata me riiginatukese suhtelisele inimlikkusele ja v\u00f5imurite kentsakusele-t\u00fchisusele v\u00f5rreldes mis tahes totalitaarse re\u017eiimiga, on meil siiski kombeks taandada inimesed arvude keelde. Ja see arvude keel on siin riigis juba hakanud haiget tegema.
Statistikas on isegi negatiivseid asju kuidagi kergem vaadata. Kui k\u00fcmmekond protsenti lapsi elab ikka vaesuses, siis see on k\u00fcmme protsenti kuskil paberil, mitte kellegi nina ees. Need, kes \u00e4ra l\u00e4hevad, on ka vaid arvud. Ehk rehkendavadki kuskil m\u00f5ned ametimehed: et n\u00e4e, iga nii ja nii mitmenda v\u00f5ime me kaotada k\u00fcll, et asi veel inimv\u00e4\u00e4rne paistaks.
Kas n\u00f5nda tahtis meile r\u00e4\u00e4kida Karusoo? V\u00f5i t\u00f5esti, lihtsalt, et meil oleks meeles need koledamad-halvemad ajad, kui me omi tantse \u00fcldse ise valida ei saanud \u2026 Praegu saab ju v\u00e4ga h\u00e4sti: kui oled kunstnikuna n\u00f5us piskuga hakkama saama, siis kuidagi elab \u00e4ra, Stalin ei aja sind ega mind unes taga.
Kangrul-Stalinil oli eesm\u00e4rk k\u00e4tte saada Bulgakovi hing v\u00f5i, noh, korrektsuse huvides, m\u00f5tlemine. V\u00e4hemasti \u201eKollaborantides\u201d see tal \u00f5nnestub. Ta peab selleks punuma geniaalse v\u00f5rgu, terve plaani, kuidas vastane, malem\u00e4ngupartner l\u00f5puni sisse vedada. Nii et suures plaanis on see ikkagi kahe vaimu, kahe n\u00e4itleja duell, mis l\u00f5puks v\u00e4ga h\u00e4sti jooksma hakkab. V\u00f5ib-olla on surm see kangelane, kes Bulgakovi l\u00f5puks kurja k\u00e4est \u00e4ra rebib \u2026
Kes aga meie hinged m\u00fc\u00fcdavuse, tarbimis\u00fchiskonna palju raskemini m\u00e4rgatavast, \u201eleigemast\u201d sulatusahjust v\u00e4lja toob? Et mis sel \u00fchiskonnal siis viga on, k\u00fcsitakse j\u00e4lle. Kas ma virisen-vingun, tahan Karusoo lavastuses ka n\u00e4ha s\u00e4\u00e4rast varjuteatriga hirmutamist (nagu sinna sisse peidetud on Moli\u00e8re\u2019i ja noore Jossifi elu puudutavate etenduste katketega)? Kuna ma muidu kardan, et see v\u00f5ib olla m\u00f5ttetu? Et see k\u00f5ik v\u00f5ib olla m\u00f5ttetu?<\/p>\n","protected":false},"excerpt":{"rendered":"

J\u00fcrgen Rooste, Sirp, 21.02.2014 Merle Karusoo pole kunagi \u00fchtki lavastust ega s\u00f5nav\u00f5ttu niisama moe p\u00e4rast \u00f5hku poetanud. John Hodge\u2019i \u201eKollaborandid\u201d on Eesti Draamateatril ja Merle Karusool muidugi \u00f5ige valik: kom\u00f6\u00f6diana parimal juhul s\u00fcsimust, teemalt s\u00e4\u00e4rane, mis Eesti ajaloohuvilist vaatajat t\u00f5mbab k\u00fcll. Kuigi, jah, m\u00f5ne siinse autori k\u00e4e alt libiseks ehk kuratlikum Stalin \u2013 eks tegelikult […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,243,241,211],"class_list":["post-8766","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-jurgen-rooste","tag-kollaborandid","tag-merle-karusoo"],"acf":[],"yoast_head":"\nStalini-m\u00e4ngu lust. 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