{"id":990,"date":"2019-09-05T12:52:22","date_gmt":"2019-09-05T09:52:22","guid":{"rendered":"https:\/\/stage.www.draamateater.ee\/?p=990"},"modified":"2019-09-05T12:52:22","modified_gmt":"2019-09-05T09:52:22","slug":"tunnike-rahu-mineku-eel-pm","status":"publish","type":"post","link":"https:\/\/www.draamateater.ee\/en\/meedia\/tunnike-rahu-mineku-eel-pm\/","title":{"rendered":"Tunnike rahu \u2013 mineku eel (PM)"},"content":{"rendered":"\n

TUNNIKE RAHU \u2013 MINEKU EEL<\/strong>
Pille-Riin Purje<\/strong><\/p>\n\n\n\n

Eestis on seni lavastatud neli Florian Zelleri n\u00e4item\u00e4ngu, ent \nnendegi p\u00f5hjal tekib mulje, et kirjanik kujub \u00fcht suuremat p\u00fc\u00fcnisv\u00f5rku, \nkus mustrid korduvad \u2013 just nimelt kujub, see s\u00f5na j\u00e4i silma Tammsaare \nromaanist “Elu ja armastus” ja seostub kujutelmadega.<\/em><\/p>\n\n\n\n

Kaks \u00e4sja esietendunud Zelleri n\u00e4idendit tekitavad d\u00e9j\u00e0-vu-efekti. \n“Tunnike rahu” on l\u00e4hisuguluses samuti puhtakujulise farsiga “T\u00f5de ehk \nValetamise meistriklass”, mille lavastas Roman Baskin projektiteatris \nKell K\u00fcmme 2016. aasta suvel ja m\u00e4ngis ise peaosalist Micheli, kes \np\u00f6\u00f6rleb valede karussellil koos abikaasa ja armukesega, kes \u00fcksiti on ta\n parima s\u00f5bra naine. Ka “Tunnikese rahu” peategelase nimi on Michel, \nnaiste nimed \u00f5nneks v\u00f5i kahjuks ei kattu. Aga valetamise mudel on ikka \nsama, Micheli roll tulvil v\u00e4lkkiireid kohandumisi, vilkaid \n\u00fcmberl\u00fclitumisi.<\/p>\n\n\n\n

Robert Annuse intelligentses kom\u00f6\u00f6dialavastuses m\u00e4ngib Micheli Taavi \nTeplenkov, kelle t\u00fc\u00fcne d\u00e4ndisarm on \u00fcpris erinev Roman Baskini rolli \ntemperamendi-iilidest, ehkki egotsentrismi v\u00f5ib v\u00f5rrelda. Kogu lavastus \nhoiab kerget k\u00f5rvalmuiet, kuigi farsi p\u00e4ristemperatuuri \u00fcle ei maksa \notsustada esietenduse p\u00f5hjal.<\/p>\n\n\n\n

Eugen Tamberg on lavaruumi kujundanud esteetiliseks klantskoduks, \nhiiglasuur lillebukett m\u00f5jub omajagu iroonilisena, aga id\u00fclli \nenesepetlik illusioon s\u00e4ilib Micheli kodus peaaegu viimse \nm\u00e4ngusekundini, kauaoodatud heliplaadimuusika elegantse pu\u00e4ndini \n(muusika ja helikujundus Ardo Ran Varres).<\/p>\n\n\n\n

P\u00f5nev, samas valusalt m\u00f5tlemapanev on, kuis Annus ja Teplenkov \nl\u00f5petavad lavastuse sametise k\u00fcnismiga. Roman Baskin kinkis oma \nMichelile t\u00f5ele n\u00e4kku vaatava tragikoomilise finaalikarje, Teplenkovi \nMichel j\u00e4\u00e4b truuks lipukirjale “me, myself and I”.<\/p>\n\n\n\n

