{"id":9805,"date":"2020-10-26T16:18:25","date_gmt":"2020-10-26T13:18:25","guid":{"rendered":"https:\/\/www.draamateater.ee\/?p=9805"},"modified":"2020-10-26T16:18:25","modified_gmt":"2020-10-26T13:18:25","slug":"malestuste-kerimine-kaiamine-ja-korvaleheitmine","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/malestuste-kerimine-kaiamine-ja-korvaleheitmine\/","title":{"rendered":"M\u00e4lestuste kerimine, k\u00e4iamine ja k\u00f5rvaleheitmine"},"content":{"rendered":"\n

Pille-Riin Purje, Postimees, 09.11.2010<\/em><\/p>\n\n\n\n

Draamateatri lavastus kahest Samuel Becketti l\u00fchin\u00e4idendist on stiilipuhas pingestatud tervik, mille j\u00e4lgimine n\u00f5uab tugevat kontsentratsiooni ja harjumusp\u00e4rasest poole intensiivsemat kohalolekut ka publikult.<\/strong><\/p>\n\n\n\n

Kummati tundus esietendusel, et siinmail seni m\u00e4ngimata n\u00e4idendit \u00abSammumisi\u00bb (\u00abFootfalls\u00bb, 1975, t\u00f5lkinud Doris Kareva) j\u00e4lgisime saalis hetketi kui eelm\u00e4ngu v\u00f5i pelgalt proloogi, hinges lapselik ootus\u00e4revus: millal ometi saabub mister Krapp ise?!<\/p>\n\n\n\n

Ent Rein Oja lavastus liidab kaks vaid esmapilgul eriilmelist teksti vargsi ja v\u00e4\u00e4ramatult huvitavaks ja m\u00f5istatuslikuks sissevaateks inimellu ja -m\u00e4llu. \u00abSammumisi\u00bb paneb proovile meie keskendumissuutlikkuse v\u00e4lises staatilisuses ja heas m\u00f5ttes kuuldem\u00e4ngulises re\u017eiis, mis sisaldub nii Kaie Mihkelsoni May sammude muutlikes helides kl\u00f5psatustest sahinani kui ka Ester Pajusoo ema lavataguse h\u00e4\u00e4le imelistes helgetes varjundites.<\/p>\n\n\n\n

Luuleteose sugestiivsuse loob Doris Kareva kaunis, viimse n\u00fcansini lihvitud t\u00f5lge, mille sisima muusika n\u00e4itlejate intonatsioonid esile toovad, l\u00e4bim\u00f5eldud kontrastidega Pajusoo ja Mihkelsoni h\u00e4\u00e4lte k\u00f5lav\u00e4rves. Kuulatasin teksti m\u00f5ni viiv suletud silmil, et s\u00fc\u00fcvida, ehkki Kaie Mihkelsoni hallikas looritatud kost\u00fc\u00fcm lisas kummastatud m\u00f5\u00f5tme haldjariigi ja mullakssaamise piirimailt. Tahaks Kareva t\u00f5lget ka lahtiste silmega lugeda.<\/p>\n\n\n\n

M\u00e4llu s\u00f6\u00f6bis \u00fcks refr\u00e4\u00e4ns\u00f5nu \u00abk\u00e4iamine\u00bb, millel k\u00f5laline sarnasus \u00abk\u00e4imisega\u00bb, aga m\u00f5juv\u00e4li tunduvalt ohustavam, sissel\u00f5ikavam kui n\u00e4iteks m\u00e4lestuste \u00abketramine\u00bb. V\u00f5i \u00abkerimine\u00bb, n\u00f5ndamoodi edasi-tagasi, nagu toimetab Ain Lutsepa Krapp oma magnetofonilintidega, lisades vallatu isikliku rituaali: lindi kerimise ajal p\u00f6\u00f6rleb mees ise innukalt \u00fcmber tooli, kord p\u00e4ri-, kord vastup\u00e4eva.<\/p>\n\n\n\n

S\u00f5nam\u00e4nguline s\u00fcrpriis tabas \u00abKrappi viimase lindi\u00bb l\u00f5pu liginedes, kui oma noorush\u00e4\u00e4lt kuulatanud Krapp j\u00e4rsku osatas m\u00e4lupilti, kuis ta lebas koos naisega paadis. Lausekatke \u00abheida tema k\u00f5rvale!\u00bb sai hoopis teise t\u00e4henduse, kui Lutsepa Krapp nii h\u00fc\u00fcdes hooga p\u00fchkis laualt lindiketta. \u00abHeita kellegi k\u00f5rvale\u00bb t\u00e4histab illusiooni elu ja seega ka m\u00e4lu jagamisest \u2013 \u00abheita miski k\u00f5rvale\u00bb seevastu arvete\u00f5iendamist m\u00e4luga, l\u00e4bielatu trotsivat t\u00fchistamist.<\/p>\n\n\n\n

