{"id":8867,"date":"2020-10-05T15:56:28","date_gmt":"2020-10-05T12:56:28","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=8867"},"modified":"2020-10-05T15:56:29","modified_gmt":"2020-10-05T12:56:29","slug":"haldjate-reetmine","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/haldjate-reetmine\/","title":{"rendered":"Haldjate reetmine"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 15.08.2012<\/em><\/p>\n\n\n\n

\u201eIslandi kell\u201c ei ole kaugeltki t\u00fc\u00fcpiline suvelavastus.<\/strong><\/p>\n\n\n\n

Draamateatri suure saali lage kattev must palakas kahandab k\u00f5rgusem\u00f5\u00f5det, manab publiku kohale madala s\u00fcnkja laotuse. Ses t\u00f5situmeduses lahti rulluv lavasaaga Nobeli preemia laureaadi Halld\u00f3r Laxnessi romaanist \u201eIslandi kell\u201c (1946) ei ole kindlasti t\u00fc\u00fcpiline suvelavastus. Materjali keerukus, rollide p\u00f5hjatus, s\u00f5numi s\u00fcgavus, t\u00f5stetud atmosf\u00e4\u00e4r \u2013 sellest k\u00f5igest l\u00e4htuv arenguruum tekitas esietendusel kahjutunde, et lavastust m\u00e4ngitakse \u00fcksnes k\u00fcmme korda augustikuus.
Priit Pedajase loomingus haakub \u201eIslandi kell\u201c eelk\u00f5ige iiri lugudega: v\u00e4ljasureva rahva teema tuletas meelde Brian Frieli \u201eT\u00f5lkijaid\u201c (Endla, 1984). Eriliselt puudutabki lavastuses Islandi saatus, v\u00e4ikeriik suurrahvaste meelevallas taandumas ostu-m\u00fc\u00fcgitehinguks. Praeguses globaalmaailmas on \u201epaksu teenri\u201c staatus saanud uue t\u00e4hendusv\u00e4lja. T\u00e4nases p\u00e4evas k\u00f5lab teravalt ka mitme tegelase jaoks eluliselt oluline au m\u00f5iste: paneb t\u00f5siselt m\u00f5tlema, kuiv\u00f5rd on l\u00fchikese s\u00f5na \u201eau\u201c t\u00e4hendus t\u00fchistunud.<\/p>\n\n\n\n

Islandi aimus
<\/strong>\u201eIslandi kell\u201c ei ole pealiskaudselt haaratav romaan ja Benedikt Erlingssoni dramatiseering ei tee vastuv\u00f5ttu h\u00f5lpsamaks. Usun, et eelis on vaatajal, kes algteosega tuttav. Lavaversioonist j\u00e4\u00e4b v\u00e4lja v\u00f5i \u00fcksnes jutustatakse \u00fcmber m\u00f5nigi m\u00e4\u00e4rav hetk peategelaste saatuses, on momente, mille kaotsiminekust t\u00f5siselt kahju.
\u00d5hustiku loomisel kujuneb oluliseks Riina Degtjarenko kujundus, mis h\u00f5lmab erinevaid tegevuspaiku: ahistavaid m\u00fc\u00fcre kui (hinge)vanglat ning lakkamatut Islandi aimust, mille karge loodusetunnetus v\u00e4releb kost\u00fc\u00fcmides. Liisa Hirschi muusika v\u00f5imendab saaga-dramatismi, minu jaoks n\u00e4is poleemiline laulude esitamine heliv\u00f5imendusega, mis tagab k\u00fcll distantseeruva \u00fclevuse, aga seejuures kaob midagi ehedusest.<\/p>\n\n\n\n