V\u00e4hemasti esietendusel n\u00e4is, et vankumatu enesearmastus ei j\u00e4ta \nMicheli iialgi maha, v\u00f5imutses stiilne, v\u00e4rskendavalt halastamatu happy end<\/em>\u2019i\n paroodia. Paras ninanips! Armutut s\u00f5numit toonitab \u00fcksmeelselt kogu \nn\u00e4itetrupp. Eriti k\u00fctkestavalt kiirgavad enesekesksust daamid: \nminimalismimeister Hilje Murel Nathalie osas naudib oma frustratsiooni, \nduetis Teplenkoviga on igal sekundil tuntav abielustaa\u017e; Merle Palmiste \nperekonnas\u00f5branna Elsana n\u00e4ib piiritult heasoovlik, suisa emalik, aga \npealispinna all kobrutab temalgi puhts\u00fcdamlik \u00f5elus (s\u00f5nast \u00f5de!), mis \nneid Nathalie\u2019ga l\u00e4hendab.<\/p>\n\n\n\n

Micheli poeg, 30-aastane Sebastian on Karmo Nigulal lodeva \nkehakeelega igavene pubekas, kes ei saagi l\u00f5puni sotti, mis toimub \nmaailmas v\u00e4ljaspool tema minakest \u2013 pole ka ime, oma vanemate v\u00f5suke. \nIndrek Sammul serveerib m\u00f5nuga majas\u00f5ber Pierre\u2019i sarmitust, mehikese \n\u00fcliigav positiivsus loob lahke pinnase n\u00e4itleja tulevasteks krutskiteks.\n Raimo Pass karikeerib torumees Leo siiralt h\u00e4diseks. Martin Veinmanni \nhall naabrimees Pavel n\u00e4ib flegmaatiline ja pika taibuga, aga see on \nkattevari, mille alt vilksatab \u00fcksildus, aga ka ses majas haruldane \nv\u00f5ime ligimesi p\u00e4riselt m\u00e4rgata.<\/p>\n\n\n\n

P\u00e4ev hiljem esietendus Linnateatri Taevalaval Zelleri hoopis teises \n\u017eanris n\u00e4idend “Mineku eel”, lavastaja Hendrik Toompere. Ses tekstis on \ntuntav \u00fchisosa “Isaga”, mis Theatrumi m\u00e4ngukavas (lavastaja Maria \nPeterson, peaosas Lembit Peterson), kolm tegelast kannavad kahes \nlavaloos samu nimesid: isa Andr\u00e9, t\u00fctred Anne ja \u00c9lise. V\u00f5iks \nfantaseerida, kas “Isa” on “Mineku eel” j\u00e4tk, Andr\u00e9 m\u00e4luh\u00e4irete \nprogresseerumine. Aga see on vaid boonus, mis ei kahanda Taevalava \nunen\u00e4om\u00e4ngu vastuv\u00f5ttu suver\u00e4\u00e4nsena.<\/p>\n\n\n\n

Siin on Jaanus Laagrik\u00fclli stsenograafia veelgi kaunim ja \n\u00f5itek\u00fcllasem, muide, liiliabukett domineerib m\u00f5lemal laval eri \nt\u00e4hendusv\u00e4ljaga. “Mineku eel” proloogi vihmavalingus seisatab isa Andr\u00e9 \u2013\n Andrus Vaarik \u2013 oma naise k\u00fclluslikus aias, viibib \u00fcksinduses kaua, \nk\u00fcsivalt, m\u00f5tlikult. K\u00f5ik, mis j\u00e4rgneb, balansseerib unen\u00e4o, ehedate \nm\u00e4lupiltide ja kaheldava oleviku \u00f5hedal noateral.<\/p>\n\n\n\n