Ain Lutsepa Krapp, kes kannab h\u00e4rrasmehe keigarihelgiga vesti, \u00fcllatab vitaalse eluhuumoriga. Selle Krappi lavaelust ei hoova eksistentsiaalset pessimismi ega elu kaduvuse haprust, Lutsepp vangistab vaatajaid teiste vahenditega (kui J\u00e4rvet, on kiusatus m\u00e4lule ja legendile toetudes lisada), jultunuma jaatavama koomikaga.<\/p>\n\n\n\n

Omajagu v\u00f5imendab seda kontrast \u00abSammumisi\u00bb l\u00e4bitud t\u00f5simeelse hingemaastikuga ja publik reageerib erksaks virguva r\u00f5\u00f5muga. Krapp on veendunud, et ei taha minevikku tagasi \u2013 ja minu kogemuses k\u00fcll esmakordselt k\u00f5laski see veenvalt, mitte varjatud kahetsusena, et elu j\u00e4\u00e4nud elamata. Ju t\u00e4histab see olevikus\u00fcdikus \u00fcksiti n\u00e4itlejas heledalt h\u00f5\u00f5guvat m\u00e4ngurileeki.<\/p>\n\n\n\n

Ja miks ka mitte m\u00e4ngida Becketti \u00abKrappi viimast linti\u00bb eelarvamustevaba kom\u00f6\u00f6diatunnetusega. Ma vaatajana ju veel ei aima, mis s\u00fcnnib teatrim\u00e4lus draamateatri uue lavastusega. Kas hakkab miski aastate m\u00f6\u00f6dudes k\u00e4iama? Kas lint laguneb tagasi-edasi kerides? Kas n\u00e4itleja h\u00e4\u00e4lek\u00f5la j\u00e4\u00e4b p\u00fcsivamaks ta silmavaatest?<\/p>\n\n\n\n

Uus lavastus
Samuel Beckett \u00abSammumisi\u00bb ja \u00abKrappi viimane lint\u00bb
\u2022 Lavastus ja kujundus Rein Oja
\u2022 Osades Kaie Mihkelson, Ester Pajusoo, Ain Lutsepp
\u2022 Esietendus 7. novembril Eesti Draamateatri maalisaalis<\/p>\n","protected":false},"excerpt":{"rendered":"

Pille-Riin Purje, Postimees, 09.11.2010 Draamateatri lavastus kahest Samuel Becketti l\u00fchin\u00e4idendist on stiilipuhas pingestatud tervik, mille j\u00e4lgimine n\u00f5uab tugevat kontsentratsiooni ja harjumusp\u00e4rasest poole intensiivsemat kohalolekut ka publikult. Kummati tundus esietendusel, et siinmail seni m\u00e4ngimata n\u00e4idendit \u00abSammumisi\u00bb (\u00abFootfalls\u00bb, 1975, t\u00f5lkinud Doris Kareva) j\u00e4lgisime saalis hetketi kui eelm\u00e4ngu v\u00f5i pelgalt proloogi, hinges lapselik ootus\u00e4revus: millal ometi saabub mister […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[83,329,85,279],"class_list":["post-9805","post","type-post","status-publish","format-standard","hentry","category-meedia","tag-draamateater","tag-krappi-viimane-lint-sammumisi","tag-pille-riin-purje","tag-rein-oja"],"acf":[],"yoast_head":"\nM\u00e4lestuste kerimine, k\u00e4iamine ja k\u00f5rvaleheitmine - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/malestuste-kerimine-kaiamine-ja-korvaleheitmine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e4lestuste kerimine, k\u00e4iamine ja k\u00f5rvaleheitmine - Draamateater\" \/>\n<meta property=\"og:description\" content=\"Pille-Riin Purje, Postimees, 09.11.2010 Draamateatri lavastus kahest Samuel Becketti l\u00fchin\u00e4idendist on stiilipuhas pingestatud tervik, mille j\u00e4lgimine n\u00f5uab tugevat kontsentratsiooni ja harjumusp\u00e4rasest poole intensiivsemat kohalolekut ka publikult. 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