Kestmise s\u00fcmbol
<\/strong>Lavastus kinnitab, kui v\u00f5imekas on teatri trupis noorepoolsete keskealiste p\u00f5lvkond, olulisemates rollides n\u00e4eme Pedajase enda 18. lennu ning 16. lennu n\u00e4itlejaid. K\u00f5ige terviklikumaks ja j\u00f5ulisemaks tegelaseks saab popsitalunik ja elup\u00f5line kohtualune J\u00f3n Hreggvi\u00f0sson, kes sisuliselt ongi peategelane ja Islandi kestmise s\u00fcmbol: k\u00f6is tema kaelas seostub k\u00f6iega, mis hoiab \u00fclal Islandi kella.
Jan Uusp\u00f5ld m\u00e4ngib J\u00f3ni veenva sisemise uhkusega, eriti hallip\u00e4isena. J\u00f3ni arutlused \u00f5igluse suhtelisusest, tema silmades v\u00e4lgatav kaval helk ei j\u00e4ta kahtlust, et niisugustel vintsketel n\u00e4htustel p\u00fcsibki rahvas, et visa inimhing on j\u00e4\u00e4vam ka haruldastest kirjalikest \u00fcrikutest, mis ju p\u00f5hinevadki nende \u00fcrghingede loomistungil ja elu m\u00f5testamisel. Sama teemat vahendab m\u00f5jusalt Maria Klens-kaja J\u00f3ni ema rollis.
Hilje Murel Sn\u00e6fr\u00ed\u00f0uri, \u201eIslandi P\u00e4ikese\u201c, linalakk-piiga rollis hoiab huvitavat tasakaalu ja igavest saladust, balansseerides k\u00e4ttesaamatu haldja ja elukatsumustes karastuva naise maise loomuse piiril. Ka Mureli v\u00e4lises rollijoonises n\u00e4eb nii voogav-lainelisi k\u00e4eliigutusi kui p\u00f5ntsuvaid h\u00fcppeid.
Komplitseerituim, suletud sisemaailmaga roll on usaldatud sellest hooajast teatri ansambliga liitunud Indrek Sammulile: Arnas Arn\u00e6us, kuninglik assessor ja muinasp\u00e4randi koguja. Roll on m\u00e4ngitud romantilise pingestatusega, kuhu hetketi libiseb deklaratiivsemaid toone. Selgemini avab Sammul oma tegelaskujus k\u00f5ik Islandi saatusega seostuva.
K\u00e4ttesaamatumaks, tihkema saatuselooriga kaetuks j\u00e4\u00e4b Mureli ja Sammuli partnerluses Sn\u00e6fr\u00ed\u00f0uri ja Arn\u00e6use elukestva armastuse liin, kus kummaliselt v\u00f5rdv\u00e4\u00e4rsed kirg ja vaimsus: juba romaanis on see suhe paotatud keeruliselt ja fragmentaarselt, ent t\u00e4nu sellele ka h\u00f5\u00f5gvel saladusena. T\u00e4itumatu igatsuse kulminatsiooniks kujuneb laval eht-Pedajase laadis viimne unistuslik ja h\u00fcvasti j\u00e4ttev \u00f5huline tants.
Taavi Teplenkov vahendab Sn\u00e6fr\u00ed\u00f0uri armunud pastor Sigurdur Sveinssoni rolli t\u00e4pse kuiva n\u00e4rilisesarmiga. Vastupandamatu mahlaka koomikaga m\u00e4ngib end publiku lemmikuks Mait Malmsten habetunud hambutu joodiku Magn\u00fas Sigur\u00f0ssoni rollis: ehkki romaanis on see mees palju vastikum ja ohtlikum, leevendab Malmteni lavaelu t\u00e4nuv\u00e4\u00e4rselt saagatumedust. Mahendatult 1ahendab ka Tiit Sukk sahkerdja J\u00f3n Marteinssoni rolli.
\u201eIslandi kell\u201c on t\u00f5sine lavastus, mis m\u00f5tiskleb inimeseks olemise p\u00f5hiv\u00e4\u00e4rtuste \u00fcle au, vabaduse, armastuse, reetmise t\u00e4hendusest ja hinnast. Finaalis kuuleme purustatud kell vaikset elusat lootuseheli.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 15.08.2012 \u201eIslandi kell\u201c ei ole kaugeltki t\u00fc\u00fcpiline suvelavastus. Draamateatri suure saali lage kattev must palakas kahandab k\u00f5rgusem\u00f5\u00f5det, manab publiku kohale madala s\u00fcnkja laotuse. Ses t\u00f5situmeduses lahti rulluv lavasaaga Nobeli preemia laureaadi Halld\u00f3r Laxnessi romaanist \u201eIslandi kell\u201c (1946) ei ole kindlasti t\u00fc\u00fcpiline suvelavastus. Materjali keerukus, rollide p\u00f5hjatus, s\u00f5numi s\u00fcgavus, t\u00f5stetud atmosf\u00e4\u00e4r \u2013 sellest […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,261,85,105],"class_list":["post-8867","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-islandi-kell","tag-pille-riin-purje","tag-priit-pedajas"],"acf":[],"yoast_head":"\nHaldjate reetmine - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/haldjate-reetmine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haldjate reetmine - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Pille-Riin Purje, Postimees, 15.08.2012 \u201eIslandi kell\u201c ei ole kaugeltki t\u00fc\u00fcpiline suvelavastus. Draamateatri suure saali lage kattev must palakas kahandab k\u00f5rgusem\u00f5\u00f5det, manab publiku kohale madala s\u00fcnkja laotuse. Ses t\u00f5situmeduses lahti rulluv lavasaaga Nobeli preemia laureaadi Halld\u00f3r Laxnessi romaanist \u201eIslandi kell\u201c (1946) ei ole kindlasti t\u00fc\u00fcpiline suvelavastus. 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