Anne Reemanni ema Madeleine on koduhoidja, lohutavalt t\u00f5eline oma \nturukoti, seente ja k\u00f6\u00f6giviljadega. Kui vaid neid liiliaid silme ees ei \noleks. Vaariku ja Reemanni hoidev koosm\u00e4ng sisaldab hoopis teist masti \nabielu kui “Tunnikese rahu” farsitont. See partnerlus k\u00e4ivitab veel \u00fche \nassotsiatsioonide voo: tuli meelde Madis K\u00f5ivu “Tagasitulek isa juurde”,\n kahe lavastuse kaudu korraga. M\u00e4ngis ju Vaarik peremeest Priit Pedajase\n lavastuses (Eesti Draamateater 1993) ja Reemann m\u00e4ngib ema sealsamas \nTaevalaval Adolf \u0160apiro lavastuses.<\/p>\n\n\n\n

Veel \u00fcks kentsakas allusioon k\u00fclastas mind, kui vaatlesin k\u00f5rgelt \nk\u00fcmnendast reast Andrus Vaarikut, kes Andr\u00e9na s\u00f5natult seisis eeslaval \nvasemal, pingsalt \u00fcmbritsevat endasse koondades \u2013 ta n\u00e4is h\u00e4mmastavalt \nsarnane Ain Lutsepaga, kes ju m\u00e4ngis K\u00f5ivu “Tagasitulekus” isa! (Esimest\n korda puutus too ootamatu, mu meelest \u00fcsna ebaloogiline sarnasus silma \nlavastuses “Noad kanade sees”.) Ei mina tea, mismoodi teatriuned me \nv\u00e4ikest elu piiravad, aga kohal nad on ja mida aeg edasi, seda rohkem. \nV\u00f5ib-olla viib seegi teerada Alzheimeri r\u00fcppe?!<\/p>\n\n\n\n

Toompere lavastuse irratsionaalsus voolab \u00f5rnalt, sujuvalt, langeb \npublikule peale nagu soe suvine vihm. Nagu lohutus. Osalised n\u00e4ivad \nelulised, nad teotseksid justkui loomulikult. T\u00fctred Anne (Elisabet \nReinsalu) ja \u00c9lise (Sandra Uusberg) on kumbki oma isikup\u00e4ras naiselikud,\n Anne kuulub koju emat\u00fctrena, \u00c9lise hulgub pigem iseendas, naaseb, hajub\n j\u00e4lle. Tema satelliit, kavalehel nimeta mees, on Priit Piusi napis \nuitlevas lavaelus argiselt kohal, aga labidat ihub kui vikatimees mullu \nja muiste. Ikkagi pungub k\u00f5iges veel mingi salailm.<\/p>\n\n\n\n

Ehkki Toompere re\u017eiile iseloomulik f\u00fc\u00fcsiline ekstsentrilisus ilmneb \n\u00fclimalt hillitsetult, on seda k\u00f6itvam j\u00e4lgida, mismoodi tegelaste jalad \nhakkavad korraga ja korraks elama oma elu, sooritama \u00fclakehast \ns\u00f5ltumatuid poognaid. Teistest defineerimatum, vaimustavalt deformeeruv \nolend on perekonna r\u00fcppe tungiv v\u00f5\u00f5ras naine, keda Ursula Ratasepp \nm\u00e4ngib v\u00f5luva uneloogikaga, eatuna, kiuslikuna, s\u00fc\u00fcdimatuna, eksleja ja \neksitajana. Naine kuuluks ka nagu K\u00f5ivu universumisse, sobiks \u00fchte paati\n Piret Kalda Annaga “Tagasitulekust isa juurde”.<\/p>\n\n\n\n

Kahe lavastuse finaalid k\u00f5netavad teineteist, \u00fcksiti vastandudes. \nM\u00f5lemal puhul l\u00f5pp on muusika. “Tunnikese rahu” Micheli unelmate \nd\u017e\u00e4ssiplaat paneb farsile sarkastilise h\u00fc\u00fcum\u00e4rgi, mil pole v\u00e4himatki \npistmist hingerahuga. “Mineku eel” l\u00f5pus j\u00e4\u00e4b voogama ooperiaaria \n(Puccini “Gianni Schicchi”), eleegiline ja ometi helge. Isa ja ema \nhoiavad teineteist: ilmsi v\u00f5i m\u00e4lestustes, k\u00f5ik on kokku unen\u00e4gu. Enne \nv\u00f5i p\u00e4rast seda viivu, kui isa pilk langeb mustale \nkaastundekaardikesele, l\u00e4bistab m\u00e4luruumi kuldne valguskiir. Lootus, et \nmineku eel on siiski v\u00f5imalik kogeda rahu. Juhul, kui s\u00fcda jaksab \narmastada.<\/p>\n\n\n\n

Postimees, 01.11.2018<\/p>\n","protected":false},"excerpt":{"rendered":"

TUNNIKE RAHU \u2013 MINEKU EELPille-Riin Purje Eestis on seni lavastatud neli Florian Zelleri n\u00e4item\u00e4ngu, ent nendegi p\u00f5hjal tekib mulje, et kirjanik kujub \u00fcht suuremat p\u00fc\u00fcnisv\u00f5rku, kus mustrid korduvad \u2013 just nimelt kujub, see s\u00f5na j\u00e4i silma Tammsaare romaanist “Elu ja armastus” ja seostub kujutelmadega. Kaks \u00e4sja esietendunud Zelleri n\u00e4idendit tekitavad d\u00e9j\u00e0-vu-efekti. “Tunnike rahu” on l\u00e4hisuguluses samuti […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-990","post","type-post","status-publish","format-standard","hentry","category-meedia"],"acf":[],"yoast_head":"\nTunnike rahu \u2013 mineku eel (PM) - Draamateater<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.draamateater.ee\/en\/meedia\/tunnike-rahu-mineku-eel-pm\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tunnike rahu \u2013 mineku eel (PM) - Draamateater\" \/>\n<meta property=\"og:description\" content=\"TUNNIKE RAHU \u2013 MINEKU EELPille-Riin Purje Eestis on seni lavastatud neli Florian Zelleri n\u00e4item\u00e4ngu, ent nendegi p\u00f5hjal tekib mulje, et kirjanik kujub \u00fcht suuremat p\u00fc\u00fcnisv\u00f5rku, kus mustrid korduvad \u2013 just nimelt kujub, see s\u00f5na j\u00e4i silma Tammsaare romaanist “Elu ja armastus” ja seostub kujutelmadega. Kaks \u00e4sja esietendunud Zelleri n\u00e4idendit tekitavad d\u00e9j\u00e0-vu-efekti. “Tunnike rahu” on l\u00e4hisuguluses samuti […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.draamateater.ee\/en\/meedia\/tunnike-rahu-mineku-eel-pm\/\" \/>\n<meta property=\"og:site_name\" content=\"Draamateater\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/draamateater\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-05T09:52:22+00:00\" \/>\n<meta name=\"author\" content=\"Kristin Viljamaa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kristin Viljamaa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/tunnike-rahu-mineku-eel-pm\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/tunnike-rahu-mineku-eel-pm\\\/\"},\"author\":{\"name\":\"Kristin Viljamaa\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/#\\\/schema\\\/person\\\/751d7d77c99a62dccc3d394f239c2945\"},\"headline\":\"Tunnike rahu \u2013 mineku eel (PM)\",\"datePublished\":\"2019-09-05T09:52:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/tunnike-rahu-mineku-eel-pm\\\/\"},\"wordCount\":993,\"commentCount\":0,\"articleSection\":[\"Meedia\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/tunnike-rahu-mineku-eel-pm\\\/\",\"url\":\"https:\\\/\\\/www.draamateater.ee\\\/en\\\/meedia\\\/tunnike-rahu-mineku-eel-pm\\\/\",\"name\":\"Tunnike rahu \u2013 mineku eel (PM) - 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